I haven't watched a two- or three-minute drama with a burst for a long time.
One minute:
Mistress came to the door with his stomach straight.
Threatened that he and the scumbag are the most beautiful true love, and the original match is the mistress.
Three minutes:
The heroine mistakenly walked into the men's toilet.
Formed a romantic relationship with the male protagonist with taste.
Eight minutes:
The female protagonist crashed into the arms of the male protagonist (half-naked version).
With inferior lens language, it interprets an old-fashioned drama of the joyful wrongdoer colliding with the deer.
Taste the "explosive drama", right?
But it's not a good-looking explosion of an explosion, but a explosion of a rotten terrier explosion!!
All the Thai dramas you can imagine are not rare to shoot, there are them here.
Come, let's say --
Thank you, Corner Love!
Thank you both, Wenli Jiang & Ming Dao.
Let me disenchant the domestic drama sister and brother again.
Yes, you read that right, these two eight-pole can't fight together the cast CP!!
One is the representative of actresses in the powerful group in the hearts of the audience, with high-quality masterpieces such as "Lichun", "Happiness Comes Knocking" and "Little Women Under the Gate of Zhengyang".
One is the "idol drama prince" that exploded a little, and the phrase "the autumn pool water is really cold" can evoke the youth memories of countless girls.
The freshness of the two actors' collocation is full, but unfortunately, what collides is not a shining spark, but a full sense of separation.
It's like forcibly stuffing mature women who should be stretched, natural, and have experienced the precipitation of time into a contrived, low-child, corset called "sweet pet love".
It doesn't fit at first glance, and then look... Not as good as at first glance.
No wonder it took 7 years to broadcast it.
Just want to ask: Do we have to broadcast a wave of scolding?
Good retro cutout effects...
Fang Ling, like the big heroine of the domestic drama we are familiar with, has a face, style and style.
The brand director of the sportswear company, he is resolute and has a successful career, and he likes to be promoted and raised at the beginning.
is also the same as the big heroine of the "polishing eye", and there is an unreliable husband.
Eating soft rice and cheating, the third party came directly to the door after becoming pregnant.
Fang Ling then found that the back of his glamorous life turned out to be a chicken feather.
Although this "contrast" is conventional, it is also a kind of human reality.
Hold your horses!
Outrageous is coming right away -
As a victim of the breakdown of her marriage, it turned out that Fang Ling moved out of the house with her children and looked for a new home.
The beautiful name is "calm down for a while".
However, the new home has already occupied another person.
A man who pressed two hundred and forty pounds, Chen Juyi.
He was the counter leader of the trading company, and Fang Ling could revoke his counter with a move of his mouth.
It turned out that two people fell into the scam of selling two rooms in one room.
Of course, this play is not intended to discuss the reality of scams and the pain of buying a house, but to find ways to fulfill this pair of lonely men and widows-
Fang Ling's so-called moving out for a period of time means buying a house directly...
After buying a house, the child couldn't even afford to eat chicken legs, so he could only eat some takeaway.
Confused, is this rich or not?!
Hehe, the dean has long seen through everything -
On the one hand, she has to have money.
In order to talk about a sweet love with the male protagonist in the 120-square-meter house that is standard for domestic dramas.
On the other hand, she had to run out of money.
In order to put a career-oriented woman who is obviously an executive in a weak position, so that the male protagonist who is obviously her subordinate has a reason to feel sorry for her.
All in all, logical confusion is not important, IQ offline is not important, and personality fragmentation is not important.
Only being in love is the most important.
Not only social issues are used, but even the whole world is forcibly assisting -
Fang Ling wanted Chen Juyi to move from the house, and Chen Juyi developed a trace of sympathy for the orphan and widow.
And the police gave a "compromise" suggestion:
The two lived together for a while before the case was handled.
The daughter of Chen Juyi and his ex-wife, crying and begging Fang Ling to let him live with his father.
Fang Ling's son also asked his mother to let his sister live in.
Wait a minute...... Both paid for the house.
Why did Chen Juyi have to be the party who begged to stay?
Everyone is a victim, who is nobler than whom?!
Oh oh oh remembered!
Ms. Fang can indeed grasp the life and death of Chen Juyi's counter, which is more noble than Mr. Chen!
Of course, the heroine of a domestic drama cannot be unreasonable and pure self-interested.
Soon Fang Ling relented and agreed to live together.
The premise is that Chen Juyi must be a free nanny in this family.
Cooking, mopping, bringing babies, cleaning... The same can not be less.
But whenever Fang Ling found a little dust, he had to be given a yellow card.
If the penalty is enough for three tickets, he will have to take his daughter and get out of this house!
Sexual transition version of "Domineering President Little Girl", nice!
Here, Chen Juyi was angry everywhere at home; Over there, the workplace is not much better.
He needs to rush up sales within the deadline to keep the counter.
In the face of Fang Ling's "overlord clause", if he dares to say a "no" word, not only will the house not be kept, but his career will also be finished.
