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Calligraphy Techniques Lecture 62: On the power of the pen in regular script.

Xu Hao's "Treatise on Calligraphy" said: "At the beginning of learning, the muscles and bones are established first, and the muscles and bones are not standing, so what is the meat attached?" In this passage he emphasizes the importance of pen power. Beginners are mostly based on regular script, and the most important pen power is Ou Kai. The pen is like a knife, looking at the whole post, like a line of high-spirited and magnificent warriors.

Calligraphy Techniques Lecture 62: On the power of the pen in regular script.

Ouyang Xunkaishu "Jiucheng Palace Liquan Ming" is strong and strong, it is supported by pen power, and has a strong sense of strength. The power of the pen is through the composure, decisiveness and hesitation of the pen, the center of the pen, and the performance of the rhythm.

Calligraphy Techniques Lecture 62: On the power of the pen in regular script.

When writing strokes, after going against the trend, relying on the elastic force of the reaction force to move the pen in the opposite direction, the end does not shrink from the front, and the end of the front is quickly lifted, and there must be pen force. Cai Xizong said in "The Theory of Law Books": "The husband and the bandit are not in tune with Zhou Zheng, first by the power of his pen, the beginning of his work, must be in a hurry to return to the fast, the eagle looks at Pengyou, the letter is natural, the scales are water, the feather rides the wind and is wanton, and the circulation is unhindered." "

Calligraphy Techniques Lecture 62: On the power of the pen in regular script.
Calligraphy Techniques Lecture 62: On the power of the pen in regular script.
Calligraphy Techniques Lecture 62: On the power of the pen in regular script.
Calligraphy Techniques Lecture 62: On the power of the pen in regular script.
Calligraphy Techniques Lecture 62: On the power of the pen in regular script.
Calligraphy Techniques Lecture 62: On the power of the pen in regular script.
Calligraphy Techniques Lecture 62: On the power of the pen in regular script.
Calligraphy Techniques Lecture 62: On the power of the pen in regular script.
Calligraphy Techniques Lecture 62: On the power of the pen in regular script.
Calligraphy Techniques Lecture 62: On the power of the pen in regular script.
Calligraphy Techniques Lecture 62: On the power of the pen in regular script.
Calligraphy Techniques Lecture 62: On the power of the pen in regular script.
Calligraphy Techniques Lecture 62: On the power of the pen in regular script.
Calligraphy Techniques Lecture 62: On the power of the pen in regular script.
Calligraphy Techniques Lecture 62: On the power of the pen in regular script.
Calligraphy Techniques Lecture 62: On the power of the pen in regular script.
Calligraphy Techniques Lecture 62: On the power of the pen in regular script.
Calligraphy Techniques Lecture 62: On the power of the pen in regular script.
Calligraphy Techniques Lecture 62: On the power of the pen in regular script.
Calligraphy Techniques Lecture 62: On the power of the pen in regular script.
Calligraphy Techniques Lecture 62: On the power of the pen in regular script.
Calligraphy Techniques Lecture 62: On the power of the pen in regular script.
Calligraphy Techniques Lecture 62: On the power of the pen in regular script.
Calligraphy Techniques Lecture 62: On the power of the pen in regular script.
Calligraphy Techniques Lecture 62: On the power of the pen in regular script.
Calligraphy Techniques Lecture 62: On the power of the pen in regular script.
Calligraphy Techniques Lecture 62: On the power of the pen in regular script.

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