Preview time
06.17-06.18
Auction time
06.19
Exhibition location
Beijing International Hotel Conference Center
(No. 9 Jianguomennei Street, Dongcheng District, Beijing)
Chinese painting and calligraphy and painting Rong name treasure special cover
Shi Tao
（1642-1707)
Shi Tao, Emperor Mingzong, descendant of the King of Jingjiang, surname Zhu, name Ruoji, small character a long. His father, Zhu Hengjia, was the 10th King of Jingjiang. And long fallen hair as a monk, the name of the law was initially Chaoji, later changed to Yuanji (or Yuanji), the number of Shitao, and there are many other names. Together with Hongren, Jia Ren, and Zhu Yun, he was also called the "Four Monks of the Early Qing Dynasty".
Shi Tao Listen to the spring map at the foot of the mountain
Ink on paper Vertical Scroll, 1693
222.5×72.8 cm. Approximately 14.6 square feet
Plutonium printing: Lao Tao, toubai is illiterate, Qing Xiang Shitao, search for Qifeng to play drafts
Recognition:
1. Listen to the spring into the foothills of the mountain, visit the old to Songyuan. Where there is no knowledge, the tall branches are also hanging. The summer day of the decylation is Xiao Weng's old mr. Bo Zheng, Yuan Ji Shi Tao.
2. Those who paint trees and hang branches upside down, many people are not, meaning that I am ancient. Po Gong's "Titled Han Lin Poem" Yun: "It is not that Xishan once went alone, who interpreted it as hanging ape branches", Yu believed in the ancients, rather than the author secretly copied (touched) the rope, and could not help but feel lost. After a long drought and rain, wu sat on the pavilion and exhibited this comic book again. Jidao people.
Jianzang Seal: Rongbaozhai Collection, Sanxiangzhai Collection of Golden Stone Calligraphy and Painting, Jingmen Wang's Treasured Golden Stone Calligraphy and Painting Chapter, Wenxin Examination, Descendant Baozhi, Mengquan Book house Calligraphy and Painting Examination seal, Junxuan Collection
publication:
1. Shi Tao Painting Collection, P5, Shanghai People's Fine Arts Publishing House, 1960.
2. "Shi Tao Painting Collection", P5, Shanghai People's Fine Arts Publishing House, 1962, 2 prints.
3. "Shi Tao Painting Collection", P10, Zhonghua Bookstore, 1968. 4. "Shi Tao Calligraphy and Painting Collection, Volume 1", Figure 10, Hong Kong Development Corporation Limited, 1969.
5. "Shitao Calligraphy and Painting Collection: Volume 1 (Scroll)", P21, Tokyo Hall, 1977.
6. "Shi Tao Painting Collection", P21, Shanghai People's Fine Arts Publishing House, 1978, 3 prints.
7. "RongBaozhai 1950 - Commemoration of the 30th Anniversary of 1980", P61, Rongbaozhai, 1980.
8. History of Chinese Art, P420, edited by Zhang Guangfu, Knowledge Press, 1982.
9. "Shi Tao Painting Collection", P21, Shanghai People's Fine Arts Publishing House, 4 prints, 1983.
10. "Shitao Calligraphy and Painting Collection: The First Collection", P273, People's Fine Arts Publishing House, 1983.
11. Catalogue of Ancient Chinese Calligraphy and Painting, Volume I, P180, Edited by the Appraisal Group of Ancient Chinese Calligraphy and Painting, Cultural Relics Publishing House, 1986. 12. "Rongbaozhai Secret Collection Art Exhibition", P2, Figure 36, Rongbaozhai and Seibu Department Store, 1986.
13. Selected Paintings of Shi Tao, P30, Rong Baozhai, 1986. 14. "Rongbaozhai Jinshi Calligraphy and Painting Series 87.1", P16, Rongbaozhai Editorial Department, 1987.
15. Chinese Plastic Arts, p34, edited by SuLiandi Li Huijuan, Tianjin People's Fine Arts Publishing House, 2001.
16. "The 50th Anniversary of the New Chronicle of RongBaozhai", P128, Rongbaozhai, 2001.
17. Selected Works of Ancient Chinese Masters, Shi Tao, P30, People's Fine Arts Publishing House, 2003.
18. "Shi Tao, A Series of Works of Famous Ancient Chinese Artists" (middle), P84, People's Fine Arts Publishing House, 2003.
