The story of the Wulin of the Yitian Slaughtering Dragon is a hundred years apart from the time of the Divine Eagle Hero, and there are several generations in between, but why is it called the "Archery Trilogy" together with "Shooting Eagle" and "Divine Eagle"? The connection between this, of course, is not just a dragon slaying knife and a heavenly sword. In fact, the "Archery Trilogy" tells the story of a great reincarnation, the author takes the rise, development and eventual decline of the Mongol Empire as the dark line, follows the path of reincarnation of the origin of the origin is the extinction of the fate, and the extinction of the fate is the new origin of the reincarnation, telling the han and Mongolian ethnic groups for more than a hundred years of enmity and hatred, and finally placed good wishes on the future of the two ethnic groups.
Looking at the three novels, it can be clearly found that the history of the rise and fall of the Mongolian Yuan Empire is closely related to the before and after, making the three novels a main line of the trilogy. "The Legend of the Eagle Shooter" is about the rise of the Mongolian Yuan Empire, "The Eagle Hero" is about the prosperity of the Mongolian Yuan Empire, and "The Dragon Slaughter in the Heavens" is about the final decline and fall of the Mongolian Yuan Empire.
In "The Legend of the Archery Hero", the male protagonist Guo Jing grew up in the Mongolian steppe since he was a child, and witnessed the rise and growth of this tribe in the Temujin tribe, and he personally participated in the whole process of the rise of Mongolia. Guo Jing's vigorous help allowed Temujin to avoid the secret plan of the fraternal alliance, defuse the siege of Zamuhe's rebellion, and then successfully annexed them, gradually unifying the Mongolian steppe and achieving his great cause of Genghis Khan. In the end, in order to capture Yan Honglie, Guo Jing personally led his troops to attack the city of Huarazimo, allowing the Mongol Empire to cross the Eurasian continent. Even Guo Jing, who was recruited by Genghis Khan as a golden sword and horse, was once one of the potential heirs of the empire.
However, with the successful rise of Mongolia, it established an unprecedented super enemy for Guo Jing's mother state, the Southern Song Dynasty court, and the confrontation between song and Mongolia also began. Since this super enemy was personally helped by Guo Jing to rise, the heavy responsibility of protecting the mother country from Mongolian aggression naturally fell on Guo Jing's body, and it must also be vigorously undertaken by Guo Jing, so the male protagonist Guo Jing finally stood resolutely on the front line against the Mongol invasion, and since then it has been integrated with Xiangyang City and defended the country and the people for decades. The so-called "hero of the great, for the country and the people", and finally achieved his prestige of "North Hero".
In "Heroes of the Divine Eagle", the Song and Mongolia countries continued the confrontation and conflict in the later period of "Shooting Eagle", but the confrontation between the two countries mainly focused on the open and secret struggle between the martial arts masters of the two nationalities. The duel between Yang Guo, the male protagonist who represents the Han nationality, and the Golden Wheel Guoshi, who represents Mongolia, runs through the beginning and end. Yang Guo's reputation can be said to be in the continuous escalation duel with the Golden Wheel, and he continues to be famous in the world. The Great Scattered Pass Heroes Conference made Yang Guo famous in the First World War, and the Battle of Nanshan Forced Jinlun to leave the Central Plains to return to Mongolia and add glory, and in the final Battle of Xiangyang, Yang Guo not only finally killed the Golden Wheel, but also let the Mongol Great Khan Meng Ge die after being seriously injured, successfully lifted the siege of Xiangyang, and the Divine Eagle Hero thus left a martial legend.
The duel between Yang Guo and Jinlun actually implies that the Mongols constantly challenged and invaded the Great Song, and the Great Song constantly resisted under heavy pressure, a process of constant confrontation between the Han and Mongolian ethnic groups. However, in this process, although there were great heroes such as Yang Guo on the side of the Great Song Dynasty, the Mongol Empire was also a master, which not only implied that the prosperity of Mongolia was no longer under the orthodox dynasty of the Central Plains, but also implied that the Southern Song Dynasty had completely declined. Because from the third Huashan ranking, only Yang Guo can be regarded as a real new force among the top five in the new five. Moreover, in the end, with the aging of the old generation of masters, the retirement of the new generation of masters Yang Guo, and the Song Dynasty, which had no one to succeed, were already in danger under the background of Qiangmeng, and could not escape the fate of being destroyed by Qiangmeng.
In "The Book of the Dragon Slayer in the Heavens", it is also small to see the big. The Mongol Yuan court, represented by Zhao Min, in order to save the stability of the regime, constantly divided the forces of the various factions of the Central Plains Wulin sect, in an attempt to incite friction between the various factions of the Wulin and the Ming Sect, so that they could confront and kill each other, and divert the attention of the Han people from opposing the Yuan. However, under the unbridled efforts of the male advocate, through his own strength, he led the Ming Sect to do the opposite, constantly eliminating the estrangement of grievances with the various factions of the Central Plains Wulin, and successfully united with each other to form an anti-Yuan united front, and finally realized the great achievement of expelling the Mongolian Yuan and restoring the Han people's century-old anti-Yuan cause.
This process reflects the history of the Han people, who groaned under the iron hooves of the Mongols and were trapped in the depths of the water, after experiencing the high-pressure rule of the Mongolian Yuan court, they were painfully determined, united, and resisted, and finally drove the Mongols back to the steppe and restored han rule, hinting at the final demise of the Mongolian Yuan Empire in Middle-earth.
