//這個截圖中，我可以看到我的助理Catherine正在這一個Bin裡編輯，因為出現了代表她的藍色小圖示。Bin以及其中的時間線就被目前正在編輯的人鎖定，其他人無法修改。
Collaborators get a visual notification that a user is working in
that bin or on that timeline. When the person who first selected
the bin or opened the timeline moves to another bin or timeline,
those items are available for other collaborators to make
changes.
有人在Bin以及其中的時間線中編輯時，參與協作的成員們會有可視化的提醒。當有人完成某個Bin中的工作并移動到另一個Bin中時，其他人就可以對這個Bin進行編輯了。
When the
current controller of a bin/timeline makes a change, collaborators
will see a refresh icon for the bin/timeline. Clicking this icon
ripples changes to clips/timelines out to the collaborator’s own
timeline.
當一個Bin或者時間線被某人修改後，其他成員可以看到一個重新整理圖示出現在Bin或者時間線的名稱旁邊。點選即可将修改後的部分同步到自己這邊。
I had asked
Catherine to add metadata to some clips in this footage bin.
Instead of a constant stream of notifications about updates, I get
this refresh icon. When I click it all her work is visible to
me.
//我讓Catherine為一些Bin中素材添加了中繼資料。而不是對她修改結果的實時更新，我隻是會看到這個重新整理圖示。當我點選它我就能看到她的工作結果了。
On the Edit page, you can also quickly identify
who’s working on the timeline. In this screen, Catherine sees that
I’m editing a timeline.
//在剪輯頁面中，你也可以辨認出誰在編輯這一條時間線。在這個截圖裡，Catherine就可以看到我正在編輯這條時間線。
While there is
some interaction needed by users when collaborating on
bins/timelines, I understand why Blackmagic did it this way.
Editorial changes and changes to metadata can come fast and furious
– it’d suck if other collaborators received a constant stream up of
updates as it’d be hard to keep up with the timeline changing all
the time.
雖然在Bin或者時間線上的協作時，成員之間需要進行一些互動，但我明白為什麼Blackmagic采用這了這種方式來實作。中繼資料的編輯、更改通常都會有大量的修改資料 -
如果其他成員不斷地收到更新的内容，對網絡和系統都是一個負擔，尤其是展現在時間軸上的改變。
Color Page Workflow
調色頁面的工作流程
When it
comes to collaborative workflow, it should be no surprise that
Blackmagic’s new approach shines on the Color page.
一旦來到達芬奇的協同工作流程，可能你對達芬奇調色頁面的亮點就不會感到特别地驚訝了。
Gone are the
Resolve12.5 approaches of owner/collaborator and having to reload
projects, etc.
以前版本中編輯項目的人以及參與者都需要時常重新附加元件目來重新整理之類的。
In Resolve 14,
the first person to access a shot temporarily (while they’re
working on it) controls that clip. While they’re working on the
shot, every other collaborator will get visual queues that that
clip is being worked on (both on the Thumbnail timeline and in the
Viewer).
在達芬奇14版中。第一個通路這一條鏡頭開始編輯的人就有了對這個鏡頭的控制權。當有人在進行調色工作時，其他成員就會在時間線縮略圖和檢視器中看到。
When
a collaborator (in this case Catherine) is working on a shot, I get
a visual icon in the viewer and thumbnail timeline that she’s
working on it. Once Catherine moves to another shot I’ll be able to
see the results of her work.
當一個成員(比如此時的Catherine)正在對一個鏡頭調色時，我這邊将會看到一個她的小圖示出現在時間線縮略圖和檢視器中。隻要她跳轉到下一個鏡頭時我就會看到之前的調色結果。
The work that
is applied to a clip is only viewable to other collaborators when
the original person who first accessed the clip moves to another
shot.
隻有當第一個進入編輯的成員完成了這個鏡頭的調色後，其他人才能看到調色後的結果。
It’s that simple!No refresh buttons, or
having to reload a project.
就這麼簡單！不需要點選重新整理，更不需要重新附加元件目。
From a
workflow standpoint, I’ve found a lot of success so far with me
(the lead colorist) well….leading and an assistant following a shot
or two behind doing more tedious detailed work.
在協同工作流程中，我發現了很多對調色師很好的一些點。當然…手下的一兩個助理就會幹更多的枯燥的更細節的活了。
In very time
sensitive projects I’ve found it useful to split up the timeline by
shot range, handing that work off to two or more assistants, and
then I check and refine their work after they move off those
shots.
