Mizuki Zhan Qinghua: Nature in Chinese Painting
When: April 20 - October 20
Beijing | Tsinghua University Art Museum, Hall 10, 4th Floor
In 2021, the 110th anniversary of the founding of Tsinghua University, the Tsinghua University Art Museum and the Capital Museum, with the strong support of some private collectors, jointly held the exhibition "Mizuki Zhan Qinghua: Nature in Ancient Chinese Painting" based on ancient fine paintings to present the school's celebration. "Shuimu Zhan Qinghua", a classic of the Eastern Jin Dynasty Xie Chao's poem "You Xi chi", "Jingfang Songbird Collection, Mizuki Zhanqing", which not only tells the name of "Tsinghua", but also a poetic revelation of the theme of this exhibition. "Mizuki Zhan Qinghua" can be regarded as a watershed in the transformation of people's "view of nature" in this period, marking the ancients' vision from the grand and distant thinking of nature to the specific beauty of nature, the "nature" of philosophy, evolved into life, and finally lived a "physical" life and realized the artistry of life.
Although the pavilions and pavilions in ancient life, cars, horses, boats and boats have become historical memories, but the green mountains and white clouds, insects and birds are still there, we can not spy on the lives of the ancients, but we can be sure that in the face of the eternity of the universe, in the face of the endless life of all things, we can still communicate with the hearts of the ancients, send out the same exclamation, the "nature" shown in these pictures will continue to trigger the ultimate thinking of modern people on the relationship between man and the universe.
Exhibition catalogue
55. "Mountain Residence Map" Zhang Zongcang Qing Vertical Axis/Color on Paper
56. "Four Screens of Flowers and Birds" Ren Xiong Qing Vertical Axis (Four Screens) / Color on Paper
57. "Plum Blossom Iron Bone" Wu Changshuo Qing Vertical Shaft/Color on Paper
58. "Squirrel Diagram" Virtual Valley Clear Vertical Axis/Color on Paper
59. "Peony Map" Gao Fenghan
60. "Mo Mei" Li Fangbin Qing Vertical Shaft/Ink on Paper
61. Spring Creek Songbird Drawing Anon. Vertical Shaft/Ink on Paper
62. "Double Chicks" Anon. Song Painting/Color on Silk
63. "Plum Bamboo Double Bird Diagram" Anon. Ming Vertical Axis/Silk Coloring
64. "Landscape Map" Wen Jia Ming Vertical axis/color on paper
65. "Landscape Scrolls" Dong Qichang Ming Long scroll, eight paragraphs / color on paper
66. "The Integration of Ancient and Modern Books" Burning of the Remaining Books
67. "Eight Kinds of Ink Flowers" Chen Chunming Long Scroll/Ink on Paper
68. "Flower Roll" Xiong Jingxing Ming Long scroll / color on paper
69. "Old Picture of the Sense of Yin Yin" Jiang Yun Qing Long Scroll/Ink on Paper
70. "Wild Stone Tree Neighbor Map" Text Point Clear Picture/Ink on Paper
71. "Crane Carrying Diagram" Gao JianQing Painting/Color on Paper
72. "Cow Herding Diagram" Yang Jinqing Picture/Ink on Paper
73. "Imitation of Tang Yin Qingxi Fishing Hide" Shangrui Qing Fan/Ink on Paper
74. "Imitation of the Rice Family Law" Shen Zhiqing Fan/Ink on Paper
75. Seal of "Mizuki Zhan Qinghua" Jiaqing (reigned 1796-1820) Qing Dynasty
Exhibit details
【Works】Zhang Zongcang · Mountain dwelling map
Zhang Zongcang (1686-1756), also spelled Mocun and Mo cen, was a fisherman from Huangcun Village, Cane Weng, and Taihu Lake, later known as Slender Bamboo, a native of Wu County (present-day Suzhou, Jiangsu). At the beginning of the main book to manage the river fortifications, qianlong sixteen years (1751), into the "Sixteen Views of Wuzhong" album, called the will, ordered to enter the capital to wait for the inner court. In the nineteenth year of Qianlong (1754), he was the head of the Household Department. The painter Chenglou Dong school of painting is passed down to Huang Ding, and the landscape takes the four families of the Fayuan, and the brushwork is vigorous and beautiful, and the artistic conception is far-reaching.
【Works】Ren Xiong · Four screens of flowers and birds
Ren Xiong (1823-1857), the character Weichang, Xiangpu, Zhejiang Xiaoshan people, living in Suzhou, Shanghai selling paintings for a living. Ren Xiong is an all-rounder in painting, with all-round excellence in figures, landscapes and flowers, and is both long and long in brushwork and freehand, deep in the essence of the uninitiated, taking into account the strengths of traditional and folk painting and being creative.