It can be said that the "Archery Trilogy" tells the story of the Han people helping the Mongols rise from the steppe, but the Mongols came from the grassland to the Central Plains to annex the land of the Han people, and finally drove the Han people back to the grassland.
It can be seen that these three works, in the background of the era spanning up to 150 years, from the confrontation between the Han and Mongolian ethnic groups, concentrate on describing the three special historical periods of the Mongolian Yuan Empire from the rise to the prosperity and final decline, and restore the rise and fall of the Mongolian Yuan Empire in a small way. In the context of this history of rise and fall, it tells the story of love and hatred between the sons and daughters of the Han and Mongolian ethnic groups, and their stories, from the edge to the extinction, from the edge of extinction to the cause of rebirth, are just the proof of the path of great reincarnation.
This story originated from Li Ping, who had a son in her belly at that time, who was coerced by Duan Tiande to go all the way north, and was finally rescued by the Mongols and exiled to the Mongolian steppe. This story originated when Li Ping ordered Guo Jing to attack the Song Dynasty and commit suicide by adhering to the righteousness of Genghis Khan, and Guo Jing's marriage contract with Hua Zheng was dissolved, and eventually grew into a generation of heroes for the country and the people, leading these successors represented by Yang Guo to constantly fight in the turning point. This story, the new origin, began on the Green Willow Village, Zhang Wujie Zhao Min both fell into the dungeon of the dark incense shadow. After that, the love affair between the two people, the ebb and flow, the fate of the fate, and finally the hand in hand returned to Mongolia, so that everything returned to peace, annihilated the previous dust, but the old cause.
When Li Ping went to Mongolia from the Central Plains, Guo Jing returned to the Central Plains from Mongolia, and finally Zhang Wuji followed Zhao Min and returned to Mongolia from the Central Plains, which is undoubtedly a great reincarnation that has experienced more than a hundred years.
In the finale of the trilogy, "The Book of the Dragon Slaughtering in the Heavens", the origin of the cause is the extinction of the fate, and the fate of the extinction gives birth to a new origin, such a way of reincarnation, in the love story of Zhang Wuji and Zhao Min, it is even more vividly displayed.
When Green Willow Mountain Villa met again in Wudang Mountain, Zhao Min was overwhelmed by Zhang Wujie's ability and had a good feeling for him, which was the origin. The tavern meets their hearts and goes on a trip to the Spirit Snake Island, and the two continue to show their love for each other, which is fate. On the desert island, the swords are lost, each side is different, and the misunderstanding is sudden, but the fate is destroyed. However, the lone Haozhou City grabbed relatives, a sentence "I prefer to be reluctant!" ", on the other hand, is the birth of a new dependent arising after the extinction of the condition. After joining hands to rescue the lion king, seeking the truth, the truth of the lion slaughter conference is revealed, the misunderstanding is solved, and the mutual determination is life, which is the final new fate.
The concept of love in "The Book of the Dragon Slayer in the Sky" undoubtedly summarizes the emotional tone of the trilogy, and also reflects the historical background of this specific era. At that time, Guo Jing could have become a Golden Sword Horse of Mongolia, but the specific historical background did not allow the combination of Guo Jing and Hua Zheng at all, and the two of them were eventually destroyed in the conflict and confrontation between the Han and Mongolian ethnic groups. In the Yang generation, the fierce confrontation between the Han and Mongolian ethnic groups has not tolerated the emergence of marriage and union between the Han and Mongolian ethnic groups, so Yang Guo's love object can only be the little dragon girl who is also a Han. And from the combination of Yang Guo and Xiaolongnü, it is even more from the side that the Great Song will die, because the great enemy is current, but the Central Plains Qunxiong is still beating the Mandarin duck in the shackles of ethical concepts, so that Yang Guo's successors will suffer from the ups and downs of love. In the generation of Zhang Wuji and Zhao Min, the great conflict between the Han and Mongolian ethnic groups has become a thing of the past, and the two ethnic groups are about to return to peace, such a special historical background has finally contributed to the perfect combination of the two of them and the arrival of peace.
Therefore, the final combination of Zhang Wuji and Zhao Min not only indicates that the more than one hundred years of struggle between the Han and Mongolian ethnic groups has become history, looking to the future, but also carries the author Mr. Jin Yong's good wishes for the eternal reconciliation of the Han and Mongolian ethnic groups in reality, and even carries his good wishes for the multi-ethnic brothers and families of our motherland.
Dreaming back to the jianghu, Jin Yong wuxia, closely following the historical background, focusing on the jianghu, telling the story of martial arts, but writing a period of ever-changing history. Whether it is the Northern Song Dynasty period with the three dynasties of Saibei, the Song and Yuan dynasties dominated by the confrontation between Han and Mongolia, or the Ming and Qing dynasties in which manchus and Han dynasties are opposed, the historical picture scrolls and characteristics of each specific period are vividly displayed in the story of martial arts and love of the children of the jianghu. This is a major feature of Jin Yong's martial arts, and it is also a highlight in martial arts novels. As far as Yu Lingjun is concerned, Jin Yong's martial arts novels are magnificent, plot twists, and delicate emotions, and the essence of the three ideas of Confucianism and Taoism is conveyed, which is the icing on the cake. The martial arts world he opened up is complete in system, rigorous and clear in timeline, interrelated, alternately inherited, and echoed back and forth. Such works are the literary treasures of our time, and it is fortunate to have a golden book as a companion in this life!