Recently, on an audio-visual platform, the performances opened in Tianjin during the May Day of the Deyun Drum And Music Society have been launched one after another. Today I watched a cross-talk performance, and I feel that some words are not spit out, simply put, Tao Yang Tao Yunsheng's cross-talk is too much.
He performed a passage of "Selling Estimated Clothes", which is a very classic, well-known one, and it can even be said that since we were children contact with crosstalk, how many versions have been heard have been countless, that is, Deyun Society, which is also a must-have program for them.
However, the May Day Deyun Drum Music Club opened a cross-talk special, after all, it is different from the usual small theater, and other programs I think are also remarkable and have their own characteristics, but what does Tao Yang say about this program? It was too watery, and it had no characteristics, not only could it not be compared with the masters, but it was also a long way from the brothers of the same door and the young people of other societies now.
Tao Yang's characteristic is, of course, his opera. I still remember the so-called "Four Cities of Beijing" overturning incident a few years ago, when the little Tao Yang had a loud voice and a pure tone, he brought us countless surprises at the beginning, and really saved the overturning accident, and now it has become a joke.
But why did Guo Degang let him say crosstalk? His qualifications are really a lot worse, so I personally suggest that Tao Yang sing specially.
If the Deyun Society does not have the platform of the Qilin Drama Society, let Tao Yang change his profession to say that cross-talk is also reluctant to say the past. But now that we have this platform, let's put this child back into opera, he said that he was tired of crosstalk, and we were also guilty of listening to it.