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The first time as a starring actor, take the actor, Leslie Cheung lost to him is not wronged, it is enough to play a role well in his life

In 1997, the film industry also presented a situation of war of gods.

Especially when Leslie Cheung brought his masterpiece with Wong Kar-wai to the 34th Golden Horse Awards.

Almost everyone believes that the "actor" must be him.

It's just that a dark horse was killed halfway.

The actor of the 34th Golden Horse Awards actually fell to Xie Junhao, who starred in "Nanhai Thirteen Lang".

This person who used to be just a trick and only entered the film and television industry in his early years.

What is the charm that can actually defeat the limelight Leslie Cheung?

When many people go to watch the movie "Nanhai Thirteen Lang" with the mentality of "just take a look".

At the end of the play, it made people fall into a long aftertaste, unable to extricate themselves, and sighed that Leslie Cheung may not have lost unjustly.

Part 1 Xie Junhao, who "became a monk" halfway

Xie Junhao, born in 1963, did not go smoothly on his acting road.

After graduating from high school in 1984, he tried different jobs, such as clerk, salesman, after-sales clerk and so on.

Later, because I had experience in tricks and the Hong Kong Academy for Performing Arts was enrolling, I tried to apply for the exam once.

Unfortunately, he was not selected, and in order to make a living, he even enrolled in a nursing course and also obtained a nursing license.

But he still had an acting dream in his heart, and decided to apply again the following year.

Fortunately, this time he was selected and became the second student of the Hong Kong Theatre Academy in 1986, majoring in acting.

After graduating, because of his profession, he became a professional actor in the Hong Kong Repertory Theatre.

With his superb acting skills, he was promoted to the chief actor in 1993, which also won him the opportunity to star in "Nanhai Thirteen Lang".

Because of the wonderful performance in the drama, many directors have discovered his brilliance and invited him.

And Xie Junhao took over the olive branch thrown by director Gao Zhisen.

Just because he wants to remake the drama "Nanhai Thirteen Lang" into a movie version.

In the 90s, television began to gradually enter thousands of households, and large-screen movies have become a pastime for many people today.

Perhaps director Gao Zhisen understands that only by presenting "Nanhai Thirteen Lang" in the form of a movie will more people know about this good drama.

Part 2 Full of absurd words, a handful of bitter tears

Xie Junhao's choice is right, otherwise he would not have been able to force Leslie Cheung to get the actor in 1997 as a starring actor for the first time.

You must know that the year before, he also cooperated with Leslie Cheung in "Big Three Yuan", and at that time, he was just a small supporting role.

Director Gao Zhisen's choice is also right, if he changes to someone else, I am afraid that he will not be able to catch the role of Jiang Yuyun in "Nanhai Thirteen Lang".

After all, Xie Junhao has starred in the drama version of "Nanhai Thirteen Lang" several times before, and no one knows Jiang Yuyun better than him.

Jiang Yuyun's life can be described as "full of absurd words on paper, a handful of bitter tears".

Born into a wealthy family, he was expelled from school because he was naughty, but his father sent him to Hong Kong to study.

It's a pity that I left for love, but in the end, because of the "family mismatch", I lived on the streets of Shanghai.

Fortunately, he still followed the road of opera in his heart, so he accidentally became Boss Xue's royal screenwriter.

Because the script was good, his reputation became more and more popular, and he met Tang Disheng and became a master and apprentice.

Later, because he didn't want Tang Disheng to be trapped here, he excused him to leave him and go outside.

But the turmoil soon brought his family to a halt, and his father died in prison.

And a car accident also made him recognize his former lover, but goodbye is already a stranger.

After a long absence, they reunited, but Tang Disheng died of a heart attack, and Jiang Yuyu was completely "crazy".

Part 3 The "Jiang Yuyun" are no more, and an era has faded

After watching "Nanhai Thirteen Lang", I removed the turbulence of the situation, and the gratification and dark hurt of the people's feelings.

More about the gentleman's talent, but also sighing at the right time.

Jiang Yuyun seems to be a proud talent, but he is a real genius in opera.

The words are written like a god, the story is deeply rooted in people's hearts, and it can also be tailored.

The existence of him and Tang Disheng promoted the development of Cantonese opera, and it is therefore believed that after the death of him and Tang Disheng, Cantonese opera went into decline.

Originally, Jiang Yuyu could rely on his talent to make a lot of money.

He is the kind of person who follows his heart, he writes plays for Boss Xue because he understands plays; He wrote plays for Mei Xian only because Mei Xian could sing.

So when he saw the kitsch works of his Jiangxi counterparts, he was weak and angrily wanted to fight.

It is naked corrosion, and it is also a "cultural invasion"; When he was down, he was not willing to sell his talent to cater to the market.

What he wants is the original intention of opera, and this original intention also makes him too sober in this life.

When everyone was drunk and he woke up alone, this sobriety made him a "madman".

Jiang Yuyun is gone, taking with him an era of Cantonese opera.

But the spark appeared on the little beggar who fell with him, discussing the "phoenix" on an empty painting.

The narration of a down-and-out screenwriter to a down-and-out screenwriter also implies that this original intention is still being inherited.

At the end of the play, a line of words appeared "To all Hong Kong screenwriters, encourage together", which is a heartfelt praise for the "Jiang Yuyun" of an era who maintained their original intention to create.

It's a pity that looking at the current Hong Kong film market, I am afraid that with the retreat of "Jiang Yuyun", there is no way to return to the sky.

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