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Qian Du, one of the representative figures of Qing Dynasty painters, is mainly based on thin brushes and light colors, and the pen is loose and meticulous

Qian Du (1764-1845), originally known as Yu, Zi Shu Ming, renamed Du, Zi Shu Mei, Song Ju Xiao Yin, also known as Song Ju, also known as Hu Gong, No. Ju Shi, Qiantang people.

Qian Du was born as a eunuch, Qian Shudi, Jiaqing five years (1800) jinshi, official to the chief. Sex is idle and free, easy to travel, and has traveled through Yunnan, Sichuan, Hubei, Henan, Hebei, Shanxi and other places in his life. In the ninth year of Jiaqing (1804), he lived in Jiading (now part of Shanghai), and in the twenty-second year of Daoguang (1842), the British army attacked Zhejiang, avoided Yangzhou, and died in Kexiang.

Gong poetry, good at calligraphy and painting. Qian Du composed the poems of The Tang Dynasty Cen Shan and Wei Yingwu, and the poetry is clear. Calligraphy Tang Chu Suiliang and Yu Shinan, have a gentle atmosphere of Qingjun. The flower master Yun Shouping, the characters and ladies are all exquisite.

Good at painting landscapes, patriarchal Zhao Lingyong, Zhao Mengfu, Wang Meng, etc., especially thanks to Wen Zhengming, with fine pens and light colors, the pen is loose and meticulous, and it becomes its own face. The painted mountain stones and human figures can be ingenuity in simplicity, which is quite decorative.

Especially love to paint mountain temples, Buddha statues, or apply heavy colors, golden splendor, meteorological solemnity, solemnity. Zhao Mengjian, the painter of plums, was evacuated in the cold and was on a par with Jin Nong and Luo Ping. He is the author of "Pine Pot Painting", "Pine Pot Painting Memories" and so on.

Qian Du, one of the representative figures of Qing Dynasty painters, is mainly based on thin brushes and light colors, and the pen is loose and meticulous

"Pine Creek Night Pan Map"

Qian Du, one of the representative figures of Qing Dynasty painters, is mainly based on thin brushes and light colors, and the pen is loose and meticulous
Qian Du, one of the representative figures of Qing Dynasty painters, is mainly based on thin brushes and light colors, and the pen is loose and meticulous
Qian Du, one of the representative figures of Qing Dynasty painters, is mainly based on thin brushes and light colors, and the pen is loose and meticulous
Qian Du, one of the representative figures of Qing Dynasty painters, is mainly based on thin brushes and light colors, and the pen is loose and meticulous
Qian Du, one of the representative figures of Qing Dynasty painters, is mainly based on thin brushes and light colors, and the pen is loose and meticulous
Qian Du, one of the representative figures of Qing Dynasty painters, is mainly based on thin brushes and light colors, and the pen is loose and meticulous
Qian Du, one of the representative figures of Qing Dynasty painters, is mainly based on thin brushes and light colors, and the pen is loose and meticulous
Qian Du, one of the representative figures of Qing Dynasty painters, is mainly based on thin brushes and light colors, and the pen is loose and meticulous
Qian Du, one of the representative figures of Qing Dynasty painters, is mainly based on thin brushes and light colors, and the pen is loose and meticulous
Qian Du, one of the representative figures of Qing Dynasty painters, is mainly based on thin brushes and light colors, and the pen is loose and meticulous
Qian Du, one of the representative figures of Qing Dynasty painters, is mainly based on thin brushes and light colors, and the pen is loose and meticulous
Qian Du, one of the representative figures of Qing Dynasty painters, is mainly based on thin brushes and light colors, and the pen is loose and meticulous
Qian Du, one of the representative figures of Qing Dynasty painters, is mainly based on thin brushes and light colors, and the pen is loose and meticulous
Qian Du, one of the representative figures of Qing Dynasty painters, is mainly based on thin brushes and light colors, and the pen is loose and meticulous
Qian Du, one of the representative figures of Qing Dynasty painters, is mainly based on thin brushes and light colors, and the pen is loose and meticulous
Qian Du, one of the representative figures of Qing Dynasty painters, is mainly based on thin brushes and light colors, and the pen is loose and meticulous
Qian Du, one of the representative figures of Qing Dynasty painters, is mainly based on thin brushes and light colors, and the pen is loose and meticulous
Qian Du, one of the representative figures of Qing Dynasty painters, is mainly based on thin brushes and light colors, and the pen is loose and meticulous
Qian Du, one of the representative figures of Qing Dynasty painters, is mainly based on thin brushes and light colors, and the pen is loose and meticulous
Qian Du, one of the representative figures of Qing Dynasty painters, is mainly based on thin brushes and light colors, and the pen is loose and meticulous
Qian Du, one of the representative figures of Qing Dynasty painters, is mainly based on thin brushes and light colors, and the pen is loose and meticulous
Qian Du, one of the representative figures of Qing Dynasty painters, is mainly based on thin brushes and light colors, and the pen is loose and meticulous
Qian Du, one of the representative figures of Qing Dynasty painters, is mainly based on thin brushes and light colors, and the pen is loose and meticulous
Qian Du, one of the representative figures of Qing Dynasty painters, is mainly based on thin brushes and light colors, and the pen is loose and meticulous
Qian Du, one of the representative figures of Qing Dynasty painters, is mainly based on thin brushes and light colors, and the pen is loose and meticulous
Qian Du, one of the representative figures of Qing Dynasty painters, is mainly based on thin brushes and light colors, and the pen is loose and meticulous
Qian Du, one of the representative figures of Qing Dynasty painters, is mainly based on thin brushes and light colors, and the pen is loose and meticulous
Qian Du, one of the representative figures of Qing Dynasty painters, is mainly based on thin brushes and light colors, and the pen is loose and meticulous
Qian Du, one of the representative figures of Qing Dynasty painters, is mainly based on thin brushes and light colors, and the pen is loose and meticulous
Qian Du, one of the representative figures of Qing Dynasty painters, is mainly based on thin brushes and light colors, and the pen is loose and meticulous
Qian Du, one of the representative figures of Qing Dynasty painters, is mainly based on thin brushes and light colors, and the pen is loose and meticulous
Qian Du, one of the representative figures of Qing Dynasty painters, is mainly based on thin brushes and light colors, and the pen is loose and meticulous

