I haven't seen such a sensual Chinese drama scene for a long time.
In 1971, autumn, dusk, north wind level three, Red Bank base.
Ye Wenjie took out a "perforated" paper tape, entered it into the computer, and interpreted the above information-"Don't answer, don't answer, don't answer." ”
The base's radio was playing songs from that era, sending the leaders of the groups to the meeting.
Three operators were turning off the equipment in turn on the console as manual, and one technician fell asleep leaning on a stool.
Ye Wenjie walked in from the outdoors, patted the snowflakes on his body, walked directly to the launch pad, and aimed the Red Bank launch system at the sun.
She first adjusted the transmission power to exceed the theoretical threshold of solar gain reflection, and then used the mechanical properties of the antenna as a name, aimed it at the sun that had been hanging diagonally in the west, the sun was slowly falling, and under the change of position, Ye Wenjie had to manually track and adjust the latitude and longitude.
As Liu Cixin wrote in the novel, at this time, the Red Bank base is like a giant sunflower, slowly turning in the face of the falling sun.
It was such an ordinary dusk that no second person realized that Ye Wenjie was using the sun as a super antenna, through which it emitted radio waves to the center of the universe, hundreds of millions of times more power than the entire transmitted power that could be used on Earth.
At this moment, Ye Wenjie pressed the button.
Time passed minute by minute, and the coordinates of the earth were cast into the depths of the universe at this time.
She didn't know that she had lit a torch at the moment, but she didn't know how to control it.
And the fate of the entire human race will be completely changed from that ordinary dusk.
This scene, the suspenseful rhythm is intertwined, and the mirror editing is neat and full of age, which makes me fascinated. Originally, I still had doubts about the series, but now I have entered the drama too deeply.
To be sure, there is finally a decent domestic sci-fi drama to watch!
This is just the first day of entering this grand sci-fi world -
The drama version of "The Three-Body Problem".
The project was highly anticipated from the beginning.
No way, the selling appearance is indeed "tempting": Liu Cixin, the author of the original novel, is known as the man who single-handedly pulled the level of Chinese science fiction to the front line of the world.
His Hugo Award-winning "The Three-Body Problem" not only represents the highest level of Chinese science fiction, but also reaches the pinnacle of the world science fiction industry, and even "Avatar" director Cameron said that at least six movies should be made to not waste the novel.
The series comes with its own heat. Only, the stakes are just as great.
Because of the large number of followers, it is difficult for the shortcomings in the adaptation to escape the eyes of the audience.
The light ones were complained about and ridiculed, and the heavy ones had a complete reputation.
In the 15-episode animated version that is still on the air, the six princesses of CCTV commented that "the character shaping is overly entertaining and face-painted."
The deep-pocketed Netflix version, "Game of Thrones" two major screenwriters, David Benioff and D. B. Weiss executive producer, but found a bunch of foreign actors, the casting is too Western, it can be said that from the beginning of the right course.
It is no wonder that many readers have long classified the novel "The Three-Body Problem" as the most difficult type of science fiction to adapt, and the reason is also direct: the science fiction world in the novel is too grand.
The implication is that domestic dramas cannot be filmed with such grandeur.
However, this hard bone, someone has to gnaw it. This time, it was CCTV who tested the waters.
On the evening of January 15, "The Three-Body Problem" was officially broadcast on Yang 8 and Tencent Video.
Before "The Three-Body Problem", no domestic sci-fi drama really faced such a battle. It is no exaggeration to say that because of the appearance of "The Three-Body Problem", the domestic sci-fi dramas born before it can almost be classified as sci-fi dramas in quotation marks.
The broadcast of the series also marks that CCTV's eight sets of prime time officially adopted the superimposed broadcast mode, and "Crazy" starring Zhang Yi and Zhang Songwen starts at 7:30 every night, and two episodes are broadcast consecutively every night. "The Three-Body Problem" will be broadcast at 9:30 after "Crazy" airs.
This is undoubtedly the best New Year's gift prepared by the central government for the audience: the Chinese drama Double King Fried.
