[Outside Linqu cultural people write Linqu] Feng Weimin and my cultural nostalgia

Linqu Township sages have emerged. Countless sages shone like stars, leaving them with either clear or vague light and shadow on both sides of the Mi River. As a latecomer, I used to watch under the stars for a long time, and I also used to look for it persistently on both sides of the Mi River, and finally I was attracted by Feng Weimin. Feng Weimin's large number of literary works have raised the height of my thinking and soothed my increasingly strong cultural nostalgia.

I knew Feng Weimin when I was a child, knew that he was the first-class composer and miscellaneous drama writer of the Ming Dynasty, knew that he was a Linqu person, and so on. The real entry into Feng Weimin's spiritual world was after I came to Weifang. Combined with my study time, I have been living in Weifang for 25 years. As far as history is concerned, 25 years is only a short moment, but for the course of my life, 25 years is indeed quite a long time. I harvested love in Weifang, realized many dreams in Weifang, and was also regarded as a Weifang person by many outsiders.

Am I from Weifang? Absolutely. But the more accurate answer is that I am a Linqu person living in Weifang.

"The boy is determined to go out of the country, and he will not pay back if he does not become famous." Buried bones why mulberry land, life is everywhere green mountains. "Saigo Takamori's poem has made the blood of countless young people boil, and it has also stirred up the enthusiasm of my youth countless times. But as I grew older, I missed Sangzidi more and more, and I was particularly homesick. This home is not my apartment in Weifang, not my parents' apartment in Linqu County, or even the small village where I lived as a child. This home is not specific, but it is touchable.

In fact, my longing for home is more of a kind of cultural nostalgia.

Because every time I read Feng Weimin's works, I feel as if I feel the spring breeze from my hometown, as if I have tasted the sweet spring water of my hometown, which makes me feel the warmth and beauty of home. Feng Weimin's works, whether it is "Haifu Shan Tang Manuscript", "Shan Tang Manuscript", "Shimen Collection", "Feng HaiFu Collection", or "Liang Zhuangyuan Bufu Old Jade Hall Biography" and "Legend of monk and nun accomplice", I can almost find the imprint of my hometown from it, and almost all of them can find the imprint of childhood.

Although we live in different eras and are both Linqu people, Feng Weimin and I both grew up drinking the water of the Mi River, both are fascinated by the less fertile land on both sides of the Mi River, and we are eager to have a wider world, but we are always in love with the landscape of our hometown. Feng Weimin has a poem titled "Rain Yu Tour Yishan Smelling Warbler": "Good rain first harvests hundreds of green, and the horse's hooves are flooded with satin." Empty mountain a yellow oriole language, Sheng to the fireworks to listen. The first time I read this poem, it was as if I had entered the familiar Yishan Mountain, as if I had heard the chirping of the yellow oriole at home. Feng Weimin has two poems entitled "You Ye Shui", which are "There are many mysterious things in the water, and I live in seclusion according to the mountain music." Idle bamboo pavilion, thin for love garden vegetables. The grass and trees contain metamorphosis, and the pond is soaked too weakly. Leisurely dust is far away, dreams also to Huaxu" and "Savage cover pengshu, the sun Yan is a good guest." The dou room is circling, and the prison stream sits on the rolling stone. The mountain atmosphere returns to the scenery, and the pool light is quiet and blue. When the wine is exhaled, it will not come, and the smoke and water will be separated." Reading these two poems, I not only felt the natural scenery of Lao Long Bay, but also felt Feng Weimin's scattered state of mind.

I like Feng Weimin's works, not only because I can see my dear hometown in Feng Weimin's works, but more importantly, because I can see the figures of my hometown people from Feng Weimin's works, although those figures are not all familiar.

Linqu is mountainous, and the mountains have left me with many good memories. The small village where I lived as a child is surrounded by mountains on three sides, and there is a mountain pass with a mountain spring that is constantly flowing all year round. Mountain spring water flows down a section of mountain cliff, forming a small stream at the root of the mountain. The sound of running water in the creek is the most beautiful piece of music, I have listened to many concerts, and I have not found that a concert can sweep my soul like the sound of running water from the stream. When I was a teenager, I often followed the curved mountain road to a place called Ping, sat on the Lying Cow Stone to enjoy the beautiful scenery of the small mountain village, and envisioned the strange world outside the mountain. Because I have been immersed in the environment of the mountain for a long time, I can actually read the image of the mountain from Feng Weimin's works that are not writing about the mountain, and read the character of the Linqu people.

