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Who forced Tang Wei away?

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The persimmon turned red, and on the day when the sun was at its hottest, it was plucked and its fullness became the sober and shallow psalm of the earth.

Eating seven or eight cucumbers all the way home, spring is a resilient life.

In this besieged city of life, Tang Wei did not choose to break through, but found a secluded place, chaotically muttering and counting the young teeth of the years.

The entertainment industry is a well-known flower market, rose thorns should be bloomed in the desert, hyacinths should be wrapped in the water, poppy beauties should be swayed on the hills, and for Tang Wei, she is a clumsy narcissus.

There was no faith in the lush green of ten thousand years, and there was no peach dying to please everyone, but she finally found her own soil, and once and for all hibernation bloomed again.

The 44-year-old Tang Wei no longer had the luxury of having a thrilling preference, but single-handedly picked out the desire to be chaotic and charming, and became the frank and blunt exception.

The magnified beauty in the glass mirror freezes another expedition of art, but Tang Wei does not become an artistic footnote that is infinitely quoted, but becomes his ideal self in the alienated world.

Tang Wei's ideal is to farm, purely himself is to wear the stars and moon on the ridge, and then entertain old acquaintances with the ripe garlic cabbage in the vegetable garden.

Autumn harvest and winter Tibetan summer cicadas are busy, there is no red tape to deceive me, there is no need to think about your singing and I appear.

Tang Wei planted the idealistic flower in the silent and fertile soil, and the time when waiting for the fruit to ripen slowed her down.

The crops she is most looking forward to harvesting are lettuce, lemons, and green onions, all of which will thrive and freely in her soil, and at the same time she allows them to be harvested, as if allowing herself to return to normal.

Tang Wei in the fireworks of the world began to make soup with a simmer, hidden in the homes of the wells in Qingtian Baiyun City, and also hidden in his shattered aura.

Many people envy Tang Wei's transparency, and choose to converge after achieving fame,

But if we read Tang Wei's resume in the first half of his life, we may know that the white skin bag is not all of Tang Wei,

Luoshen is a pity for those who admire it, but it is a fulfillment for those who are in the middle of water.

A "Lust and Caution" made Tang Wei shout and fight, and then the peak turned around and fell wave after wave.

Tang Wei was spurned and tolerated in the crowd, but only Tang Wei knew the two heavens of ice and fire in it, and her heart belonged to the breeze of the wilderness after all, and belonged to the mottled stone patterns.

Pine cones, ants, clogs grind dust, and Tang Wei writes poems on days when the water flows long.

Images, crowns, and the sun hang high, and Tang Wei transpires in his idle and independent thoughts. Utopia is not far away, it is not difficult to let go of desire, Taoyuan is in the heart field.

01, a person, naïve

The gentle beauty of the water is a beauty, and the aura of Hangzhou nourishes a little of Tang Wei's natural charm when he was young.

Father Tang Yuming is a famous painter, in the painting Tang Wei with stretched eyebrows, watching the ripples of the lake on the West Lake bench, and his mother's voice made Tang Wei grow under the ancient rhyme.

When she was a child, Tang Wei was free, and the scars of climbing trees were proof of her freedom, and Tang Wei when she was a child was calm, and she hoped to trace life under the brush all day like her father.

"Don't be too sensitive" is the greatest spiritual wealth that parents gave Tang Wei.

The scholarly family has made Tang Wei blend a sense of artistic relaxation in his muscles and bones since he was a child, not impatient and flustered or lazy, but like flowing water, let him Pingchuan high gang, I poured out myself.

The parents' concept of raising a baby in the "sheep herding style in the literary and art circle" gave Tang Wei a peerless "wasted" time.

The silver-like scene is short and long, and in 1998, Tang Wei was already a fair girl who graduated from high school, and the wind blew through the street, and the flowers that rushed to the road were also urging her to bloom.

Tang Wei, who originally accompanied a friend to the cultural brokerage company for an interview, was favored instead, and Tang Wei, who hit the big luck, was still happy and left for him to take.

Tang Wei, who studied acting in the Hangzhou Film and Television Training School, was a little suspected of being pushed by fate, but the rice bowl that God stuffed into his hand was also a golden plate and jade lamp.

Then Tang Wei of the acting department of the Central Academy of Drama, who wanted to sprint, finally received the cynicism of talent.

Tang Wei, who failed three times, found that there was no grain in the bowl that God had rewarded him.

It seems that it is implied that Tang Wei wants to be a humble "beggar" on the road of acting, with the primitive union of life and the low devotion,

Tang Wei thought about giving up, and also thought about changing fields and soaring into the sky, but in the end he was defeated by her stubbornness.

Tang Wei, like a general who lost his armor, fought on the battlefield for the fourth time.

The acting department is separated by a wall from the directing department, and Tang Wei, who has changed his choice, finally found a home for his hypothetical home.