【Works】Wu Changshuo · Plum blossom iron bone
Wu Changshuo (1844-1927), first known as Jun, also known as Junqing, the character Changshuo, alias Miaolu, Bitter Iron, Great Deaf, Tao Daoren, Shi Zun, etc., was a native of Anji, Zhejiang. Poetry, calligraphy and painting can be printed, and books are used to paint, and they are vigorous and strange. The freehand flower master Fa Qingteng and the Eight Great Families were also influenced by Ren Bonian, Zhao Zhiqian and others. There are "Miaolu Collection", "Miaolu Beicun", "Miaolu Yincun" and so on.
【Works】Void Valley · Squirrel diagram
Xugu (1824-1896), surname Zhu, name Huairen, one of the four great masters of the sea, monk's name is Xubai, the word Virtual Valley, alias Ziyang Shanmin, Tired Crane. Poetry, calligraphy and painting are exquisite, especially known for painting fruits, fruits, vegetables, characters and landscapes. The style of the work is cold and novel, the lines are concise and solemn, the pen is sharp, the pen is like to use dry pen to burn ink, the pen is not round, the moment is clear, the color is light and elegant, and it is very personal. He was a unique painter of the Qing Dynasty.
【Works】Gao Fenghan · Peony diagram
Gao Fenghan (1683-1749), one of the "Eight Monsters of Yangzhou". A native of Jiaozhou, Shandong. Word West Garden, Number South Village. A native of Nanfu Mountain, he was ill and paralyzed in his later years, so he switched to painting with his left hand, and was also called Shang Zuosheng. He is good at poetry, books, paintings, and seal carvings, and his paintings focus on floral landscapes and are not eclectic. The landscape and water are both majestic and hunky of the Song people, and the quiet of the Yuan people. The flowers are vivid and playful. He is the author of "Collected Poems of the Nanfu Mountain People" and "History of Yan".
【Works】Li Fangyi · Meme
Li Fangyi (1695-1755), one of the "Eight Monsters of Yangzhou". The character 虬仲, 号清江, alias Qiuchi, was a native of Tongzhou, Jiangsu (present-day Nantong, Jiangsu). After twelve years as an official, he was framed and dismissed as an official, lived in Jinling to borrow a garden, claimed to be the owner of the garden, and often traveled to and from Yangzhou to sell paintings for a living. Good at painting pine stone orchid bamboo, in his later years, he specialized in painting plums, known for his thinness and hardness, vigorous and vigorous with his pen, strong and dripping ink, eclectic method, and winning with momentum. He can also paint landscapes and figures.
【Works】Anon. · Spring Creek Songbird Chart
The author is unknown, the painting is exquisitely shaped, the hair is full of hair, and it is a fine collection of flower and bird paintings in the Song Dynasty. Once the Great Collectors of the Ming Dynasty, Xiang Yuanbian and Wu Ting, delivered the collection.
【Works】Anon. · Double chick diagram
The author is unknown, painting the feather god of the Northern Song Dynasty.
【Works】Anon. · Plum bamboo double bird diagram
Author unknown
【Works】Wen Jia · Landscape map
Wen Jia (1501-1583), also known as Xiu Cheng, was a native of Changzhou (present-day Suzhou, Jiangsu), the second son of Wen Huiming, and a disciple of Wen Peng, who entered the State Zijian with Zhusheng Gong, and was taught by Wucheng in Zhejiang, and later Xuezheng of Hezhou. Gong calligraphy and painting, good at carving stones, longer than the identification of ancient calligraphy and painting, Jiajing Yi ugly (1565) was ordered to view the book without Yan Song calligraphy and painting treasures, compiled into the "Records of Calligraphy and Painting of The Mountain Hall" Gong poetry, authored "Hezhou Poems" there are "Hanlin Zhong Kui Tu", "Jiangnan Spring Color Map", "Pipa Xingtu" and other works passed down.
【Works】Dong Qichang · Landscape rolls
Dong Qichang (1555-1636), also known as Xuan Zai, Si Bai, also known as Xiangguang Resident, was a native of Huating (present-day Songjiang, Shanghai). Dong Qichanggong calligraphy and painting, fine appreciation, introduction of Zen metaphors, advocating the "Southern and Northern Sect" theory, is revered as the "Songjiang School" of the Taidou, is the leader of the late Ming painting circle, authored "Painting Zen Room Essay", "Painting Purpose", "Book Purpose".
【Works】Anon. · "King Ding Ancient and Modern Book Integration" burned the remaining books
"Ancient and Modern Book Integration", Qing Dynasty book, edited by Chen Menglei (1650-1741) during the Kangxi Dynasty, is a collection of ancient and modern books, the whole book is about 160 million words, a total of 10040 volumes, divided into 6 compilations, 32 classics, 6190 parts, a comprehensive collection of China's documents from the ancient times to the late Ming and early Qing dynasties, astronomical geography, literature and history philosophy, political economy, nongsang fishing and animal husbandry, medicine and folk remedies, etc., all-encompassing.
