The Qing Dynasty painting scene was colorful and there were many genres. In this edition, 17 masterpieces from this season's ancient paintings and calligraphy are selected for guests. The first is the "First Boundary Painting" of the Qing Dynasty in "Grand View - Night of Calligraphy and Painting Treasures", and the rest are from the special session of "Ancient Chinese Calligraphy and Painting": Yuan Yao, another master of painting in the Qing Dynasty, "Eight Openings of Fine Brush Landscape Album"; "Yangzhou Eight Monsters" Bian Shoumin "Flower Lu Yan Book", "Qing Offering Lu Yan Book", Jin Nong's "Calamus Map"; contains auspicious and beautiful Wan Shangxuan's "Pine Crane Lingzhi" and Shen Quan's "Pine Crane Picture"; One of the "Four Families of Xin'an", Cha Shibiao's "Songxi Waterfall Map"; Cai Yuan's "Jiaomen Xiaofa Picture" and Tang Dai's "Imitation of Li Chengxue's Snow Scene" from the best private sale in the United States from the Best Private Sale of Roy and Marilyn Piper's Treasured Chinese Paintings; Tang Dai's "Yuanfan Spring Water Map" collected by Shen Jifu, the "Yongan Shen Family" of the Republic of China; Pan Gongshou's "Imitation of Dong Qichang Mi's Cloud Mountain Map" published by Xu Pingyu's old collection of "Yulian Zhai"; Emperor Qianlong's talented sixth son, Yongying, "Imitation of Yuan People Landscape"; Gu Heqing's "Stone Beam Square Map" from the old collection of President Xu Shichang; the rare Zhang Qian's "Eighteen Arhats of Finger Ink"; and the son of Chen Cong (Yunshan), a water control expert in the Qing Dynasty, in order to thank his father for the difficulty of starting a business, invited many literary and historical officials (Gu Wenbin, the owner of "Guoyun Building", Pan Shien, the champion of "Guipan" and 45 other people) to inscribe more than ten meters of "Title of the Sea Atlas"; At the invitation of Zhu Delin, Yu Rong painted the "Autumn Pan Map", which was later inscribed by more than ten people such as Wang Yixiu, Li Tiaoyuan, and Ye Shaoben, recalling the travels between Qianlong and Renhui (1772-1773).
The Revival of Qing Dynasty Boundary Painting: "Er Yuan"
Lot 2945, Yuan Jiang, Qing Kangxi-Qianlong, 17th-19th Century Vertical Scroll, Ink and Color on Silk (1723), 187.5×100 cm. About 16.9 square feetRMB: 1,800,000-2,800,000
Title: Visual Diet Chart. The spring moon of Guimao, the painting of Yuan Jiang on Han.
Seal: Yuan Jiang's seal, Wen Tao
Signature: Yuan Jiang silk book food map. Stop at the best of the best.
Description: A generation of Confucian general Yuan Shouqian's old collection. Yuan Shouqian (1904-1992), a native of Changsha, Hunan. When he was young, he liked to read ancient books and history, studied poetry diligently, and then put pen to paper, and at the age of 17, he was admitted to the first phase of the Whampoa Military Academy, becoming the youngest and best student in the same period. He successively held important positions in the party, government and military of the National Government. After crossing Taiwan in 1949, he served as the political secretary and acting minister of the Ministry of National Defense, and the official was a second-class general of the army. Yuan Shouqian has been a horse all his life, but he is good at literature and art, good at calligraphy, and willing to collect. In 2013, China Guardian Autumn Auction launched a special session of "Treasures from Zhishan Zhai", which included the Yuan Dynasty calligrapher Kang Li Kui Kui and other ruler letters, Dong Qichang, Zhang Ruitu and other calligraphy masterpieces, as well as Lan Ying, Ren Bonian and other famous paintings, which shows the elegant and profound collection connotation of Mr. Yuan.
