The old drama bones fight with full firepower, angrily revealing the old bottom of the entertainment industry, "Spring Warm Sun" cannot be missed

This spring day, fans who want to follow the drama are blessed, and major platforms have launched new dramas, from the small sweet drama "Green Plum Sour You Are Slightly Sweet" to the detective drama "Who is He", the urban drama "The Right Way to Open Life" and so on.

However, if you want to seriously live the drama, the much-discussed "Spring Warm Sun" is definitely worth watching. Not to mention that it has just been launched on the hit list, just looking at this lineup is enough to attract attention.

First of all, let's take a look at the collision between screenwriter Wang Haiyu and director Liu Jiacheng, and you know that the lines in this play are definitely worth looking forward to.

When it comes to Wang Haiyu, everyone may not react for a while, but his works are thunderous: "Chinese Divorce", "The World", "New Marriage Era", each drama is a classic, which can be called the Taishan Beidou of the screenwriting industry.

The most outstanding feature of Wang Haiyu's works is authenticity, and she can always return the beauty and cruelty of life to the audience.

Unlike many popular dramas that rely on Internet celebrity faces and no brain infarction to support the flow of hot dramas, Wang Haiyu's works are "silky" because they come from life and are higher than the taste of life.

And "Spring Warm Sun" and Wang Haiyu are more compatible with the fact that the selection of materials for this play is closer to the life of the creator.

Wang Haiyu herself is a senior who has been tempered in the entertainment industry for many years, so she has her own say in the various phenomena in the current entertainment industry.

Look at the director Liu Jiacheng, who is also a well-known director who loves to pick lines.

Audiences who have seen his works "Iron Teeth Copper Teeth Ji Xiaolan", "Little Women Under the Gate of Zhengyang" and "Born into the Sun" will find that he is very good at narrowing the distance between the audience and the characters in the play, whether it is a historical figure or a variety of life winners, Liu Jiacheng can accurately restore their side as ordinary people.

Liu Jiacheng believes that the core soul in a play is "lines", whether it is choosing a role or directing shooting, the basic skills of the actor's lines are necessary, so we often see classic dialogue in this play, and I personally feel that a lot is worth writing down and playing carefully.

If the combination of screenwriter and director has aroused everyone's appetite, then what makes you clapper must be the cast in the play.

To describe it in one sentence: "The old drama bone wheel battle drama, the big star high value shaking eyes".

Wu Gang, Han Tongsheng, Liu Bei, He Bing, these solid acting schools will not give up any points, Huang Zitao, Sun Yi and other traffic stars help make this drama eye-catching enough.

After watching many of these old drama bones, I feel that this one has a very obvious difference, that is, the actors in the play seem to be performing themselves.

Let the actor interpret the actor's life, whether it is a true color performance or a secondary creation, it is very curious.

Huang Zitao, who has entered the year of standing, like the protagonist Song Yang in the play, also needs a work to consolidate his strength.

The same middle-aged actors Wu Gang and Han Tongsheng, who are similar in age to the characters in the play, also entered the role with their own feelings about this job after the years of crawling.

With the strong lineup of the creative team above, the perfect unfolding of the plot seems to be natural.

The plot of the drama "Spring Warm Sun" is not as gentle and sweet as the name sounds, it tells the process of Song Yang, who was almost lost in the aura of traffic stars, and slowly found himself and became an excellent actor under the guidance of a group of drama troupe teachers and seniors.

From the perspective of plot setting, this drama is also constantly contradictory, suspense and doubts are intertwined, the rhythm is tight, and the fierce struggle between the characters basically achieves an episode of one quarrel.

At the beginning of the story, an embarrassment on the podium is set up, and Song Yang stands on the stage waiting for the respected idol to present the award, but the seniors shirk the excuse and do not appear.

This implies a disapproval, and the root of this disapproval is the traditional performing arts' disapproval of the so-called artists packaged by the current commercial hype.

Immediately after the old drama bone ginger leaf and small flower sugar candy scolded each other on the set, it directly put this contradiction on the table.

Yesterday's yellow flower ginger leaf was unwilling to fail, and even more frantically complained at the banquet with the traffic students, the audience's reaction to this play was a little sour and long, it is estimated that the director and screenwriter also took advantage of this to show the evil anger in his heart.

However, in the end, the market decides everything, and Jiang Ye can only put this grievance in her heart, but after that, she will be on the bar with these traffic stars without strength, and she will come up with a knife to fight to the end.

If Jiang Ye said no to the almighty market with a big anti-flag, then Song Yang's agent Nanshan is standing opposite her and is a defender of commercialization in the entertainment industry.

In Nanshan's eyes, only value is the standard for measuring everything, she is a standard businessman, she will also learn tea ceremony, taste antiques, but she studies these to talk about business.

Songyang is an artist that she cultivates and packs, is a product in her eyes, since it is a product, it is necessary to maximize the value of the sending capital, in the words of Ding Kemang, it is to squeeze out every use value of Songyang.

These people, who represent different values and interests, are born with irreconcilable contradictions.

For example, Song Yang, who wants to get rid of the shackles of capital, and Guan Nanshan, the agent who chases her to knock the bone and suck the pith, has been angry and obsessed with acting skills are all stars Jiang Ye and the invincible little flower sugar candy, Ding Commander, who is bent on changing the status quo of the drama troupe, and Ding Kemang, who holds perfectionist ideals for performing arts.

Under the command of the gold-medal screenwriter and director, these people began a wonderful mutual scare, and the fig leaf of internal entertainment was torn apart little by little.

More plots here are not a spoiler, interested friends recommend to see, will definitely have their own different feelings.