【Works】Chen Chun · Ink flowers eight kinds of rolls
Chen Chun (1483-1544), Ming Dynasty painter, initially named Chun, character Daofu, later with character lines, more characters to restore the father. The number of Baiyang Mountain people. A native of Cheung Chau (Suzhou). Wen Zhengming's disciple, who is also good at poetry and calligraphy, landscape studies Mi Youren and Gao Kegong, is good at splashing ink and cloud mountains, and has the reputation of blue. Flowers and birds shiwen, Shen, after the pen and ink is more indulgent, the image is elegant and quiet, the artistic conception is fresh and indifferent, the pen is super easy, it is a family of its own, creating a new style of ink freehand flowers, in the history of painting, and Xu Wei and called "Qingteng Baiyang"
【Works】Xiong Jingxing · Flower rolls
Xiong Jingxing (1791-1856), zi Boqing, Dijiang, Dijiang, Di'an, Nanhai (present-day Guangzhou, Guangdong) people. As a free man, he studied riding and shooting martial arts when he was young, and then concentrated on literature and art. Gong poetry, good calligraphy and painting, calligraphy takes Fa Yan Zhenqing, Liu Gongquan, Mi Fu people, landscape takes Fa Wu Zhen, Shen Zhou, pen and ink simple and vigorous, force through the back of the paper. He is the author of "JixiangXiguan Poetry Banknote".
【Works】Jiang Jun · Catalpa yin sense old figure
Jiang Yun (1847-1919), character Yingsheng, yizi Yixuan, alias Daxiong Shanmin, Anhui Province, Huaining people. The pen and ink are thick and green. Intercropping flowers, both work and writing, has a unique charm.
【Works】Wendian · Map of wild stone trees adjacent to each other
Wen Dian (1633-1704), zi and ye, nanyun shanqiao, a native of Changzhou (present-day Suzhou, Jiangsu). Gong poetry, good calligraphy and painting, painting and calligraphy to self-sufficiency. Landscape can inherit the family law, pen and ink beautiful, especially ink sheng, long in pine bamboo sketches, loose body good moss, when people joke: "Wen point pine, wen also wen, point also point", and good characters.
【Works】Gao Jian · Crane diagram
Gao Jian (1634-1707), also known as The Tale of the Clouds, also known as the Yiyun Mountain People. A native of Wu County (present-day Suzhou, Jiangsu). Gong Shan Shui, and good ink plum. His landscape is taken from the Fayuan people, You Xi Ni Zhan, there is a "small cloud forest" seal, with a loose pen, in order to be simple, no vertical and horizontal habits, proficient in sketches.
【Works】Yang Jin · Cattle herding diagram
Yang Jin (1644-1728), zihe, zihe, xiting, erxue, gulin woodcutter, crane road people, also signed wild crane, Jiangsu Changshu people. He studied under Wang Yi and often traveled with him, and Wang Yi painted zhouqiao, figures, cattle and horses, and camels, mostly supplemented by Yang Jin, and participated in the drawing of the "Kangxi Emperor's Southern Tour Map". Good at landscapes, figures, flowers and birds, livestock, especially good at painting cattle, his cattle, or drinking, or sleeping, or lying down, the mood is vivid, and the wind of pastoralism is like a like.
【Works】Shangrui · Imitation of Tang Yin Qingxi fishing hide
Shangrui (1634-?), a monk during the Kangxi Dynasty of the Qing Dynasty, the character Jingrui, Yi Zuo Xun Rui, the number of Mucun, Pu Roomzi, The Child Heart Walker, the Child Heart Monk, and the Woyun People. A native of Wu County, Jiangsu (now part of Suzhou). He was once recommended to join the Beijing Division, but because he had no intention of pursuing a career, he returned home in a hurry. A middle-aged monk, a Zen master from LiutongYuan in Hangzhou, Zhejiang Province. He once traveled with Wang Yi and was instructed by him, and the flower and bird master Fa Yun Shouping was also good at characters. He is the author of "Yu Xi Yin".
【Works】Shen Zhi · Imitation of the Mi family law
Shen Zhi (born and died unknown), a native of Jiaxing, Zhejiang, was a painter of the late Ming and early Qing dynasties. The landscape has a Xiangshi demeanor, and the pen and ink are vigorous. The four families of the Yuan Dynasty, with their divine reasoning, have a voice Wu Yuejian.
【Works】Jiaqing · "Mizuki Zhan Qinghua" seal
Qing Renzong loves Xinjue Luo, Qing Gaozong loves Xin Jue Luo Hongli fifteenth son, the year name Jiaqing, Jiaqing's calligraphy is mostly based on epigraphy, and there is a little more quaint style in the jianjin, which exudes a vague and innocent interest.