在時間比較緊的項目中，我發現通過拍攝範圍來分割時間線是很有用的，将這項工作交給兩名或多名助理，然後在他們完成這些鏡頭後，我再去檢查并完善他們的工作。
Shared Stills
共享靜幀
One of the
most welcomed features from a color point of view in the
collaborative workflow is shared stills. Because stills contain a
visual representation of a shot along with the actual nodes that
make up that grade, they’re a great tool for color
collaboration.
協同工作流程中關于調色最受歡迎的功能之一就是共享靜幀。
因為靜幀包含了一個鏡頭的畫面風格以及組成調色的節點，是以在調色的協同工作中共享靜幀是一個很好的工具。
A few things
about shared stills:
一些關于共享靜幀的點：
Having to switch stills folders – I’ve
found in the current shipping Public Beta (Beta 2) that stills do
update but only after clicking off a saved stills page and back to
that page for a saved still made by someone else
to show up.
Gallery Organization – The gallery can
quickly get out of control if everyone in a collaborative project
is saving stills. Some thought should be put into
how to organize the gallery. I’ve found a good system is a stills
folder for each person/system. You may also want to have a master
stills page to distribute approved looks.
畫廊的管理
-
如果所有成員都在儲存靜幀畫廊可能很快就會崩掉。是以得想辦法管理一下。我就發現每個成員都建立一個檔案夾各自儲存這樣會好很多。你也可以用主靜幀頁面來向其他成員分發參考的靜幀。
Naming Stills – I often confuse myself
saving stills for my individual projects! Naming stills becomes
particularly important when working with others. Be as descriptive
as possible to let other users know what the still is for and why
it was saved.
靜幀的命名
-
我自己都經常在自己的項目裡把各個靜幀搞混。給靜幀命名在協同工作中變得非常重要。給靜幀取個合适的名字可以讓其他人明白這個靜幀是拿來幹什麼的和為什麼要保留它。
Shared
stills are an awesome feature of Resolve collaboration, but
attention must be paid to keeping your still pages organized, as
well as labeling stills and getting rid of old
ones.
//共享靜幀是達芬奇協同工作中一個很棒的功能，但是必須注意的是要保持靜幀頁面有序的管理，以及标記靜幀和及時清理不需要的靜幀。
Equally
important with shared stills is removing old/not used stills. The
more people involved in a collaborative workflow, the more chances
that corrections in saved still could be applied wrongly to shots
in the color page timeline.
與共享靜幀同樣重要的是删除舊的或者不使用的靜幀。
參與協同工作流程的人越多，錯誤地把不需要的靜幀應用于時間軸上的可能越多。
_______________________________________________________________________________
Collaboration In Action
實踐
In part 1 of Getting
To Know The Resolve 14 Collaborative Workflow, we explored
essential setup and the basics of using the collaborative features
of DaVinci Resolve 14.
前文中我們了解了達芬奇14版協同工作的基本設定和功能。
Reading about
the concepts is one thing seeing them in action is a different
thing entirely!
除了文字教程以外我們還可以看到實際操作示範。
Recently,
Mixing Light contributor Joey
D’Anna stopped by my studio (in real life we
work quite often together) and after
squeezing ourselves into the VO booth at my
facility, we put the collaborative workflow concepts of Part 1 into
action.
在視訊中作者将會和他的小夥伴 Joey D'Anna
一起給大家示範前文提到的關于協同工作的一些點。
Here are some
of the things we cover:
以下是視訊中示範的要點:
Necessity of the shared
PostgresSQL database
共享PostgresSQL資料庫的必要性
Setting up a
project in collaboration mode
在協作模式下建立項目
Joining a
collaborative project
加入可協同項目
Exploring bin
and timeline level locking on the Media and Edit pages
體會媒體和剪輯頁面中鎖定Bin和時間線的規則
Color page
clip locking and workflow
調色頁面中鏡頭的鎖定和工作流程
Shared
stills
共享靜幀
Additional
workflow considerations
工作流程中額外需要注意的事項
One thing not
covered in this Insight is
collaboration and the Fairlight page in Resolve 14.
本文并沒有提到達芬奇14版的Fairlight頁面以及其協同工作的内容。
To be honest,
the Fairlight page is still a work in progress and would be better
served once it’s properly built out and demoed in a collaborative
sense with an audio engineer who is more familiar
with the toolset. Hopefully, in a
future Insight,we
can do that.
實際上，Fairlight頁面還是一個未完善開發的功能，一旦這部分功能完善後和聲音部門的協作将會開展得更加地順利。希望在未來我(作者)還可以撰文來給大家分享這一部分的内容。
Finally, this
is a pretty lengthy Insight
– clocking in at 25min. We
considered breaking it up, but the continuity of seeing the
workflow in action is important.
最後就是這個25分鐘的視訊，大家有什麼問題可以在下面評論↓