Yuan Jiang was mainly active in the early period from Kangxi to Qianlong. Yuan Jiangzi Wentao, Jiangdu (now Yangzhou, Jiangsu) people, good at painting landscapes and pavilions, the middle of the Ming Dynasty "Wumen Four Families" one of Qiu Ying's painting methods, middle-aged to get an anonymous copy of the ancients' sketches, painting art greatly advanced. He pursues the presentation effect of large pictures, and the shape is more common with huge vertical scrolls or panoramic screens, embedding neat and meticulous palace towers in the imitation of Song Dynasty landscapes of giant barriers, and striving to create a visual authenticity through the depiction of detailed scenes, which is both majestic and meticulous, which effectively improves the expressive ability of "boundary painting", and is promoted as the first "boundary painting" in the Qing Dynasty.
This vertical scroll on silk is 187 cm long, 100 cm wide, nearly 17 square feet. Draw the inscription "See the Meal Chart" in the upper left corner. The spring moon of Guimao, the painting of Yuan Jiang on Han. As a result, we learned that the theme of this painting is "Seeing Food", depicting the scene of the waiter holding food and the prince watching the meal in the early morning. "Greeting Peace" was first published in "The Book of Rites: King Wen's Son". King Wen of Zhou's bedroom is the earliest model of filial piety in the Chinese nation. Later, because of the etiquette of "greeting and seeing food" as the son's service to his parents, that is, he must greet him every day and every meal must be on the side.
This picture was made in the "Spring Moon of Guimao", that is, the first year of Yongzheng (1723), and is a masterpiece of Yuan Jiang's mature period. In the center of the painting is the palace with heavy eaves, the different stones behind the palace are towering, the willow trees are shady, the four-corner pavilion, the Lingxing Gate, the Huabiao looms, the forest is lush in the near scene, the branches are luxuriant, the three-hole stone arch bridge is used as a bridge to connect with the attendants, the saddle horse and the main hall in the near scene. The temple and the floor are purely drawn with iron lines, and the pen is concise, undetached, and the state is exhausted. The painting method of trees is also from the Song people, the leaves are fine, dyed with different shades of dark green, and different tree species such as cypress, willow, and sycamore are drawn, which can be described as scattered and distinct. Taihu Lake stone outlines the outline with a frustrating pen, and the pen is rigorous with the Song people, and the lake stone is purely rendered. Although the characters in the picture are small, their clothes are vigorous, and their expressions are vivid.
Lot 3192
Yuan Yao (early Qing Dynasty, 17th century)
Fine-brushed landscape book
Album (8 folios) Ink and color on paper
22.5×30 cm. approx. 0.6 sq. ft. (per piece)
RMB: 200,000-300,000 (8)
Seal: Yuan (seven times), Yao (eight times) Inscription: (1) Yuling Guanmei. (2) Faguo Heyang pan car diagram. (3) Calm and cool. (4) The mountain is high and the moon is small. (5) Autumn Minoru of the mountain villa. (6) Yarn hats sleep idly against water gulls. (7) The shepherds drive the calves back, and the hunting horses return with the birds. (8) Emei Xueji. 癸酉春, Han Shang Yuan Yao's painting.
Yuan Yao, a Yao, the word Zhaodao, was a native of Jiangdu (now Yangzhou, Jiangsu). Yuan Jiang's son, also known as his nephew. He is good at painting, and occasionally makes flowers and birds. The penmanship is neat, the color is beautiful, and there is the atmosphere of Jiangnan Wenxiu.
This fine brush landscape album may imitate the Song people's pictures, such as Guo Xi's "Panche Map" in the Northern Song Dynasty; Or the poems of the predecessors are the theme, such as "the mountain is high and the moon is small" to write the picture of Su Shi's "Hou Chibi Fu", "Hejing and Cool" to write Du Fu's poems, "The gauze hat sleeps on the water gulls" and "The shepherd drives the calf back" are all from the Tang Dynasty. Opening the meticulous and bent branches, you can feel the mountain breeze blowing in your face, leaving blank mountains and rocks, feeling the cold silence of winter, and the scenery and artistic conception depicted in the painting complement each other with the inscription.
