The explosive news spread through media circles on September 20, saying that when Guo Degang held a concert in Sydney, Australia, the audience left the venue early. Needless to say, for Guo Degang, this is undoubtedly a huge blow. In his past performances, the audience was always enthusiastic and full. However, this time, in the overseas tour where he led the top comedian of the Deyun Society such as Luan Yunping, Gao Feng, Zhang Jiunan, Baked Cake and Hou Zhen, the audience chose to leave the scene early many times.
This incident aroused people's curiosity, and everyone wanted to know what caused the audience to leave the venue early. Could it be that there is a problem with Guo Degang's performance? This will be a devastating blow to Guo Degang's reputation and box office. Let's wait and see what happens next.
However, during the tour a few days ago, there was also a rush of spectators to buy tickets, and the venue was full. The success of this overseas tour has undoubtedly enhanced Guo Degang's status on the international stage. His fame also spread overseas and became a representative of Chinese crosstalk art.
Throughout the tour, Guo Degang has been committed to inheriting and promoting crosstalk culture, which is also the original intention of his performance. Whether in the special VIP seats or in the general audience, he prepared many surprises and gifts for the audience, showing his sincerity.
However, in another performance, Guo Degang and his apprentice Yu Qian encounter an unexpected Waterloo. The audience began to get tired and chose to leave, which made Guo Degang feel very nervous and frightened. However, later, through the feedback of the audience and the explanation of the staff, Guo Degang was relieved that the main reason for the audience's early departure was not his performance problem, but the theater's seat design was too narrow and uncomfortable.
The theater can accommodate tens of thousands of people, but the chairs are so tough that the audience will feel very uncomfortable sitting on. As a result, the audience could not enjoy a comfortable viewing experience during the full 4-hour performance. In addition, the audience raised some questions about the content of the performance itself, believing that some of the passages were old and outdated.
The incident of the audience leaving the scene undoubtedly brought certain reflection to Guo Degang and Deyun Society. In future performances, they should pay more attention to the needs of the audience, improve seating comfort, and ensure that the audience can better enjoy the performance. At the same time, we must also make a difference in content innovation, interpreting traditional art in contemporary language to meet the expectations of the audience.
Although this audience departure was a loss for Guo Degang, on the whole, his international tour was undoubtedly a success. He successfully attracted many audiences with his strength and charm, allowing more people to appreciate the charm of Chinese crosstalk. No matter what difficulties and challenges he encounters, Guo Degang will adhere to the inheritance and development of crosstalk and make greater contributions to the prosperity of crosstalk art.