The moment the 21-year-old Tang Wei walked into the door of Chinese opera, she became one of the few ugly ducklings, and the white swan who entered the training early had already sung high.

That year, Zhang Ziyi's Yujiao Dragon was famous overseas, and Tang Wei, who had no drama to film, could not envy.

The 4 years of reading time once again carved the rough lines to Tang Wei's blunt sensibility, and the flowing gold file made Tang Wei comfortable, but also mixed with the loss of achieving nothing.

She was so lost that she hollowed out her internal organs and became a real transparent person.

Tang Wei somewhat regretted the twists and turns that he shook the thorns and shocked in the past, and in the small and damp basement, if moss had seeds, Tang Wei was one of them.

Instant noodle steamed buns do not fill the sense of taste and smell, but let the chew actively go to the appointment.

Every piece of money Tang Wei got for odd jobs was full of commanding human touch.

Every time he thinks about the days when he struggles to capture the ideal, Tang Wei suffers the loss of starting late, but he also takes advantage of mental maturity.

Tang Wei, who was in a compromise and joy, returned to his spiritual self again, and tepidly accepted the polishing and exploitation of fate.

A school drama festival by theater producer Yuan Hong became a turning point in Tang Wei's fate, although it was 108,000 miles away from the big hit, but fortunately, he met Lai Shengchuan, a bole, through Yuan Hong.

Lai Shengchuan saw Wu Qianlian's shadow in Tang Wei's silhouette, so there was a place for Tang Wei in "Dream Like a Dream".

The drama is also good, even completely good, at this time, Tang Wei began to use dead horses as living horse doctors. She thanked Lai Shengchuan for his kindness.

But the 25-year-old Tang Wei was still a screw in the drama industry until graduation, and Lai Shengchuan believed that the person he first saw was a simple piece of gold, covered with dust.

Then Lai Shengchuan introduced Tang Wei to his friends in the film and television circle,

Tang Wei finally had his debut film "Police Flower Swallow", and then Tang Wei was like a swallow nesting, holding mud and spit, and setting up camp in the film and television industry.

When she won the Outstanding Actress Award for "Police Flower Swallow", she almost entered the situation of a dream again.

The reward of the years is always inadvertent, and Tang Wei, who broke into a smile, did not know that the "accident" in her life was chasing non-stop.

At this time, Tang Wei only felt that she was no longer mediocre, and she, a swallow that was trampled on by the sky, finally found her own habitat.

02, the first meeting of the pool banquet, the dark mountain and the chaos

If you do not seek great wealth and nobility, it is a blessing to be successful.

But fate is good at joking, and in 2007, the famous "Lust Caution" gave Tang the only lifelong "achievement",

The label of star temporarily made Tang Wei Qianfu refer to, and only Tang Wei became the scapegoat of "Lust and Caution".

"There is no desire in her eyes", Li An gave up Shu Qi, Da S, and Zhang Ziyi, and took a fancy to the little-known Tang Wei.

All he wanted was the white paper, which he wanted to put in the dye vat of desire, and then watch it rub itself into the red folds of art.

What Li An didn't know was that the pain in this fold, the faintness made Tang Wei breathless.

Wang Jiazhi and Tang Wei are all the best of a million, and Tang Wei's young and hot acting skills have become a blunt knife, opening the mouth of Wang Jiazhi's desire.

The uncontrollable tearing made Tang Wei and Wang Jiazhi completely fall.

Power is the best aphrodisiac, Zhang Ailing broke the window paper of male and female love, and then Tang Wei became a descendant who breathed through the gap.

Tang Wei is not a victim, because there is her deliberate choice, even if the script she saw back then is not the real body, but she can't bear the name of "An Girl".

Stepping on the stone edge with bare feet to climb the slope, Tang Wei could no longer retreat after being erotic Shura.

The traces of spring light lifted the eyes of the thirsty sleeper, and also waved the unknown wind.

The three large-scale bed plays are Tang Wei's eternal history and a new future. When black and white swept in, Li An called out for the mountain to help, but did not pull out Tang Wei in the stone bar.

After filming "Lust and Caution", Tang Wei bears cursing and misunderstanding with exhaustion and helplessness.

The man scolded her for not entering the sea, and the woman scolded her for showing her shamelessness.

Li An tried his best to clean up for Tang Wei, recognized her as a goddaughter, and contacted his friends to plan Tang Wei's comeback, but the blocking of the public's vision Li An could not be influenced.

Tang Wei has no way to regret the armpit hair that has been left for eight months, and he has no time to cry in the singing voice of "Tianya Song Girl",

The fragmentation of human aesthetics and beliefs in 158 minutes makes Tang Wei even more afraid of close-ups of no man's land.

The eternally preconceived Wang Jiazhi is engulfing Tang Wei, and Tang Wei has no intention of standing idly by.

Tang Wei finally chose to study abroad, in her words, this is not an escape, but a voyage to the sea to enrich her future.

At that time, Tang Wei studied English hard for tuition in order to obtain a scholarship.