The clumsy fun in the Yangzhou school: Bian Shoumin, Jin Nong
Bian Shoumin Qianlong was quite famous and was one of the eight in Yangzhou. Good at flowers, birds, vegetables and fruits, especially good at painting reed geese, flying and stopping, vivid and wild, people are extremely important. "Flower Lu Goose Book" writes Lu Yan, Han Lian, Daylily, Frost Chrysanthemum, etc., the pen and ink are simple and vivid, the inscription is also good, and the ink is ginseng glue, which is its typical painting method. "Qing Offering Lu Yan Book" is a collection of the best themes of Bian Shoumin, six open Lu Geese are vivid, flying and diving, vivid and fascinating. The material of the six-open still life is easy, the breath of life is very strong, and the dry pen is rubbed with light ink, light and thick, solid and clear.
Lot 3186
Bian Shoumin (1684-1752)
Flower reed goose album
Album (8 folios) Ink and color on paper
28×37.5 cm. Approx. 0.9 sq. ft. (per piece)
RMB: 20,000-50,000 (8)
Seals: Qi Yin, Bian Weiqi, Weijian Jushi, Ru Nanshan Zhishou, Bian Weiqi Yin (three times), Wei Qi, Weijian Library, Qi Yin, Yi Gong (1, 2, 3, 5, 7, 8, 9 seals, see "Chinese Calligraphers and Painters Seal Appreciation • Bian Shoumin", pp. 52, 21, 35, 46, 61, 23, 28, 1582-1583) Inscription: (1) Glamorous and stunning, far away Bingqi song. When the king is not ashamed, the vertical body is straight Lingbo. Yi Gong. (2) Shoumin. (3) Yi Gong. (4) Falling leaves in autumn, cool breeze for four or five miles. Blowing off the red lotus clothes, the aftertaste is especially in the water. Yi Gong. (5) Divide the good autumn colors of the east fence, and look at the paper windows quietly. Shoumin. (6) Yi Gong. (7) Yi Gong. (8) It can be painted with color and fragrance, and it is most difficult to describe the worries of forgetting people. The Reed Dweller. Collector's Seal: Jing Zhai Passing Eyes, Deliang Private Seal, Jiyang Autumn History, Baimen Chen Songling Ziyi Zhai Appreciation Seal, Tea Ripe Fragrance Warm and Self-Looking, Ancient Fragrance, Jiang Deliang Seal, Guyue Cao's Autumn Lin Appreciation Description: Jiang Deliang, Chen Songling handed the collection. Jiang Deliang (1752-1793), known as Chengjia, was a native of Yizheng, Jiangsu. In the forty-fifth year of Qianlong (1780), the official supervised the imperial history. Inherit the family learning, good gold stone, read more than two Han stone carvings, especially eight points, for the time is expensive. Gong engraving, and painting figures, flowers, with the Northern Song Dynasty people. The collection of old rubbings and Song carvings is very rich. He is the author of "Money Spectrum" and "Guquan Zhi".
Lot 3246
Bian Shoumin (1684-1752)
Clear the book of reed geese
Album (12 folios) Ink and color on paper
Yongzheng Renzi (1732).
24×31 cm. Approx. 0.7 sq. ft. (per piece)
RMB: 600,000-800,000 (12)
Seals: Shou Min, A Piece of Autumn Sound, Shou Min, Shou Min, Walk What You See with Your Heart and Wisdom, Lao Yi (twice), often called Lao Painter after drinking, Yi Gong, Bian Weiqi, Yi Gong (twice), Reed Layman, Shoumin, Qi Yin (three times), Shanyang people, tea ripe and fragrant and warm and self-watching (5-15 seals, see Chinese Calligraphers and Painters' Seals and Notes: Bian Shoumin, pp. 33, 7, 60, 17, 21, 28, 35, 25, 23, 44, 48, pp. 1582-1583)
Inscription:
(1) Yongzheng Renzi early winter, Shanyang side Shoumin system.
(2) The autumn wind of the reeds opens on both sides of the strait, and the blue sea wanders alone. The merciful gentleman resigned from the moon, just for Xiaoxiang wild rice. Kusama side Shoumin and inscribed in Baisha Hotel.