19. "Chinese Painting Tree Method Tutorial", P8, edited and illustrated by Zhang Fu'an, Tianjin Yangliuqing Painting Society, 2011.
20. "Rongbaozhai Treasure Collection 2: Painting Volume II", P10, Rongbaozhai Publishing House, 2012.
21. "Artwork", P27, Rong Baozhai, No. 7, 2012.
22. "Artwork", P24, Rong Baozhai, No. 11, 2012.
23. "Artwork", P29, Rong Baozhai, No. 2, 2013. 24. Shi Tao (Part 1), P554, by Chen Guoping, Guangxi Fine Arts Publishing House, 2014.
25. Appreciation of Famous Paintings of Chinese Dynasties, P11, Selected by Lu Cheng, Zhejiang Photography Publishing House, 2015.
26. "Rongbaozhai Treasure Painting Inscription: Qing Dynasty (II)" P24-P25, Rongbaozhai Publishing House, 2018.
Publication cover
Description:
1. Catalogue of Ancient Chinese Calligraphy and Painting, Volume I, P50, Editing of Ancient Chinese Calligraphy and Painting Appraisal Group, Cultural Relics Publishing House, 1984.
2. "Three Hundred Years of Rongbaozhai", P185, edited by Zheng Li, Beijing Yanshan Publishing House, 1992.
3. Miscellaneous Sayings of Chinese Culture: Beijing Culture Volume (IV), P486, edited by Guan Lixun, Beijing Yanshan Publishing House, 1997.
4. "Shi Tao Painting Biography", P244, edited by Zhou Shifen, Shandong Pictorial Publishing House, 2003.
5. Rongbaozhai ( P52 , edited by Zhang Weitao and Song Xiaodong , Rongbaozhai Publishing House , 2008.
6. "Appraisal Record of Ancient Chinese Calligraphy and Painting, One", P380, edited by Lao Jixiong, Oriental Publishing Center of China Publishing Group, 2011.
7. Notes on the Appraisal of Ancient Chinese Calligraphy and Painting, P89, edited by Yang Renkai, Liaoning People's Publishing House, 2015.
8. "Liu Jiu'an Calligraphy and Painting Appraisal Research Notes, Volume 8", P3016, Figure 9, Palace Press, 2020.
Bibliographic cover
Description: This is the old collection of Wang Wenxin. Wang Wenxin (1888-1974), originally from Jingmen, Hubei Province, was a famous collector in Shanghai, and was the chairman of the Watsons Soda Company, which exclusively operated Coca-Cola in Shanghai. At the age of 13, he went to France to study, studying both Chinese and Western. Mr. Wang Wenxin dabbled in the collection of cultural relics in his youth, and he was drunk in it all his life, and the Jinshi calligraphy and paintings were all involved. His collection is mostly in the Ming and Qing dynasties, followed by the works of modern masters, wumen four families, four kings, Yangzhou eight monsters, four monks, Zhang Daqian, Fu Baoshi and other works are collected. Mr. Wang had a wide range of friends, and at that time, the Shanghai literati and scholars were all his guests, such as Kang Youwei, Ye Gongzhuo, Wu Hufan, Zhang Daqian and so on. Wang Wenxin's chamber is named "Mengquan Bookstore", and its collection is printed with "Mengquan Bookstore Calligraphy and Painting Examination seal, Zengzang Jingmen Wang's Office, Jingmen Wang's Collection Chapter, Jingmen Wang's Wenxin Treasure, Jingmen Wang's Treasure, Jinshi Shouyi's Descendants Rich and Noble, Once Hidden in Jingmen Wang Wenxin, Wenxin Treasure, Mengquan Bookstore's Collection of Golden Stone Calligraphy and Painting Chapter, Wang Wenxin Collection, Wenxin Examination, Sanyang Zhai collection of Golden Stone Calligraphy and Painting, Jingmen Jianyang Wang's New Collection of Golden Stone Calligraphy and Painting Chapter, Wang Bao's Golden Stone Calligraphy and Painting Chapter, Wenxin Play" and so on.
Note: For bidding for this special target, please contact the relevant business personnel of the company to apply for a special bidding number plate in advance.