Once 4.8 million yuan of advertising expenses could have solved his livelihood, but Tang Wei chose to return 4 million yuan to make up for the unpredictable impact of his ban.

Tang Wei, who sells paintings on the streets of Britain, began a life of wandering in a foreign country, poverty, freedom, open-mindedness, and richness, and during that time, Tang Wei used his blunt power to heal the cracks in his soul,

Later, she discovered that all the rifts in this world were left for the beam.

Tang Wei began to let go, and in 2010, she returned with "Full Moon Hennessy".

Everyone was surprised, they didn't believe that Tang Wei's new movie was so pure that there was not even a kiss scene.

A group of people self-righteously cut Tang Wei, denigrating her amorous style while chasing her literature and art away from the dust.

The brokenness and dazedness of "Late Autumn" became a filter for Tang Wei I to see pity.

Xu Anhua's "Golden Age" allows Tang Wei to integrate Xiao Hong's soul into his body, Xiao Hong is no longer adrift, Tang Wei is no longer empty, and the cold wind in Harbin freezes their drift.

The women who couldn't help themselves comforted each other through the dappled light and shadow, and since then there has been no bitter red face.

03. Light clouds come out, water temple wind comes

Tang Wei, who climbed the slope in front of the screen, fell into the abyss, and then opened up a journey of thousands of miles at the bottom of the abyss, his career is the same, and so is his feelings.

Tang Wei's love is decent, but it is also a good thing and grinding, and the two loves of his first love Zhu Yuchen are beaten by the mandarin duck in the end, and the former sea oath mountain alliance has become two non-disturbing.

The two who fell in love at first sight were successively admitted to Chinese opera, and the polishing of art is their common hobby, but life not only has to face firewood, rice, oil and salt, but also a huge group of relatives and friends.

Zhu Yuchen's mother controlled her son very strictly, she hoped that her daughter-in-law would be with her husband and son instead of showing her face, and the filial Zhu Yuchen gave up her beloved.

Then Tang Wei, who was struggling in the hardships of life, met Tian Yu, and Tian Yu, who was two years older than Tang Wei, took care of this contented and motivated little junior sister of Chinese opera.

Because the two met and knew each other in "Police Flower Swallow", they quickly fell in love, and even reached the point of talking about marriage for a while.

But when Tian Yu visited Tang Wei's "Lust and Caution" crew, the shocked Tian Yu failed to catch the thunderbolt given to him by his girlfriend Tang Wei.

The original sin audience of the actress undressing is still pointing, not to mention Tian Yu, who has a clean white and decent family.

In the face of his girlfriend's "hue sacrifice", he can't accept it with his conscience.

A superior marriage is not destroyed in prejudice, but "killed" in morality.

Tian Yu does not want a female star who wants to burn half of the sky, but a white-headed man who accompanies him hand in hand, he cares about the world more than true love, and the two people who have no choice but to break up are each other, and there is no intersection and retention.

And a fated "Late Autumn" made Tang Wei meet South Korean director Kim Tae-yong,

Tang Wei's literary and artistic atmosphere came to his face, so that Kim Tae-yong did not hesitate to praise his words, and he even announced to the whole world that Tang Wei was his muse.

In April 2011, photos of Tang Wei and Kim Tae-yong walking and gossiping on the streets of South Korea went viral in the Korean media.

In response, at the end of the same year, Kim Tae-yong divorced.

Many people say that it was caused by Tang Wei's intervention, but Kim Taeyong completely belongs to the hot head of shaved peaches, because Tang Wei is in love with the musical talent Chen Yuli at this time, and the wrapping of the artistic atmosphere makes the two uncontrollable.

Unfortunately, in 2012, Chen Yuli died in a car accident in Switzerland, and Tang Wei cried silently at the memorial service, and the relationship that ended without a problem became Tang Wei's unhappiness.

It was this memorial service that allowed Tang Wei to meet his next boyfriend Hu Jing, and Hu Jing, as a marginal person of entertainment, finally captured Tang Wei's heart.

Love that cannot be evenly matched has hidden worries in itself, and the relationship between the two once collapsed.

In 2014, Tang Wei and Kim Tae-yong formed an indissoluble bond again, and the two gave birth to a lovely daughter after marriage.

In Kim Tae-yong's eyes, Tang Wei, who runs and grows savagely in the field, is an elf that he will never forget.

The semi-secluded life of a family of three makes Tang Wei happy, she doesn't care if her daughter wants to enroll in an aristocratic education, nor does she care whether her awards have grown into ashes, what she wants to do is to scald the turnips and stay away from the wind and waves in the saliva.

Tang Wei no longer has to think about how to get out of "Color and Caution", his absurd life is originally the overlapping intertwining of color and ring.

The length of life will eventually end, but the background of life and the width of life must always leave a little cry for the soul to act recklessly.

Then wander in the spiritual homeland, tears for everything that has been.

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