(3) The amount of surplus drink is only as good as the three banana leaves on the eastern slope, and the love of fanatics is full, so I write this to support it. But people who are afraid of alcohol see it, like bending the ears of a car on the road. Shoumin.
(4) Yi Gong.
(5) Shoumin.
(6) The Xiangjiang River comes and goes, and the towns depend on each other, and the leaves and reeds are accompanied by the sunset. If you don't admire the mandarin ducks guarding the pond, the blue sky will fly twice. Qi Ming is not separated, and he once wrote the words of looking far away. There is no word about the twilight clouds, and only two words are lovesickness. Reed Scholars.
(7) The clothes took off the fishing silk roll, knowing that they were bringing fish into the restaurant. Shoumin.
(8) Shoumin.
(9) Shoumin.
(10) Shoumin.
(11) Shoumin.
(12) Mr. Minshan's third brother is written by his younger brother Shoumin.
Lot 3184
Jin Nong (1687-1763)
Calamus figure
Vertical scroll ink on silk
31.5×46 cm. Approximately 1.3 square feet
RMB: 800,000-1,200,000
Seal: Mr. Dong Xin (see "Chinese Calligraphers and Painters' Seals and Recognition: Jin Nong", 41 seals, page 590) Inscription: The stone girl married Pu Jialang, and drank water and rested food in the court. He once enjoyed Yao's longevity for tens of millions of years, and his green hair had no autumn frost in his life. The painting of the mountain folk is inscribed. Collector's Seal: Ji Tong's Secret Play Description: Old Collector Pan Zhengwei (?) -1850), the word Ji Tong, the owner of Yuting and Tingfan Tower. A native of Panyu, Guangdong. One of the most prestigious collectors of calligraphy and painting in the Qing Dynasty, he has a huge collection and a rich party. There are "Listening to the Sail Building", "Listening to the Sail Building's Calligraphy and Painting", "Listening to the Sail Building's Continued Engraving of Calligraphy and Painting" and so on.
Mr. Dong Xin is knowledgeable, good at poetry and writing, and his self-composed songs have excellent rhyme, and his mouth and tongue are fragrant when he reads. Appreciating the aesthetics of painting, it is superior everywhere, and its self-engraved poetry collection can compete with the Song and Yuan dynasties. The calligraphy is taken from the Han and Wei dynasties, and the lacquer book is a swan song for a while. Its painting is taken from the portrait stone of the Han Dynasty, simple and elegant, and it is the highest style among the Yangzhou families.
This picture depicts three pots of stone calamus, messy and coarse, all written with scorched ink; The basin is either tiled or porcelain, and there is a rhyme of scattered and scattered in the regularity. On it, a poem is composed in lacquer book, if the spoken language, mountain song and vivid and elegant, the format is not large and the vitality overflows.
"No. 1 foreign painter": Shen Quan
Lot 3183
Shen Quan (1682-1760)
Pine crane diagram
Vertical scroll color on silk
Qianlong Xinwei (1751).
82×78.5 cm. Approximately 5.8 sq. ft
RMB: 80,000-120,000
Seals: Shen Quanyin, Nanping, Hengzhai, Proposed Inscription: Qianlong Xinwei Xiaochun, written by Nanping Shen Quan.
Shen Quan, the word Hengzhi, the name Nanping, was a native of Zhejiang during the Yongzheng and Qianlong periods of the Qing Dynasty. Good at flowers and birds, vivid and vivid, Seiko Yanli, better with landscapes, trees and stones as the background, the realm is broad and fascinating. Taste living in Japan, quite appreciated by the king and nobles, so Dongying has a lot of his masterpieces.
This picture depicts the pine flowing spring, the cloud mountain is far away, the two red-crowned cranes inhabit on the green shade fist stone, during which the autumn chrysanthemum is in full bloom, and the Ganoderma lucidum is like an ang. The double crane is carefully depicted with a fine brush, the shape is accurate and lively, and the turquoise is written with a longitudinal pen dragging mud and water, so that the mountains are wet and green and want to go to the human face. Although the two white cranes live in the center of the painting, they avoid the rigid landscaping with the dynamic of their anticipation and echoing, and a touch of distant mountains behind them ends abruptly among the pine leaves, looming as if haunting the clouds on the horizon, and the white feathers of the crane's body, and the red two points on the top of the crane and the red glow in the sky are all jumping in front of the viewer's eyes. The picture is virtual and real, intentional and not deliberate, and there is no doubt that it is a masterpiece.