Qing Qian Du Chen Wenshu Poetic Album

Qian Du, one of the representative figures of Qing Dynasty painters, is mainly based on thin brushes and light colors, and the pen is loose and meticulous

(1) Gju Shanggu.

Cloud Garden Flower Feast. Nostalgic rain also. Traveling to Jinghua, Yusun Guyun attacked Boyun to paint the garden for three years. On the eve of the flower moon, the wine is given to poetry for fun. Three years of Spring Ming live, Qin Zun knows the old home. Gaotai autumn moon, Xiao Xie late evaluation of flowers. Scrap the hill to find the spring swallow, and the empty court scatters the twilight. Therefore, hou hou has not been obtained, and he remembers the end of the world.

Qian Du, one of the representative figures of Qing Dynasty painters, is mainly based on thin brushes and light colors, and the pen is loose and meticulous

(2) Imitation of Cao Zhibai.

Spirit Hidden Book. Thoughts on writings also. The books in Lang Huanzhong were hidden in Lingyin, because they were hidden by the books. A thousand autumns are not inevitable, a roll to the famous mountain. Graphite monk protection, green lantern ancient Buddha room. The name is half the world, and the copy is out of the world. There are very few authors, and he is a class.

Qian Du, one of the representative figures of Qing Dynasty painters, is mainly based on thin brushes and light colors, and the pen is loose and meticulous

(3) Imitation of the owner of The Wave.

Secretary of The Ou Bo. Comfort sustenance also. Guan Ji Xiangyu interprets poetry books, and loves Han Mo. He is the secretary of Yu Zhao, and his residence is known as the Ozawa Hall. Beauty Yi's pipe, small gull wave outside the flower. Painting cabinet smoke cloud offering, book immortal Han Moduo. The sound of the piano is late at night, and the curtain is rolling in the autumn river. Water pavilion makeup place, near the pool point daisy.

Qian Du, one of the representative figures of Qing Dynasty painters, is mainly based on thin brushes and light colors, and the pen is loose and meticulous

(4) Wu Zhongguiyi. Shumei.

Great Wall Autumn Moon. Ji Yuanyou also. 癸 ugly (1793) autumn from LangHuan Zhongcheng Rehe also, Sugu North Mouth. At night, the moon is out of the city, and the ancient mirror is out of the box. The blue sky is a bright moon, and the shadow shines on the Great Wall. The old colors of the bright moon, the ancient love of the Great Wall. Hu Ji Qinghai complained, Qiang Di Yu Guan sheng. Looking back at the YinShan Road, the Expedition of Cool Autumn Affairs.

