Costume dramas have always been the mainstream of the film and television industry, but not all works can be regarded as boutiques. Especially in today's fast-food entertainment industry, it is not a simple thing to find a work that is quite passable whether it is an actor, a plot or a service.
Contemporary costume painting style is becoming more and more perfunctory!
Contemporary costume dramas, the two words that are most complained about by the audience are "perfunctory". Yes, with the development of the film and television industry, the shooting of TV series is becoming more and more simplified, and many crews put shoddy manufacturing in the first place in order to hurry up and save capital, and the painting style is even more messy. Why do you say that?
(1) The actresses have the same styling
It is not difficult to find that in previous film and television dramas, the appearance of actors was determined according to the identity of the characters. A fairy is a fairy, a chivalrous woman is a chivalrous woman, a poor person is a poor person, and everyone is very different from the lady and the queen of the general. It's like "On the wrong sedan and married to Lang" back then, it was very simple.
But in today's costume dramas, the actress's styling style is basically the same, either the ball head or a high ponytail, or the half ball head plus a little accessory, as if it is copy and paste, making people look at aesthetic fatigue.
Not only that, in terms of makeup, most of the actresses of contemporary costume dramas are biased towards girl group makeup, thick eye makeup, hair with a little brown tone, and some even sequin makeup comes out. It can be seen how perfunctory the contemporary costume drama painting style is.
(2) The texture of the actor is not high-grade
Of course, the perfunctory style of contemporary costume painting is not only on the body of actresses, but also in male actors. Some also invited some average-looking male actors to interpret male roles that are more delicate and handsome than girls, which makes people feel difficult to digest across the screen.
In the texture of the clothes, it is even more perfunctory, some are full of cheapness, turning the originally complicated and cumbersome costumes into a thin layer of tulle texture clothes, not to mention, some crews, even more pompous, directly found some collars for the actors to print clothes, simply.
Yu Shuxin's "Cloud Feather" served the Tao, which made people look different
From top dramas to adaptations, today's costume film and television dramas, in the eyes of the audience, there are few normal painting styles. However, it is worth mentioning that it is said that the style of contemporary costume dramas is too casual, and Yu Shuxin's "Cloud Feather" serves the Tao, which makes people change their views.
(1) Yu Shuxin has exquisite makeup and textured clothes
"Cloud Feather" is a costume film and television drama work starring Guo Jingming, I believe that many people are no strangers to his style, and the main thing is a luxury. Therefore, the painting style of the work "Cloud Feather" also continues Guo Jingming's style all along, especially the heroine Yu Shuxin, whether it is makeup or clothes, it is very eye-catching.
Previously, Yu Shuxin had attracted many audiences with "Canglan Tips", but to be honest, Yu Shuxin's makeup and costume in the play did not make people shine, but had a cookie-cutter fairy style taste, less of a sense of surprise.
However, in "Cloud Feather", Yu Shuxin's makeup is slightly more exquisite, the texture of the clothes is stronger, on the whole, giving people an indescribable sense of premium, perhaps, this is probably the kind of textured painting style pursued by contemporary young audiences.
(2) The male advocate Ling He is full of nobility in serving the Tao
From Huang Tianqi to Jin Han, many audiences are increasingly disappointed with the appearance of costume actors, but the male advocate of "Cloud Feather" Ling He's ancient costume appearance can definitely be called a beautiful man in ancient costume. To be honest, he is the first actor after Xiao Zhan, Wang Yibo, Gong Jun, Luo Yunxi and Wang Hedi to make people feel that the ancient costume has no sense of harmony.
Under Guo Jingming's packaging, Zhang Linghe's service in "Cloud Feather" is simply amazing, a whole feeling full of nobility, making people just watch the trailer, Reuters can't help but want to watch the feature film.
Compared with the simple and cheap drama version of "Heavenly Official Blessing", Zhang Linghe's service not only has thickness, but also full of design in details, which can't help but make people feel that this is the kind of high-value costume male protagonist in the novel should look like, and it is also the correct way to open the male protagonist of costume film and television dramas.
Therefore, when everyone says that the contemporary costume drama style is too perfunctory, Yu Shuxin's "Cloud Feather" service makes people change their views and make people's eyes shine. Not to mention how the two actors performed, they all wanted to chase the drama for this service, what do you think?