Especially in the stage of domestic sci-fi dramas, the drama version of "The Three-Body Problem" is even more hopeful. But can this national drama's impossible task really be completed?
In a word, fried.
CCTV's premiere ratings easily broke one, second only to "Crazy" before the broadcast time test.
The popularity of the network is pressing, and after two hours of broadcasting, it has been the first in the popularity of the whole network.
The most important thing is the audience's word of mouth, a four-word summary: faithful to the original.
After chasing four episodes in one breath, I went from dedication, to amazement, to empathy to chills in my spine.
This is a dream moment of domestic science fiction.
1. Enter the drama: One episode opens the war between humans and trisolarans, and scientists commit suicide en masse, making people enter the pit in one episode
What you must be most concerned about is how the story of "The Three-Body Problem" will be told.
This entry has advantages and difficulties.
The advantage is that the original "Three-Body Problem" is gripping at the beginning, and many viewers are familiar with the story.
The difficulty is that film and television dramas and science fiction are not the same, and the first part of the novel focuses on the three-body civilization, and human beings encounter a three-body crisis. Throughout the Three-Body Problem series, it's an introduction, an opening.
Therefore, a major mission of the first season of the drama version of "The Three-Body Problem" is to unfold and enter the play. Lead the audience into this grand world of science fiction.
How should the story be told so that people can watch it? Do you want to incorporate the three-body cosmology?
The entry point of the drama version of "The Three-Body Problem" is simple and efficient: crisis.
A great crisis caused by a war between humans and trisolarans.
The first thing that catches the eye is the pacing of the story. The opening scene is a big storm.
Wang Miao appeared and soon encountered a visit from Shi Qiang.
Shi Qiang invited him to a mysterious high-level meeting in the afternoon, but Wang Miao directly refused.
The two faced each other on the spot.
But under the repeated invitation of the public security, Wang Miao still came to the combat command center of this human war.
Surprisingly, the mysterious command center is not in the barracks, but in a museum that has been transformed before it is put into operation, and in the center of the museum is a huge dinosaur skeleton.
Shi Qiang appeared and took Wang Miao to walk in the museum, and also said the famous tilapia joke of the original work, this scene is almost like a copy of the original work.
Next, the audience follows Wang Miao's perspective into this mysterious war.
When military commanders from all over the world arrived, General Chang Weisi was straight to the point: this is a war that no one has ever experienced, everyone's eyes are focused on our war zone, and the enemy's recent focus is still on our physicists.
The physicists on the list committed suicide in less than two months and left a suicide note: human physics has disappeared.
When Wang Miao looked at the last name on the list, her expression suddenly changed,
And caught Shi Qiang's attention - Yang Dong, he gently leaned over and asked: Know?
Then he added according to Wang Miao's expression: Don't know, want to know?
After the meeting, in the conversation between Chang Weisi, Shi Qiang and Wang Miao, Chang Weisi officially explained the reason for inviting him: he hoped that he would break into an organization called Science Boundary to obtain information.
But Wang Miao refused, and Shi Qiang used a radical method on the spot, saying that he had better not go and not to commit suicide by being said a few words like other scientists.
As in the original book, Chang Weisi asked Shi Qiang to quickly disappear for me, and then Wang Miao asked him: Why did the military participate in today's meeting?
Chang Weisi's answer surprised Wang Miao: war.
The question is, at this time, the earth is the most peaceful era in history, where is war?
At this moment, Chang Weisi said the famous sentence in the original work: "Professor Wang, has there been a major change in your life?" This change suddenly changed your life completely, and the world for you changed completely overnight. ”
Wang Miao said no, Chang Weisi said: Then your life is an accident.
Wang Miao said that most people's lives are not like this? Chang Weisi said: Then most people's lives are an accident, since it is an accident, there is an end day, and now, everything is over.
At that moment, a chill like in the original book came with this classic line.
The audience is like Wang Miao, close to the touching countdown to human destiny: 400 years later, the trisolarans will arrive on the earth and launch an invasion of the earth.
At this point, sci-fi suspense, emotional suspense, in just one episode, all the elements are included, making people instantly enter the pit.