Lot 3182
Wan Shangxuan (1739-1813)
松鹤灵芝
Vertical scroll color on silk
Xinhai (1791).
132×96 cm. about 11.4 square feet
RMB: 60,000-100,000
Seal: Shang Xuan, Gonggang calligraphy and painting, Dianqing inscription: Xinhai Xiaochun Xia Huan. Rimoka Wan Kami wrote. Description: Wan Shang Xuan, the word Dianqing, the number of Rim Gang, Jiangxi should be tributary. He once served as the edict of the Qing Palace Painting Academy. Landscapes, flowers, pen and ink pay attention to interest, super easy and beautiful, no writer's habits. The level of finger painting was very high, and it was very famous at that time, and the ministers and nobles all competed with it.
Xin'an landscape poet: Cha Shibiao
Cha Shibiao's painting from Dong Qichang to Huang Gongwang and Ni Yunlin, the pen is clear and inky, and the smoke is full of paper, and he is an outstanding figure of the Xin'an faction in the early Qing Dynasty. It is a colored silk book, self-titled "Yellow Crane Mountain Qiao", the wind god is scattered, beautiful and noble and hearty and dusty.
Lot 3288
Cha Shibiao (1615-1698)
Pine Creek Waterfall map
Mirror heart color on silk
Xin Wei (1691).
162×62 cm. Approximately 9.0 sq. ft
RMB: 600,000-800,000
Seal: Shibiao private seal, Cha Erzhan (see "Chinese Calligraphers and Painters' Seals and Identification, Cha Shibiao" 37 and 43 seals, page 652) Inscription: Yellow Crane Mountain Qiao Songxi Waterfall Map. Xin Wei Qishi is marked on Han. Signature: Chashi marked the color of the landscape authentic boutique. Glorious Visit. Seal: Guanghua approved
Lot 3350
Cai Yuan (late Ming and early Qing Dynasty)
Jiaomen Xiaofa picture
Fan color on paper
18×55 cm. Approximately 0.9 sq. ft
RMB: 50,000-80,000
Seal: Cai Yuan, painting Zen inscription: Jiaomen Xiaofa map. Wu Xuqiu, Cai Yuan Tianya. Seal of the Collection: Hui Jun Changshou Hui Xiaotong (1902-1979) Inscription Framed: Ten thousand mountains overlap, the angry waves are surging, and the three or five boats are noisy and busy, supporting it. The danger of Jiaomen is beneficial here. This is a proud work of the old age, and it is a pity that the last paragraph is wiped off by the father, but it does not hinder the painting bureau. Seals: Qinglu Tibetan Fan, Xiaotong Secret Play Publishing: Silk Paper Travel: Roy and Marilyn Piper's Collection of Chinese Paintings, Phoenix Museum of Art, 1998, catalogue no. 32, p. 92. Exhibition: Silk Paper Travel: Chinese Paintings from the Collection of Roy and Marilyn Piper, Phoenix Museum of Art, 1998. Description: 1. Cai Yuan, a native of Fujian, the word is from afar, the number of the world, the overseas Chinese live in Changshu, the family is at home, do not forget the old Qiu, and the purple is the mountain people, learn the landscape in Wang Shigu, get his instructions, paint the cow and Yang Jin side by side, the color is beautiful, the pen is elegant, and the painting habits of Fujian are exhausted. 2. The inscription of Hui Xiaotong (1902-1979) was originally known as Jun, the word Xiaotong, Songxi, Qinglu, Zhehu, Manchu, Beijing. Gongshanshui, studied under Jincheng, and is good at calligraphy and painting identification. In his early years, he participated in the Lake Society Painting Association and served as a director and vice president. In 1956, he served as a member of the Standing Committee and chairman of the Art Committee of the Beijing Chinese Painting Academy. In 1964, he served as the principal of Guozijian Chinese Painting Tutorial School, a director of the China Federation of Literary and Art Circles, and a member of the China Artists Association. 3. Lot 564 of "Roy and Marilyn Piper Collection of Chinese Paintings", September 2016. Mr. Roy Piper (1927-2017) was a distinguished banker and entrepreneur. From 1975 to 1977, he served as a director and ambassador to Manila for the Asian Development Bank. At that time, he and his wife Marilyn (1931-2016) traveled throughout Asia and began to love the culture and art of East Asia. In the late 70s of the 20th century, they returned to the United States and settled in Phoenix, Arizona, where they decided to establish a collection of Chinese paintings. Using the Sheikh's "Six Laws" as a criterion, the Pipers selected the Chinese paintings that best fit their minds. From 1983 to 2000, he spent nearly 20 years and collected more than 180 paintings from the Ming and Qing dynasties. The collection standards of these works are highly uniform, the quality is neat, and they are not conventional. Forty of these works were donated to the Phoenix Museum of Art in 2005-2009, more than 20 are currently on loan to the museum, and 121 were released from the market in 2016.
