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This is not to blame Jiang Wenli, but it also proves that something worse is happening in the entertainment industry

Although only 3 months have passed in 2023, many actresses have already achieved a "bumper harvest".

In the front-line camp, Liu Yifei, Li Xiaoran, Song Jia, and Haiqing have launched new works one after another, and their reputation is not bad.

Among the post-90s actors, Li Yitong and Chen Yuqi also showed good acting skills to the audience and achieved transformation.

There are also some actresses who were originally not famous, but also ushered in spring in these 3 months.

The most representative is actor Gao Ye.

With the sister-in-law in "Crazy" became popular, there is no shortage of good scripts and business now.

可现在的女演员圈子越精彩,就越显得一位女演员越‬“尴尬”。

She is Jiang Wenli.

Once upon a time, Jiang Wenli was one of the top actresses in China's entertainment industry.

Before Sun Li, she was the "first sister" who could not be shaken in the domestic TV circle.

And Jiang Wenli is even better than Sun Li, and has achieved both movies and TV series.

In the movie, she won the Golden Rooster Award and won the Huabiao Award for Outstanding Actress twice;

In the field of TV dramas, the most influential Feitian Vision Queen and Bailan Yu Vision Queen, she took it twice.

In terms of career, her husband is also the famous director Gu Changwei, and there are some rumors on the Internet that she defends her wife's identity.

It can be said that in and out of the play, Jiang Wenli is a strong woman who is alone.

But at the age of 57 this year, she has encountered an embarrassment that she has never experienced before.

An "old account" she had 7 years ago was turned over.

01、

In 2016, Jiang Wenli filmed the TV series "Love Around the Corner".

In the play, 50-year-old Jiang Wenli and 36-year-old Ming Dao fell in love.

In this era, sibling love is not uncommon, and it is not uncommon for post-60s aunts and post-80s handsome guys to fall in love.

Nicholas Tse and Faye Wong are living examples.

But "Corner Love" in this drama makes people feel a little responsive.

In the play, Jiang Wenli and Ming Dao have no sense of CP, more like a pair of "mother and son".

And Jiang Wenli, who was 50 years old at the time, played a girl in her 30s, and the actor who played her mother was only 8 years older than her, and the sense of violation was even more overwhelming.

This is not to blame Jiang Wenli, but it also proves that something worse is happening in the entertainment industry

Feng Fei love is enviable, that is because the parties are playing their true selves, and true love is not afraid of age.

"Corner Love" is very responsive, that's because the old cucumber brushes green paint to forcibly dress tender, and it is too ugly to eat.

After the filming of this drama, it was immediately covered by snow.

Jiang Wenli was probably secretly rejoicing.

The salary has arrived, and the addiction to falling in love with a handsome guy has passed, and the drama does not need to be broadcast, which is perfect.

But today, seven years later, this "old account" is still as promised.

After the broadcast of this drama, netizens were also unceremonious.

Some are still ridicule of actors and characters.

Some netizens scolded directly.

What embarrasses Jiang Wenli is not only the disparity in age and role, but also the discomfort it brings to the audience.

The plot of this drama can be called "crit".

The single father played by Ming Dao bought a big house, but encountered the scam of "one room, two sales".

Another buyer of the house is the single mother played by Jiang Wenli.

Two strangers live under one roof by mistake, and the rest of the plot, everyone can almost make up for it on their own.

At first, they were incompatible, but later they became happy and wronged, and then they wiped the gun and lost fire, and they had mutual affection.

In the end, he successfully held hands and lived a happy life without shame.

If the idol drama is filmed like this, although it is very routine, there will still be some young audiences who are willing to pay.

But a middle-aged emotional drama is filmed like this, and the audience will only feel sick.

02、

In the words of netizens, Jiang Wenli's operation is really "absurd".

印象中的蒋雯丽,其实‬并‬不是这样的。

She can act, can handle a variety of roles, stands at the top of the food chain of mainland actresses, and is even the most actress in China.

Let's just give a few examples, and everyone will understand.

Before becoming famous, when she took the Nortel exam, she showed the aura of acting.

After the Earthquake, Jiang Wenli sat there without saying a word.

It seems that there is no performance, but it conveys to the audience a huge sense of grief.

‬她也因为这段表演被北电录取。

后来‬在‬《霸王别姬》里的表演,更是证明了‬‬蒋雯丽的顶级天赋。

Jiang Wenli plays a dusty woman in the film who wants to send her child to the drama class.

She walked slowly with a child in her arms, her neckline was open, her hair was scattered, she wore flowers on her head, embroidered flowers on her handbag warmer, and she walked coquettishly.

Facing the class leader, she began to flatter, and said with silky eyes: "As long as you accept him, you can do anything." ”

This is not to blame Jiang Wenli, but it also proves that something worse is happening in the entertainment industry

Then she knelt down and exposed Xuenen's neck to the other party, looking like she was being slaughtered.

This is not to blame Jiang Wenli, but it also proves that something worse is happening in the entertainment industry

After a set of performances, the sense of coquettishness and contemptity in the prostitute will all come out.

The most surprising thing is that Jiang Wenli was only 23 years old when she played this role.

This performance obviously cannot come from life experience.

The only explanation is that Jiang Wenli's own talent is too strong.

Later, the movie "Lichun" made her stand directly on the altar of domestic actresses.