No matter how you calculate it, it is the capitalists who win the hemp.
Under 24 hours of uninterrupted training and torture, Chen Juyi really became a qualified male servant.
The other party saddled the horse before and after, took care of it in every way, and was extremely humble...
After a while, there are no more clauses.
In the face of Fang Ling, a "life idiot" + "lifelong honorary member of the fried kitchen group", Chen Juyi has long surrendered and took the initiative to assume the identity of a caregiver.
Emmm...... Wouldn't it, wouldn't it?
The screenwriter will not feel that creating such an unreasonable female protagonist and a male protagonist who receives it all, the audience will feel very spoiled, sweet and special, right? Smell of the Tsundere Queen and her pet boyfriend?
Where is the sweetness of using the advantage of power to go to work to hit and squeeze after work?
The PTSD of this beater is fiercely violated!
The emotional line on the male and female protagonist's side can see the blood pressure rise, and the emotional line of the supporting actor is also good, and he can see the toes on the ground.
Male No. 2 Shi Lei, a lawyer friend of Chen Juyi.
Buddy came directly and clearly - the Mary Sue routine of the soil back to the Great Qing.
Meeting Fang Ling is a hero saving beauty.
He rescued her from the scene of touching porcelain.
Fang Ling turned around confidently, and Shi Lei fell in love with a "Wow~".
After that, as long as the barrister appears, he will bring his own seat to speak.
The three sentences are inseparable from Fang Ling, and the tool man has a strong attribute.
Fang Ling played a little trick, and he smiled evilly: There is a personality, I like it.
Fang Ling put out the principle, and he clapped his legs and exclaimed: Mature women are different and beautiful!
Strengthen the beautiful woman character at any time and anywhere, and spread some "East Eighth District"-style yellow waste from time to time.
Boast, just according to the colorful black hard boast!
However, can we Fang Ling afford this unwarranted praise?
Regardless of the plot, just from the perspective of character, she is obviously attractive, but she is charismatic in talent and career.
And teacher Jiang Wenli's makeup in the play is somewhat of a "township combination of beauty".
When I saw her, I just wanted her to give a heartwarming offer, not a chance to fall in love.
But in the play, what she made the young man fall in love with at first sight and marvel at it again and again was still superficial appearance, and was emphasized again and again out of place, dare you believe it?
Forgive me for understanding no.
To put it bluntly, the biggest problem with "Corner Love" is not the age difference.
Instead, the creation deliberately ignores the conspicuous age difference between Jiang Wenli and Ming Dao, as well as the fact that both of them are quite old.
Let Jiang Wenli talk about the girl's love with the face of a mature girl.
Let Ming Dao stand up to the face of no longer an "idol" and sprinkle the aura of idol drama in the life drama.
The characters are completely unassumable, only full of fragmentation and discomfort.
On the one hand, mature woman Fang Ling is a middle-aged woman who is stuck in the workplace, trapped in marriage, and whose value is not recognized by her partner.
The husband is attracted to young girls and chooses to cheat.
This kind of plot, which often appears in the eight-o'clock life drama, is a portrayal of many men in reality appreciating white and thin and not accepting strong women.
On the other hand, "Girl Fang Ling" is a "girl" whose appearance attracts small fresh meat and makes people full of protection.
Indiscriminately attract young men and stage a sibling love.
Don't be too outrageous, I said
The realistic painting style has mutated into an adult fairy tale, and career women have suddenly become cute fragrant dumplings, girls, and beautiful women, and their younger brothers have a spark of love that is degraded.
In a word: messed up.
In fact, the essence of this chaos and weirdness lies in the fact that the main creator ignores the charm that mature women should have, and they can't believe that they can attract the attention of the opposite sex through wisdom, calmness and strength.
Here's a positive example:
The shallow sibling love in "East City Nightmare", the age difference is close to "Corner Love", but it is very comfortable and heartwarming.
The sister in the play is a legendary policewoman, bold and intelligent, moving forward in work, and there are tired moments in life.
She does not have a strong heroine aura, nor does she hide the brilliance of other female characters, but her outer rigidity and inner softness and even the existence of the whole person are real and felt.
Looking at it, the audience can't help but be fascinated by her across the screen, along with her wrinkles, looming silver threads, and gradually hoarse voice...
It is not difficult to understand that the subordinate male policeman is curious to heartbeat about her.
A good sibling love must first successfully create the image of "sister" and show the diverse charm of women in addition to age.
Instead of putting a woman worth digging into the label of "beautiful and charming" sugar water drama, be a "holster person".
Cover age with heavy makeup filters, talk about falling in love, sprinkle artificial saccharin.
Do you two have a combined IQ that is as big as my shoe size?
Not only does it make the audience frown, but also full of question marks.
Even the filter on the old drama bones and childhood gods is also cracked.
I have to say, it has to be you, a domestic drama.
Another world where everyone is hurt...