Shi Tao has been full of rivers and mountains in his life, likes to travel between famous mountains and rivers, has traveled to Anhui, Suzhou and other places for a long time, and has lived in Xuancheng, Nanjing, Yangzhou for a long time. Shi Tao, as a former royal family, lives in a dynasty of "earth shattering", and his life is turbulent and displaced, it is the special environment he is in and the painful and contradictory state of mind that has created his unique artistic perspective and insight, and the ups and downs of life experience have given him a profound insight into the vicissitudes of the world, and has been reflected in his artistic creation process. Shi Tao was famous for his landscape paintings throughout his life, and Huang Binhong said in "Honglu Painting Talk": "The landscapes painted by the old man of Qingxiang in his life have changed and changed many times. In his later years, he signed his own work of cultivating the grass hall, which was thick with large branches and leaves, and mostly used to drag mud with water, which was the secret of the ancient people of Shifa to accumulate ink and break ink. Shi Taoquan strives to be upstream in the ink law", is the word of the knower. During the Ming and Qing dynasties, the painter used the magic of ink to first recommend Dong Qichang and Shi Tao. Shi Tao is more advanced than the teacher. He himself said: "When writing books and paintings, no matter how old they learn, they will win with their qi first." The spirit of the winner is brilliant, out of the paper. He also said, "Pan Zhi Zhi is the qi cultivated by the Han Mo family in his life." Zheng Rong is strange, Lei Lei falls, such as Tun Jia Lianyun, hidden from time to time, characters grass and trees, boats and cars in the city, just as the matter is reasonable, so that the viewer is born into the mountain. "Shi Tao's paintings are composed and happy, full of vitality, and have a bold boldness and artistic conception.
This "Foothills Listening to the Spring Map", the high hall axis, the height of the up, looking at the viewer does not feel the sense of entering the painting. From near to far, there are sloped stone bridges, houses and trees, and high mountains at the farthest distance. The whole painting is majestic, unrestrained, strong and majestic, calm and happy, and has reached the realm of freedom to break through chaos. The ink is very well grasped, moist and intriguing. Shi Tao is good at using ink methods, dry and wet, thick and light, and especially likes to use wet pens, through the infiltration of ink and the fusion of pen and ink. The pen and ink are varied, and the same is the white stroke of the leaves, the double hook and the leaves, and some of the strokes, taking into account the thickness and lightness. Shi Tao's pen and ink are alive, spiritual, and charming. This change is deliberate and natural.
part
Taking the three distant mountains in the upper left corner as an example, the three mountains are closely connected, in order to distinguish the front and back of the three mountains and different shitao, three kinds of light ink colors, three different lines, slightly thick, thick, light three kinds of ink colors randomly waved a few strokes will clearly present the image of the three distant mountains in front of the viewer's eyes, amazing.
The composition of Shi Tao's landscape paintings is not limited to a certain composition form, and his paintings always give people a sense of closeness and nature, as if the real landscape in the painting should be like this. From this work, we can feel the flowing water of nature, the quiet small bridge people, the old pine trees that do not know the years, the leisurely layman idle, he is building his own spiritual world, but also to show the world his own landscape ideals.
He emphasized the "teaching of nature", and put forward the "search for the Qifeng draft" not only refers to life, cultivation, travel, and perception, but also the integration of the heart and nature, which is the artistic philosophy of classical Chinese landscape painting and the statement of the metaphysical spirit. Shi Tao, as a precursor of the era of landscape ink painting, has also become the common spirit of Chinese painters in later generations. The old man of Qi Baishi commented on Shi Tao as "who taught the weeping ghost god, more than two thousand years only Si monk", which shows the influence of Shi Tao's landscape painting.
RongBaozhai Collection
This frame of giant production was once the old collection of Wang Wenxin. Wang Wenxin is a famous collector at sea, and was the chairman of Watsons Soda Company, which exclusively operated Coca-Cola in Shanghai. He was drunk on Danqing all his life, and jinshi calligraphy and painting were all dabbled in. The collection is mostly in the Ming and Qing dynasties, and the four families of Wumen, the four kings, the eight monsters of Yangzhou, and the four monks all have collections. This work later became a treasure of Rong Baozhai, and in the 1960s, the Shi Tao Painting Collection began to have published bibliographies, and most of the paintings involving Shi Tao are now included, which can be described as a famous piece in Shi Tao's works. The ancient Chinese calligraphy and painting appraisal team unanimously looked at the truth and recorded it in the painting notes of Yang Renkai and Mr. Lao Jixiong. Since the auction of Shi Tao's works, this work can be called the king, so far the world's first Shi Tao giant production, in the words of collectors, this treasure that has not been encountered in decades.