Ren Suxi's acting skills exploded, how many actresses hit the face of "Wasteland"!

The women's adventure film "The Wasteland" is here.

The rare genre films on the domestic big screen, coupled with the characteristics of this "one-person" movie, with fewer roles and fewer lines, have long determined its nicheness. But such a theme film is indispensable, after all, the big screen cannot be all that kind of commercial blockbuster.

"The Wasteland", this is a 7-day journey of salvation, which is also a ten-year journey of redemption.

Father and son, brother and sister, family relationship has been reshaped in these seven days, a woman in her thirties, from looking for people to saving people, and then to saving herself, under the desperate danger again and again, relying on tenacious willpower and the ultimate survival instinct, looking for opportunities to live.

Compared with previous male adventure films, the spiritual qualities such as independence, tenacity, and bravery in women are shining in the endless wasteland. In this era, this women's adventure film obviously has certain practical significance and value.

Of course, "Wasteland" first proved Ren Suxi's acting skills again.

When you think of Ren Suxi, what is the first thing that comes to mind?

Zhang Yiman in "Donkey Gets Water", Ma Jiaqi in "Nameless", Momo in "Half a Comedy", excellent works in movies, from the drama stage to the big screen, so that she is really seen by more people, and there is another powerful actress in the Chinese film industry.

Of course, not only movies, TV series, "I'm Very Good in Another Country" and "Dear Child", she has amazing performances.

Ren Suxi has become a recognized powerful actress.

And for the genre film "Wasteland", it is really difficult to find a second actor like her except for Ren Suxi.

The director is also well aware of the importance of the protagonist of this film, the protagonist becomes, then the whole movie will become, and in the end he chose Ren Suxi, and Ren Suxi also chose this film.

Obviously, this is a two-way rush.

The director said that he couldn't think of an actress who was more suitable for the film than Ren Suxi. And Ren Suxi said, "This is the movie I have always wanted to act."

The entire film, for an hour and a half, Ren Suxi supported the entire film with her solid acting skills. From the quarrel with his brother at the beginning to the seven-day journey to the wasteland, the layered changes in the hearts and emotions of a character are accurately interpreted.

First of all, regret and disappointment for the family, the trauma brought by the original family, so that he can not forgive his father and brother, but also makes her unable to let go, regret and hatred, a variety of emotions intertwined, at the beginning showed a very explosive quarrel and crying scene.

This kind of dramatic conflict preposition also paves the way for this subsequent reversal, and of course it is also an emotional and thematic upgrade. Adding a powerful inner strength to the otherwise prosaic adventure, which accompanies a woman's self-discovery and awakening, ultimately unleashing her survival instincts and wisdom.

In the seven-day adventure journey, it seems to be a state of anxiety and despair, but in fact, Ren Suxi uses a lot of details to show the survival state of the characters, plus the film itself is a real shooting in no man's land, so the whole performance does not need too much skill, but really integrates with the harsh environment, presenting the most real state of survival under extreme environments, then the performance has become more than half.

Although there are not many lines, every expression, every action is a language. The chapped lips, the wrinkled cheeks, the cracked calves, the weak body... These lens languages all show the state of the characters under this extreme environment and extreme physiology, and this is the performance.

In the face of unexpected fire, in the face of the sound of the beast, in the face of animal corpses, the remains of adventurers, as well as the lack of water, food, injury, exhaustion, from fear, fear, to determination, bravery, to awe, release, everything is so precise and perfect, there is no trace of her performance, this is completely the state of a real adventurer.

Although the environment is static, the psychological, emotional and external bodies of the characters are constantly changing.

Obviously, Ren Suxi has long let go of everything, no longer paying attention to any image issues, but completely and completely integrated with the characters, once again showing what is called disfiguring acting skills.

The simple and sincere performance can indeed move the audience, and it really moves the audience, who followed her through this seven-day adventure and felt all kinds of pain and pain she suffered, whether physical or spiritual.

The jungle played by Ren Suxi, as a woman in her early thirties, spent ten years looking for her missing father in no man's land, but he knew that his father had no hope of life, but he still insisted on searching, and even did not listen to his brother's dissuasion, and even fought and cursed.

The reasons behind this paranoia are worth pondering.

And this is first and foremost the dilemma of the original family.

The character of the jungle lacks his father's love and longs for his father's love, but when his father is gone, all fantasies are in vain, and she can't forgive the trauma this bad family has caused her, but she doesn't want to lose it.

Originally a vulnerable woman, but through this ten-year search and this seven-day adventure, she was able to truly grow.

Growing up is cruel, especially for this kind of crippled native family, and the seven-day adventure has experienced everything like all the difficulties and dangers in growth, no one can rely on and help, only on their own can get out of the wasteland. The opponent is never set by himself, but against himself.

Physical weakness, but not necessarily survival disadvantage.

In the film, we can see that the jungle uses something unique to women to save itself, and at that moment it is not a shame, but a desire to survive. And at the end of the film, when the jungle takes off one clothes after another and burns to release the signal, it is even more beautiful and romantic.

This moment almost exhausted all physical strength, dragging the fire, under the red signal flare, very ceremonial, sacred and solemn, and full of charm, like a phoenix nirvana reborn from the ashes, the inner beauty and outer beauty of women are vividly interpreted, and this itself is the expression of women's spiritual power.

From an urban elite woman to a "fire phoenix", through the tempering of nature, the inner knot has been untied, and this character has been reshaped, which is growth. It is declaring to everyone that growth always comes at a price, and in the face of nature, how small people seem, but as long as there is a tenacious will, then nothing is invincible. Of course, all the difficulties of life will not be worth mentioning, living oneself and blooming oneself is the best feedback to the individual.

"Wasteland" uses minimalist film language to explore the in-depth topic of human survival and growth, an adventure journey, that is, a lifetime. And in this process, everyone is constantly looking for and changing, perhaps along the way, there will be a desperate situation like in the film, but death is never terrible, and the grudges and grudges that cannot be released in the heart are not worth mentioning. Faith needs to be constantly repaired and rebuilt, and under the slightest hope, stubbornly gritting your teeth, holding your breath, and fading layers of burdens, then you will be reborn instead of falling into a "desperate situation", both external and internal.

It also shows us how great and powerful human love is.

In short, Ren Suxi once again conquered the audience with his performance, and "Wasteland" also filled the gap of domestic women's adventure films, such a two-way rush, making this film a niche masterpiece that must be watched in March.