Qian Du, one of the representative figures of Qing Dynasty painters, is mainly based on thin brushes and light colors, and the pen is loose and meticulous

(5) Use the Yellow Crane Mountain Tree Method.

Rongguan Poetry League. Reminiscences also. Ronghu Yang Nongbu poetry school and Yu Tong out of the plum village sacrifice wine, the world known as Yang Chen. Chasing Yuan Bai, Xiong Qi hugged Du Han. The poets pushed the sacrificial wine, and my generations complained about the altar. Fear of the spring flowers, chant late at night moon remnants. In the old days, the land was full of fallen leaves.

Qian Du, one of the representative figures of Qing Dynasty painters, is mainly based on thin brushes and light colors, and the pen is loose and meticulous

(6) Imitate the absurd intentions of the big idiot in his later years. Shumei.

Daiyue looks at the clouds. Si Kin also. Xin Youchun and Pan Black Tea Kings went north, passing through Mount Tai, looking south at the white clouds, and feeling like a wanderer. Thinking of relatives and remembering the house, looking south at the white clouds. The clouds fly unmatched, when will the wanderer return. The sun is clear at dawn, and the gate of heaven is open. What a floating name, hard work to collect clothes.

Qian Du, one of the representative figures of Qing Dynasty painters, is mainly based on thin brushes and light colors, and the pen is loose and meticulous

(7) The pen is similar to that of the Kowloon Mountain people.

Jiang Guo stopped. Sense Ping trace also. On the nineteenth day of the trial, the old man remembered me, and could not be without poetry. The river traveled three hundred miles, and it was over to wanfengqing. The old rain had listened to it together, and the idle clouds had stopped. Koike Akira is affected by the moon, and the tall tree is blue and the stars are transverse. Looking back at Ru Xiang Pavilion, the loose fence sat on the fluttering firefly.

Qian Du, one of the representative figures of Qing Dynasty painters, is mainly based on thin brushes and light colors, and the pen is loose and meticulous

(8) Xu Youwenyi. Shumei.

Chang'an listens to the rain. Memories of the brother also. Zhongdi Shou Su was sick through autumn, Yu was in the Beijing Division, smelling the night rain and remembering it, and now the next ten years will be completed. What happens when it rains at night, makes life far away from mourning. Unbearable (sad) insects cut, the situation has the sound of geese coming. The pond grass is even more dreamless, and the garden flowers have not bloomed. A lump of earth in the shade of the lake, lonely and cold moss.

Qian Du, one of the representative figures of Qing Dynasty painters, is mainly based on thin brushes and light colors, and the pen is loose and meticulous

(9) Olive Du is afraid of men. Shumei.

Yuan Pu defended against autumn. Zhihe Canal also. In 1796, bing chen (1796) tried to be an official in Anhui, and the Tiemei'an Palace was protected by the river. In the following year, chunjun River and Yuntiguan River, Fuxu Lao, changed to Guan Jiangnan. One roll of anti-autumn, three more candles. Laosheng jiu hebei, official traces and jiangnan. The diversion is frequently discussed, and the propaganda room is not fully understood. The ladder closes the road, and the willow is still ugly.

Qian Du, one of the representative figures of Qing Dynasty painters, is mainly based on thin brushes and light colors, and the pen is loose and meticulous

(10) Shumei imitates Tang Ziwei.

Flower sea flat boat. Mu KaiYin also. Neizi Yuchen and Yu Youyin Xixi made a covenant. The sea of flowers is in Xixi, plum blossoms are thousands of trees, and the sea of incense is fragrant. When the day came, the sea of flowers flattened the boat. Idle ancient plum tree, far away double white gulls. The green mountains hide fragrant snow, and the green feather dreams of Luofu. If you want to take your home with you, you can't stay for a long time.

Qian Du, one of the representative figures of Qing Dynasty painters, is mainly based on thin brushes and light colors, and the pen is loose and meticulous

(11) Imitation of Wang Guyun. Shumei.