Feng Weimin's miscellaneous drama "Liang Zhuangyuan Bufu Old Jade Temple Biography" was created after his seventh meeting was frustrated, that is, after the age of 46. This miscellaneous drama is the story of the Northern Song Dynasty Liang Haohao's poor and tried hard work, and finally won the title at the age of 82. In the play, Liang Hao "read ten thousand volumes of poetry since childhood, quite curious", and won the first place xieyuan in the Shandong Provincial Examination in his early years, but later "repeatedly tried the spring and did not come first, did not feel two sideburns, and was old and tall". His relatives and friends around him persuaded him to choose an official, and he thought that he was studying for a while, and he did not want to "lose his life's aspirations", and every time in the year of Dabi, he still went to Beijing on time to take the test. He was ridiculed and ridiculed by young scholars, examination room janitors, and his own bookboys, and he was in a very awkward position. Although he occasionally had the idea of retreating, he was still full of excitement. After "Fifty Autumns of the Battle Of the Literary Field", he finally won the title of high school at the age of 82 and "got the word meritorious name". According to the collation records of the History of Song punctuated by the Zhonghua Bookstore, Liang Hao entered the army in the second year of Yongxi (985) and died at the age of 42, and it is impossible for him to happen at the age of 82. The reason why Feng Weimin chose materials so much naturally had a piece of his painstaking heart. What I read from Feng Weimin's miscellaneous drama is not only the insult and physical destruction of the personality of the scholar by the imperial examination system, not only the embarrassing situation after the scholar landed, but also Feng Weimin's determination to continue the examination, and more of the indomitable character displayed by the Linqu people. In the trance, I often feel that Liang Hao lives somewhere in Linqu, an authentic mountain bar.

Linqu is rich in water. If the mountain has shaped the strong side of the Linqu people, then the water has given the Linqu people a wise side. Linqu people are indomitable in doing things, although they have died nine times and have not regretted it, they are after careful consideration, and they are by no means the courage of a quick and easy man.

My first trip after learning to ride a bicycle was to Lao Long Wan, because Feng Weimin had lived there. Feng Weimin's other miscellaneous drama "The Legend of the Monk and Nun Accomplice" does not write about water, every time I read it, I seem to hear the sound of babbling water, and the sound of flowing water has the same rhythm and rhythm as the sound of the stream on the south side of our village.

The protagonists of "Legend of the Monk-Nun Complicity" are the monks of Longxing Temple, Mingjin, and the nun Huilang of Biyun'an. They were young, falling in love with each other by the germination of instinctive lust, and boldly breaking through the shackles of religious purity, and secretly united in the nunnery. When dawn broke, they were discovered by the neighbors and sent to the government office for questioning. When they arrived at the official palace, Ming Jin and Hui Lang trembled, but they did not expect that after wu Shouchang, the official of the Imperial Guard, beat the two of them on a board, he ordered them to return to the customs, and said, "It is the law that the staff is broken and returned to the customs." To achieve two people, it is a matter of affection. The two ends of the love and the law are the great yin of the official." As a result, the two men justified and joyfully concluded a good relationship.

The Dharma teachings regard human desire as the source of all evil, especially lust, and there is no room for fire and water between the two. Wu Shouchang in the play has another way, skillfully resolving this contradiction in the way of first hitting the board and then judging "returning the customs". Coincidentally, during zheng banqiao's reign in Weixian County, he actually encountered a case that was highly similar to that of "Legend of Monk and Nun Accomplice", and Zheng Banqiao's handling method was also consistent with the height described in "Legend of Monk and Nun Accomplice".

Regarding the story of "The Legend of the Monks and Nuns", it is difficult for latecomers to encounter again, but the contradictions in life are everywhere. How to resolve various contradictions has always tested every latecomer. Feng Weimin's presentation to the newcomers through "The Legend of the Monk-Nun Complicity" is probably not just a comedy story. "The Legend of the Complicity of Monks and Nuns" was created around the fourth year of the Wanli Calendar, when Feng Weimin was about 66 years old, which can be described as experiencing all the vicissitudes of the world. His emphasis on being kind and flexible with people through this work is not another commentary on the character of the Linqu people.

The benevolent leshan, the wise enjoy the water. Because of his companionship with the landscape, Feng Weimin very naturally formed an inclusive mind and formed a deep vision. Because I grew up living in the land where Feng Weimin lived, I naturally entered Feng Weimin's spiritual world. Whenever I feel a strong longing for home, especially when I can't immediately appear on both sides of the Mi River, I will pick up Feng Weimin's works, because there is a deep cultural nostalgia for me.

About the Author

Yu Quanyi, male, was born in December 1965 in Sunjiazhuang Village, Sitou Town, Linqu County. He is currently a member of the Party Committee, vice president and deputy editor-in-chief of Weifang Daily, and an executive director and editor-in-chief of Weifang Evening News Media Co., Ltd. He started his career in July 1987 with a university degree and senior professional title. From July 1987 to April 1992, he worked in Linqu County, successively serving as a Chinese teacher at Linqu Normal School and a press officer of the Propaganda Department of the county party committee. Since 1992, he has worked in Weifang Daily, successively serving as a reporter, editor, deputy director and director of Weifang Daily, assistant to the editor-in-chief of the president, and a member of the editorial board of the group. He has been writing for more than 20 years, published millions of words, and won hundreds of news awards at all levels. He has been rated as one of the top ten journalists in Weifang City, the top ten journalists in Weifang City, the advanced individual in propaganda and ideological work in Weifang City, the hundred outstanding cultural workers in Weifang City, the outstanding propaganda cadres in Weifang City, and the outstanding journalist in Shandong Province; in 2010, he was awarded the title of Top Professional and Technical Talents of Weifang City in 2010-2014 by the Municipal Government.