In the past, the Hong Kong music scene left us with too many beautiful and classic memories, from Tan Zhang to the four kings, arching the prosperity of the Hong Kong pop music scene.
Next, we look back at the Hong Kong music scene, the iconic figures of various eras, the last one, despite the hopelessness of the gods, is still a generation of heroes of Hong Kong Music, and I am afraid that no one in the future can climb over!
1 Xu Guanjie
The founder of the Cantonese pop music scene, the groundbreaking credit can not be replaced, the contemporaries Luo Wen, Guan Zhengjie, Yip Chun Tong, Lin Zixiang, technology can not replace the status of Hong Kong song gods.
2 Tam Wing Lin
The principal of the Hong Kong music scene, spanning five generations of 70/80/90/00/10, has now become a "living fossil" of the Chinese music scene, Tan Zhang competed for hegemony for a while, the three kings and one queen led the storm, Tan Yonglin: there is a song god but no name of the song god.
3 Jacky Cheung
After Xu Guanjie was crowned a god, he jumped from the Hong Kong song god to the song god of the entire Chinese world, and became the object of worship of singers in later generations, although the names of the four heavenly kings were loud, but the music world merits xueyou brother carried the top, which is deserved.
4 Eason Chan
Eason Chan has always been the most eye-catching heir of the "successor of the god of song", but now that the music of Hong Kong is weak, even if the hat of the god of song is given to him, I am afraid that it will not be able to revive the glory of the past, some people say that he is the fig leaf of the Hong Kong music scene, but for the development of Cantonese songs, the efforts of Eason Chan over the years can not be replaced.