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The story is very simple, Ip Man's son's school is about to be demolished by a mixture of Chinese and Western forces, Ip Man stepped forward, so the weapon fight continued, and finally the monster escalated.
The Republic of China's wulin in "Ip Man 3" is a collapse of the liturgy, and the secret combination between violent institutions and capital forces has made the republic of China's wulin undercurrent headed by Ip Man surging forward, which provides a reliable opportunity for the Republic of China to fight ten violent acts at a time.
That is, Ip Man can break through the level and fight monsters.
This loss of order gives the entire film a tragic shell.
Pi Fu, represented by Ah Sheng (Tan Yaowen), betrayed the shimen and combined with the forces of capital, ah sheng's sentence "Having money is the king's way, your former apprentices and who follow you, they all turned to me", almost decadently breaking the overall situation of this Republic of China martial forest.
The most tragic is that Ah Sheng (Tam Yiu Man) uses the power of capital to force Wing Chun master Zhang Tianzhi to defeat his master (Leung Ka Yan) in the way of Wing Chun.
The expansion of capital has defeated the martial arts tradition that has been passed down for thousands of years: this is the tragedy of the collapse of the Republic of China's martial arts.
The appearance of Ip Man in "Ip Man 3" is amazing and very different, because in "Ip Man 3", Ip Man is no longer a Republic of China puppet who carries a small black cauldron of nationalism everywhere, but he wants to maintain the Chinese-style core that cannot be destroyed by the collapse of the libido and the destruction: the family.
Why?
Because from beginning to end, Ip Man is fighting for his son Ye Zheng and his wife Zhang Yongcheng, even if he fights with the boxing king Tyson, Tyson still does not show too high a national color, and Tyson's fight is more about maintaining his family, which is also the basic place for the survival of the martial artists in the Republic of China.
If Kung Fu can't maintain his family, then what about even wing chun?
The fight part of the movie is actually a perfect interpretation of four words: point to end.
The consequence of point to point is to let the audience have a feeling of inexhaustible, which is where the ingenuity of the screenwriter lies, because the real martial arts need to be point to point, need to have the spirit of competition, from this point of view, if you want to experience the pain and pleasure of the first two films to play ten, you may be a little disappointed, not Zhen Zidan can not fight, but the screenwriter is restrained.
This restraint was almost perfectly demonstrated in the fight between Ip Man and the boxing king Tyson, the boxer and Ip Man made an appointment for three minutes, they only fought for three minutes, and finally the alarm clock sounded, the two clicked to the end, the boxer king was not beaten to the ground, and Ip Man did not lose very badly, two martial arts techniques, two martial artists of two countries, but in the same piece of martial arts, they took out a long-lost wisdom: point to end.
This wisdom can't help but give the screenwriter a thumbs up!
Ip Man, who has to beat foreigners with falling flowers and flowing water, is not a good Ip Man, the foothold of the story has a more complete core than the first two parts, Ip Man is no longer a piff of the Republic of China who fights violence with violence, compared with the first two parts, Ip Man has a more real sense of mastery.
And Ip Man finally did not continue to carry the nationalist black cauldron, but returned to the role of a normal man: he wanted to maintain his family.
Ip Man came out of the shackles of Huang Feihong Huo Yuanjia, those who complained that Zhen Zidan did not have acting skills are afraid to be disappointed, because Zhen Zidan really and truly did the true color of the performance, and the unconscious shyness on the face at all times is not the best presentation of the introverted temperament of the Republic of China Grandmaster, can't the baby face be a grandmaster? Could it be that a long eyebrow and a white beard must be a fixed image of the master?
In "Ip Man", it is superfluous to measure Zhen Zidan with acting skills.
Let's talk about Zhang Tianzhi, played by Zhang Jin.
Zhang Jin's wing chun authentic mission made him transform into a violent boy, constantly breaking through the barriers, defeating the Republic of China martial arts that once looked down on him, and finally fighting with Ip Man in the final battle, losing, but did not show an epiphany, just borrowed Ip Man's mouth and said: Please love your family.
For a person who wants to judge the difference between high and low by wing chun, this ending is almost cruel, and Zhang Tianzhi smashes the four words "Wing Chun authentic" with a stick, and the tragedy of the whole text is not hastily rendered to the extreme:
The whole Republic of China is broken, the family can't be saved, what to mention wulin.
Therefore, "Ip Man 3" is like a "Master 2", which continues the persistence of the Republic of China. It is also like "One Man's Martial Forest", which is about Zhang Tianzhi's generation dying in the overall atmosphere of the times.
"Ip Man 3" gives eight points and zero points to Zhen Zidan, because of the true color, no matter how many points are superfluous; five points to the screenwriter, with a generation of stories to reaffirm the subtlety of the two words "point to the end" and "cut through"; two points to the Republic of China Wulin, without which violence cannot become aesthetics; one point to the dubbing that makes Xiong Dailin constantly jump the drama.
Text/Li Weilin
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