Lot 3351
Tang Dai (1673-1752)
Copy Li Cheng snow scene
Fan color on paper
19.5×58 cm. Approximately 1.0 sq. ft
RMB: 120,000-180,000
Seal: Tang Dai inscription: G Li Cheng. Painted by Tang Daigong. Description: Lot 563 of the Roy and Marilyn Piper Collection of Chinese Paintings, September 2016.
Lot 3240
Tang Dai (1673-1752)
Distant sail spring water map
Vertical scroll ink on silk
Yi Mao (1735).
Word: 28×25.5 cm. Approximately 0.6 sq. ft
Painting: 37×25.5 cm. Approximately 0.8 sq. ft
RMB: 50,000-80,000
Seal: Tang Dai inscription: Yuanfan spring water is wide, and there are many sunsets in the high temple. Yi Mao New Autumn, Tang Dai Jing painting. Patten's Poetry Hall: The fishing boat chases the water and loves the mountain spring, and the peach blossoms on both sides of the strait are sandwiched by Gujin. Sit and watch the mangroves not know the distance, and there is no one in the green stream. The mountain pass sneaks into the first kuma, and the mountain opens to look at the flat land. Looking at a cloud tree from afar, it is close to thousands of scattered flowers and bamboos. The woodcutter first passed on the name of the Han, and the resident did not change the clothes of Qin. The dwellers live in Wulingyuan together, and they also start from the countryside. The moon is bright and the room is quiet, and the chickens and dogs are noisy in the clouds at sunrise. I was shocked to hear that the laymen were vying to come to the set, and they were competing to return home to ask the capital. Pingming Lu Lane sweeps the flowers and blooms, and the twilight fishing wood enters the water. At the beginning, he avoided the land and went to the world, and he did not return it until he became an immortal. Who knows that there are people in the gorge, and the world looks at the empty cloud mountain. There is no doubt that the spiritual realm is difficult to see, and the dust is not full of homesickness. Out of the cave regardless of the landscape, the resignation is intended to be a long time. It is said that after the old is not lost, the peaks and valleys of Anzhi are changing. At that time, it was only recorded in the depth of the mountain, and Qingxi went to Yunlin several times. Spring is full of peach blossom water, and I don't know where to find the source of immortals. The book of the old man, Peng Dingqiu. Seal: Peng Dingqiu, Visit Lian Jian's Tibetan Seal: Yongan Shen's Collection of Calligraphy and Painting Description: 1. The old collection of the cultural relics company. 2. Patten's Poetry Hall. Peng Dingqiu (1645-1719), the champion of the 15th year of Kangxi (1676). The word is diligent, and the number is visited. Kangxi Zhonghui tried the court to be the first, aided the revision, and the officials spoke, and took refuge in the famous Taoist Shi Daoyuan in Suzhou in the early Qing Dynasty as a disciple, and tasted the teacher Tang Bin. In science, it is unique. It is to learn "not to deceive, to practice". The most earnest person in his life, especially admired Wang Shouren and other seven sages, and still wrote seven chapters of "Gao Wangyin" to see the ambition. He is also the author of "Yang Ming Interpretation and Destruction Record", "Nan Yuan Anthology" and so on. 3. "Yongan Shen's Tibetan Calligraphy and Painting Seal" is a Tibetan seal used by Shen Jifu in Tianjin. Shen Jifu opened a foreign store in Tianjin during the Republic of China, and the Shen family collected a lot of calligraphy and paintings, most of which were for the Ming and Qing dynasties, especially the orthodox landscape paintings such as the Four Kings, and Pu Dong was responsible for sorting out the calligraphy and painting for it, and inscribed it. Most of the paintings and calligraphy in the collection belong to the Forbidden City and Tianjin Museum, including the famous Zeng Whale's "Statue of Ge Yilong" and Wen Jia's "Spring Picture of the South of the Yangtze River".