In appearance, she deliberately gained 15 pounds, sallow skin, buck teeth, a mouth and a mouthful of Baotou with a full earthy taste, living off a county woman.

In terms of temperament, she also pinched it.

This strange woman looks ugly, but has a good voice, she bravely pursues her dreams of love and drama, and the struggles and hesitations in it are also particularly moving.

Jiang Wenli has also starred in popular TV series such as "Holding Hands" and "Golden Wedding".

She has acting skills, luck, and hard enough, and is a proper winner in life.

Unfortunately, after becoming Gu Changwei's wife, Jiang Wenli's number of films has declined, and her talent has not been fully realized.

不过‬,即使打过折后,她依旧‬稳稳‬站在‬内地‬女演员‬食物链‬顶端‬,她‬的‬表演成就,依然让无数后辈仰慕。

03、

The question is, Jiang Wenli, who has no shortage of anything, why would she cherish feathers so much and act in such a bloody drama to ruin her reputation?

The answer is simple, the wind in the film and television industry has changed.

First of all, the supply and demand relationship between film and television creators and audiences has changed.

In the past, what creators filmed, the audience had to watch.

The creators have a certain artistic aesthetic, and the aesthetic tendency of the entire circle flows from top to bottom.

Under this aesthetic, the creative circle itself is also rolling horizontally, and no one wants to shoot worse than anyone.

This is not to blame Jiang Wenli, but it also proves that something worse is happening in the entertainment industry

The audience is a passive receiver, although there is less a certain degree of independent choice, but in the limited choice, what we appreciate is boutique.

Take Jiang Wenli, her previous "Holding Hands" and "Golden Wedding" are all good works that reflect the real marriage relationship.

Through these works, the audience can learn to cherish the people in front of them and grasp the happiness of the moment.

Now, that has changed.

The filming of film and television dramas has sprung up, and the audience can watch online dramas in addition to TV series, and even watch Japanese dramas, Korean dramas, and American dramas.

In order to gain ratings, creators began to lean down and cater to the preferences of the audience.

It gradually evolved into the idea that what the audience wants to see, the creator will shoot.

For example, what are the hot words and topics on the Internet, they are implanted in the plot and cast their favorites.

The aesthetics of the entire circle have also become fluid from the bottom up, and the creators have become passive parties.

It seems that there are more film and television works, but in fact, the audience can see fewer boutiques.

Many film and television dramas look familiar, like a collection of hot searches, which are brought about by this bottom-up creative habit.

"Love Around the Corner" is such a work.

They analyze the audience women of the current TV series through big data analysis, and satisfying their fantasies has become the first priority.

So we saw the story of the domineering president kneeling and licking the heroine, and the older heroine falling in love with the little milk dog flooded the screen.

In "Lady's Character", 47-year-old Liu Mintao lies in the arms of 26-year-old Shi Mingze;

In "Heart Ripples", the 26-year-old prince said to 44-year-old Qin Lan: "You were great last night. ”

In "Lady's Law", 28-year-old Peng Yuchang kisses 36-year-old Jiang Shuying.

This is not to blame Jiang Wenli, but it also proves that something worse is happening in the entertainment industry

These works are all similar to the creative ideas of "Corner Love".

Doing everything possible to please a female audience completely loses the basic ethics of an art creator.

Second, creators lack real-life experiences.

As mentioned earlier, Feng Fei Love proves that sibling love is not uncommon.

But when it comes to TV series, why is it so fake?

One important reason is that they have been out of life for too long.

At that time, Jiang Wenli could have such a stunning performance, in addition to having talent, what is more important is that she is a female waterworks worker and has been in contact with real life, so she can perform the realism of the underlying characters.

This is not to blame Jiang Wenli, but it also proves that something worse is happening in the entertainment industry

Later, she entered marriage and had her own unique experience of things in the besieged city, so she could also act in realistic works such as "Golden Wedding".

But playing "Corner Love", Jiang Wenli does not have such a life experience.

For example, Jiang Wenli is a housework white in the play, and she can cook in life, so playing this single mother is pure acting, don't say that the acting is still presentable.

But the problem is that screenwriters also encounter the same creative dilemma.

In the past, writers or screenwriters often had to collect style, experience life, and write things to have a sense of reality.

But now the screenwriters write the script, basically according to a main line set by the producer, and then transform it into a script by imagination.

It seems to be engaged in creation, but in fact, there is no basis in reality at all, and naturally lacks a sense of reality.

No matter how good Jiang Wenli's acting skills are, acting in a crude script, the effect presented can be imagined.

Therefore, the reputation of "Love at the Corner" collapsed, in fact, Jiang Wenli is not to blame, and there is no need to chase Jiang Wenli to criticize.

但‬这事‬却也‬恰恰‬证明‬影视‬娱乐‬圈‬,一些‬更糟糕‬的事情正在‬发生‬。

这种更‬糟糕事情背后的本质,是资本方无底线讨好观众,创作者不接触生活。

As the most substantial "Party A" in the current film and television drama market, we are fully capable of returning everything to the right path.

The popular "World" and "Crazy" in the past two years are the best proof.

As long as the creation is intentional, the work is filmed well, the actors act well, the reputation and profit that should be there, the audience will not give less.

This is a benign two-way stimulus.

The sky in the film and television industry is about to change.

Only when works such as "The World" and "Crazy" become normalized, the spring of the film and television industry will really come.

Text/Pippi Film Editorial Office: A Chicken

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