I have no intention of complaining about the current era when the speed of new musical works is much faster than the speed of digestion of listeners, but more or less, I feel a little regret that the middle and high-level capable people in this era cannot be familiar with the public faster.
Of course, in the new era and the traditional era, the way a new person debuts is completely different.
The king of the previous era, Jay Chou, has been debuting for more than 20 years. Every year through November, fans still celebrate his debut anniversary, which is calculated from the time when he released his first solo album.
Starting from the mainstream way of promoting newcomers, from the day the competition ended, it became the debut day of most musicians/singers.
For example, the national "corn" will commemorate August 26 of each year, because from August 26, 2005, Li Yuchun has become the reason for the carnival of corn, from that day on, Li Yuchun hatched his own music brand little by little, with works and time to temper, in the fans of every pair of eyes, every pair of ears in the attention. This is no longer the "hidden form" of traditional music companies behind the scenes to polish a masterpiece little by little, and the process of artist growth is fully participated by fans, which naturally cultivates emotional connections beyond the past.
Yesterday I went to the scene to watch the 23rd birthday concert of Li Xinyi, also a newcomer who came out of the current music promotion model, counting from the official debut time, less than two years, is the delineation of the new generation of singers.
In terms of the number of works, counting different functional works such as originals, cover songs, choruses and OST, Li Xinyi has released more than 20 songs, and if it is classified into the "definition" of the personal album of traditional newcomers, it is also time to judge Li Xinyi's potential with a richer music system.
From the perspective of sustainable singer types, Li Xinyi is obviously a scarce breed of male singers who prefer vocal solo in the current rhythmic environment, because when rap, singing and dancing, and singing can all be independent, the singer category that focuses on the vocal system and tenaciously upwards is diluted by the market and other proportions, li Xinyi is therefore more precious, even more pure (I don't think other singers are good enough, but my personal preference is biased towards the vocal system).
Li Xinyi on March 13th birthday in addition to holding a 23rd birthday concert called "Blue Hours", but also released the 23rd new single "Wings on the Back of the Hand", you can say, if you are because of this song to "enter the pit" Li Xinyi, it is a good starting point, Shunto touch the melon and then go forward to listen to the songs he has released in the past two years, you may be like me, little by little like this young man's songs.
After nearly two years of debut, Li Xinyi has obviously possessed a higher-order strength to combine singing strength and musical emotions into a balanced expression in "Wings on the Back of the Hand".
As for the complex creative structure of the song "Wings on the Back of the Hand" from the main song to the Bridge section to the chorus and the back to the key, Qian Lei, who is both composer and producer, did write this song to Li Xinyi because he gave him a deeper trust;
Lyricist Tang Tian uses narrative texts with a strong sense of picture to outline the story of a teenager from obscurity to become a powerful hero in his own world, and the layering of this musical story also has a strong appeal with Qian Lei's melody and Li Xinyi's singing with a strong sense of progress.
"Wings on the Back of the Hand" sings the story of ordinary people, Li Xinyi sings with a tendency of infectious power greater than penetration, singing the voice of thousands of mortals who are trying to move forward, the more ordinary people, the more vigorous they live, optimistic and strong forward, these overlapping emotional resonances with the status quo of young people, naturally make this song from the song compilation and singing have the possibility of going out of the circle.
Back to what I mentioned earlier, the quantity and quality of works that Li Xinyi has released so far are more conducive to his being examined by fans in an all-round way.
I personally like and recommend this song "Wings on the Back of the Hand", if you happen to like it, you may wish to listen to the other 22 singles he has released, you will find that the resilience, story sense, strength in his voice, and even the clear and just the right thickness of the tone texture, can well support his future strength capital to continue to move forward on the road of music.
In case, there are still people who listen to Li Xinyi with the attitude of listening to fast food music, it is really difficult to digest for a while; but if you can realize the preciousness of such a singer and his voice, you will establish expectations for this, while understanding his existing musical orientation, while also looking forward to his future achievements in music.
Of course, about Li Xin's clear vocal recognition, it may not be the KPI that these more than ten songs can complete 100%, but the accumulation of more works and more style tests, so that we should look forward to his future works.