Lot 3292
Ban Kyoju (1741-1794)
Imitation of Dong Qichang Mi's cloud mountain map
Vertical scroll, ink and color on paper
126.5×43.5 cm. Approximately 5.0 sq. ft
RMB: 60,000-100,000
Seal: Pan Shenfu, Pan Gongshou Inscription: Dong Wenmin Imitation of Millet Yunshan. The fog locks the trees, and the smoke condenses the mountains. Yuanhui has a legacy, and a few people climb it. Yu Zang Wenmin's painting is approaching day by day. Gong Shou. Xu Pingyu's inscription: Pan Lianchao millet Yunshan energy products. Feather Question. Appreciation of the Seal: Chang Sui Xing Zheng, Ping Yu Appreciation Publication: 1. "Yulian Zhai Tibetan Paintings", p. 192, Rong Bao Zhai Publishing House, 2005. 2. Selected Works of Chinese Painting and Calligraphy (Ancient Volume), p. 75, Tianjin People's Fine Arts Publishing House, 2007. 3. Appreciation of Chinese Painting and Calligraphy, p. 104, Cultural Relics Publishing House, 2008. 4. Ink and Ink Rhyme: An Appreciation of Chinese Calligraphy and Painting, p. 161, Hebei Education Press, 2008. Exhibition: "Chinese Painting and Calligraphy Exhibition", sponsored by the China Foundation for Cultural Heritage Conservation and the China Collectors Association, co-organized by 17 companies, including Li Keran Memorial Hall, Xu Beihong Memorial Hall and Chinese Painting Research Institute, December 3-6, 2008, China Millennium Monument, Beijing. Description: The old collector Xu Pingyu (1909-1986), formerly known as Wang Yuanjian, also known as Bai Ding. Jiangsu Gaoyou people. "Yulian Zhai" is the name of its study, also known as "clear box book". Mr. Ping Yu joined the revolution at an early age, worked with Mr. Lu Xun in the Left League, and spoke to Mr. Zhang Xueliang in Xi'an. At the end of the twentieth century, he became acquainted with the connoisseur Xuan Guyu (1866-1942), and began to become involved in art connoisseurship. He has successively served as the director of the Nanjing Municipal Cultural and Educational Takeover Committee and the director of the Nanjing Museum, and has made great efforts for the cause of national culture, art and cultural relics.
Lot 3294
Yong Rei (1744-1790)
Imitation Yuan people landscape
Vertical scroll, ink on paper
Painted by Qianlong Bingxu (1766).
68.5×32.5 cm. Approximately 2.0 sq. ft
There is no reserve price
Seal: The seal of the sixth son of the emperor. Inscription: At the beginning of spring in Qianlong, imitating Yuan Chen Qiushui. Description: Yongying, the sixth son of Gaozong of the Qing Dynasty, is called Yu Zhai, also known as the master of Jiusi, the master of the West Garden, etc. In the twenty-fourth year of Qianlong, he was ordered to succeed as the heir of Wang Yunxi of Shenjing County and was named Baylor. Thirty-seven years to seal the quality of the king, the following year to serve as the president of the Siku Quanshuguan, fifty-four years to seal the prince, fifty-five years of Xu, said Zhuang. Gongshu is good at painting, famous at the time. The calligraphy has Xu Hao's brushwork, the flowers are ancient and elegant, and there are the victories of Shaogu and Tuojiang. The landscape is made up of smokers, ancestors and grandchildren, and it is beautiful. He is the author of "Jiusitang Poems".