Spring sails of the sea. Thanks to The Laborers also. In the spring of 1808, Yu Chongming went to Haimen and traveled to and from the sea for two decades. The long wind is full of sails, and the return to spring is more than halfway over. Spring is full of heaven and earth, and it is a unique sea tour. The vicissitudes are infinite, and I am born in this flat boat. The night is quiet and the dragon is anxious, and the clouds are open and the geese are in autumn. Lu Ao yin a volume, returned to the Little Red Chamber.

Qian Du, one of the representative figures of Qing Dynasty painters, is mainly based on thin brushes and light colors, and the pen is loose and meticulous

(xii) Imitation of Zhao Lingyong.

Candles are engraved. Perceive yourself also. Knowing Huainan, looking back on the past ten years, he was taught the scriptures and half with Jiaman. Jade Tent Tan Bing Day, Yunting Wine Year. The first is Lang Huan. The garden trees are singing at night, and the pond flowers are wet and twilight. Because of the dream of the yin yinguan, the wind and rain sleep on the bed.

Qian Du, one of the representative figures of Qing Dynasty painters, is mainly based on thin brushes and light colors, and the pen is loose and meticulous

(13) Zhang Boyu Wu Song Chunyu diagram, as if it were. Shumei.

Wu Song Tuohai. Shibube also. Wusong Haikou of Baoshan Mountain, seven miles from the city, Yangjie Town Building Ship is in Yan. A piece of Wu Song water, the waves down to the sea gate. Ge Chuan sent Han said, Beacon said Sun En. Rhinoceros Generals, see Lietun in the flag. Sitting idly in the bright moon, the same is true of the sword narrative.

Qian Du, one of the representative figures of Qing Dynasty painters, is mainly based on thin brushes and light colors, and the pen is loose and meticulous

(14) Imitate the five peaks of the text and change its method less. Shumei.

Guan Shan transfer salary. Mercy also. On the River, through the Clear Stream Pass, sheltered from the rain under the trees. The seven peaks are divided into shores, and thousands of trees hug the mountains. The carriages and horses are on the clouds, and the Guanshan mountains are in the rain. The wet clothes pity the tired servants, and Hua Fa feels tired. The front road Chuyang ferry, the clear stream is clear.

Qian Du, one of the representative figures of Qing Dynasty painters, is mainly based on thin brushes and light colors, and the pen is loose and meticulous

(15) The Outer History of Taki yunxi.

Paddle in Hengtang. The Old Testament also. Dong Ji Shuangting, there is a series of covenants. For the remaining three years, he will paddle and greet him. For three years of this one heart to have a chain covenant. The moon and the light were once photographed, and the river was deep. Flower shadow autumn horizontal flute, galactic night drum piano. In the old days, the paddle road, the cool rain moved slightly.

Qian Du, one of the representative figures of Qing Dynasty painters, is mainly based on thin brushes and light colors, and the pen is loose and meticulous

(16) Imitation of the text to be edicted. In April. Qian Shumei. Paint the placket. Ji Ye tour also. Dong Zhuyun made a record of Wumen paintings, covered the bridge miscellaneous records, and recorded many poems. Where Magnolia Radius, Spring City Four Hundred Bridges. The curtains are light and the water cabinet is rainy. The Old Testament left a golden pillow, and the new voice complained about the jade. Dripping ink in, feeling old times the soul is sold. Qian Tang Chen Wen Shu System, Qian Du Shu.

Yun BoRen's disciple Yu Zuoxing looked at the sixteen frames, self-titled Xuehong Xiaoying, Gai Ji Qi's twenty-year-old Zhongshan River Tour, feeling nostalgic people and husbands poetry inscriptions, customs occasionally sent, Shu Ji in painting, allegorical in poetry. The paintings are absurd and inadequate. Later, those who have seen the past are happy to remember the past, and the first to appreciate the poetry of Yun Bo, do not use the clumsy plan to paint the ear. Shumei and remember.

Qian Du was one of the leading landscape painters in the Qing Dynasty. The ink is far away, the green is elegant, and the volume is extremely strong. This volume imitates the penmanship of the Song Yuanming family, and the fun of Xiujian is still its own true color. Because of the use of silk, it is easy to change the daily dense rubbing and easy to be simple, so it is interesting. Each page has a long poem title, with elegant small letters, and the books and poems reflect each other, which is very resistant to reading.

This volume is written by Qian Du for Chen Wenshu, and the poems inscribed on the page are all chen Wenshu's own poems.