preface:
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Liu Junchuan, born in April 1914 in Suzhou, Anhui Province, is an old man in Heshan and the owner of Yilin. He is currently a librarian of the Jiangsu Provincial Research Museum of Literature and History, the vice president of the Jiangnan Poetry Calligraphy and Painting Institute of Jiangsu Province, and a member of the Chinese Calligraphers Association. The older generation of outstanding calligraphy practitioners, the famous North Monument giant hand. Good book a variety of styles, the line of grass is good, with the calligraphy of the calligraphy and Wei stele is highly valued in the world, and has won the praise of the world.
Liu Junchuan's "Post-Chibi Fu" appreciation
I became inextricably linked to the art of calligraphy when I entered a private school at the age of seven. At that time, I didn't know that calligraphy was a national art, but I just liked to write brush characters. My uncle Li Mengfei was extremely strict with my practice of calligraphy, which can be described as a firefly window snow case, and I practiced Linchi. By the age of fourteen he was able to write inscriptions for others. And I was praised by the elders, which was a kind of excitement for me, and Yu Fa loved calligraphy. It can be said that if I had not had the strict requirements and care of my uncle when I was young, I might not have gone so far in the art of calligraphy. At that time, I studied Tang Steles, and I always pursued and understood the art of calligraphy, and by my youth, I felt that I could not satisfy myself. At that time, Weibei calligraphy was flourishing in the book world since the middle and late Qing Dynasties, and Tang was the main attack on Weibei, and at the same time, he also had more than enough care for Hanbei, Wang Xizhi, Sun Guoting, Zhao Ziang and Wen Zhiming, and did not abandon it. In the 1930s, I was instructed by Mr. Yu Songling, a disciple of the Taoist Li Ruiqing. Mr. Yu graduated from Nanjing Liangjiang Normal School when Li Ruiqing was the principal in his early years, and his Weibei calligraphy was very exquisite, which was my Weibei calligraphy enlightenment teacher. To this day, I still treasure the large couplet that he wrote for me in Weibei calligraphy: "Tolerance is great, no desire is just". In my eighty years of pen and ink career, I can deeply appreciate the bitterness and joy in it, and also deeply realize that if there is any achievement in art, it is still necessary to persevere, explore up and down, work silently, and do not ask about the harvest. There is a way: Heaven rewards diligence!