Lot 3296
Gu Heqing (1766-1836)
Stone beam square map
Vertical scroll, ink and color on paper
Painted by Otohai (1815).
132×39 cm. Approximately 4.6 sq. ft
RMB: 80,000-120,000
Seal: Gu Heqing painting, Taoan painting Zen inscription: the house is wide at the top, the spring is wide at the bottom, the head of the building overlooks the stone beam, and the lower realm is extremely high. In the summer of Yihai, in April, I occasionally remembered between Shiliang Fangguang, and got this meaning and inscribed Mr. Zun Brother of Yutang. Gu Heqing. Seal of the Collection: Description of Shuizhu Estate Collection, Non-Energy Collection: "Shuizhu Estate Collection" is the seal of Xu Shichang. Xu Shichang (1854-1939), known as Bu Wu, was known as Juren, also known as Juren, and was also known as Ju Ren, also known as Donghai and Taozhai, alias Shuizhu Village, alias Shuizhu, Shimenshan, Tianjin. In the twelfth year of Guangxu (1986), he was a Jinshi and an associate minister of the cabinet. During the Beiyang period, he was the president.
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Lot 3197
Zhang Qian (Qing Dynasty)
Finger ink eighteen arhats
Album (18 folio) Ink and color on silk
Written by Gengshen (1740).
38×48 cm. Approx. 1.6 sq. ft. (per sheet)
RMB: 100,000-150,000 (18)
Seals: Zhang Qian, finger painting
Inscription: Gengshen Duchun finger painting, Sanyuan Zhang Qian.
Description: Zhang Qian, the word Yishi, the number of the snow road, Jiangsu Changshu. Can poetry, good at making millet (Youren) landscape, especially good ink bamboo.
Introduce the head Wang Yuanqi (Qing Dynasty), the word Chishan, Jurong people, for Yue Zhongqi's appreciation, appointed as the Guangxi Shilang of the Ministry of Households, awarded to supervise the imperial history. He is also good at calligraphy and painting, especially for his orchid.
Every time you open the right question, Di Mida (?) 1761) Eji, a native of the White Banner of Manchuria, was a minister of the Qing Dynasty. In the first year of Yongzheng, he was appointed as the head of the Ministry of Officials and relocated to Langzhong. For five years, he went to Fujian with Yang Wengan, the governor of Guangdong, to inspect the warehouse. For six years, he was promoted to political envoy in Guizhou. In eight years, he moved to the governor of Guangdong and sought to be appointed governor. In the fourth year of Qianlong, he was transferred to the governor of Sichuan and Shaanxi. For fifteen years, he was awarded the rank of servant of the Ministry of Officials. In sixteen years, he was awarded the blue flag and the Han army. For 20 years, he was directly subordinate to the Governor of the Ministry of Punishment. For twenty-one years, he also served as a secretary of the ministry and a co-organizer of the university. In the twenty-second year, he added the crown prince and the Taibao. Twenty-six years, died, gave platinum 2,000 funerals, gave sacrifices and burials, and gave Wen Gong.
The view is a book, Amida on the subject of eighteen open and the front page and the back, the pen is strong and smooth, the pen is round and free, it can be said that the opening is wonderful. The three dynasties of Kangxi, Yongzheng and Qianlong in the Emida calendar, the official to the co-organizer of the university scholar, is an important minister of the Qing Dynasty, and its surviving calligraphy is rare. In addition, Zhang Qian's finger paintings are also rare, and the title of the first Wang Yuanqi is appreciated by Yue Zhongqi, a famous general of the Qing Dynasty, and the combination of these three people is particularly valuable.
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