A strong sense of impact, attracting people to follow the suspense: what will happen next! One has to be curious.
It's full of originals, but I'm certainly not just excited to follow the originals.
But finally.
The domestic sci-fi drama entered the state at the beginning, and the trisolarans have not yet revealed the positive face of Lushan, but a huge sense of crisis has enveloped everyone.
In a word, the atmosphere and taste are right. This smell is what comes out of the story - science fiction.
2. Entry: Yang Dong's death, the countdown to "ghost", the original famous scenes are frequent, suspense is stacked, and the audience enters the game
We all know that the first part of Da Liu's original book is a work with heavy suspense and relatively less sci-fi elements.
Therefore, the drama version of "The Three-Body Problem" also has the atmosphere of a suspense drama and the shadow of a criminal investigation drama. The first four episodes have laid out three major suspense in one famous scene after another.
Every suspense leads the audience one step closer to the mysterious trisolaran world.
The first suspense point, Yang Dong's death and the mysterious organization.
Although Wang Miao refused to go undercover at the scientific boundary organization, Da Shi had already pinched his seven inches: Yang Dong's death.
After Yang Dong committed suicide, Ding Yi and his colleagues also quickly discovered the strangeness of the matter: Why had a document with the same conclusion been sent before Yang Dong sent the physics research results to the professor?
On the other hand, Wang Miao, who learned this from Ding Yi's mouth, said that this is simply impossible, and in the known world of physics, this is simply impossible.
Danteyi's words awakened the dreamer: What if human physics no longer exists?
At the same time, the scientific boundary organization and the mysterious woman Shen Yufei appeared in front of Wang Miao. Extend another invitation to him.
And the focus of Shi Qiang's investigation also pointed to her.
What is the connection between Yang Dong's death and the mysterious organization? As an applied physicist, why is Wang Miao highly valued by this organization? What is his use value for scientific boundaries?
Too late to find the answer, Wang Miao soon fell into a new crisis.
The second suspense point is the "ghost countdown".
Wang Miao suddenly found that a set of numbers was wrapped around him like a ghost.
It was a countdown of numbers, first in the margins of the film, later in his eyes, counting down the time, which was 1200 hours.
The director arranged a surprising set of stylized shots here, with interlaced light and shadow, which is very exciting:
When Wang Miao drove home, a ghost countdown suddenly appeared in front of her again, and these numbers were like hanging in Wang Miao's mind, and they couldn't be shaken off at all.
The car driven by Wang Miao made a sharp turn at an intersection.
Tension is methodically laid out. First start with the digital close-up in Wang Miao's eyes, then the close-up of Wang Miao's face, zoom out, and then Shi Qiang, who rushed to the rescue closely behind.
Shi Qiang tried to wake up Shi Qiang in a state of panic, and Wang Miao, who woke up, asked Shi Qiang if he was following him.
Shi Qiang angrily retorted: I am saving you.
Wang Miao shot back: I don't need you to save.
Then drive away alone.
With the rapid music of the drums, the near and far scenes switched rhythmically, and Wang Miao's whole person continued to fall into a high level of emotional panic, and the countdown in her eyes lingered.
The most detailed part of this section is the sound effect.
The suppressed sound effects set off Wang Miao's inner panic at the moment, and the whole process was not displayed directly, but rendered a sense of crisis from multiple angles.
The prying eyes of scientific boundary organizations, time is counting down; Wang Miao's inner panic, panic expanding;
The subjective shot of the characters, shaking and hurried, shows Wang Miao's inner panic at the moment.
Under the "ghost countdown" step by step, the suspense is also pressing step by step - just like Wang Miao's hysterical question on the phone to Shen Yufei: What is at the end of the countdown?
Shen Yufei gave a solution to stop the countdown: stop the experiment and try.
Obviously, this is the purpose of the mysterious organization.
Wang Miao stopped the nano test in the name of shutdown and maintenance, and the countdown in his eyes really disappeared.
However, Shi Qiang told Wang Miao that all the dead physicists had stopped the experiment a few days before they died, and all had contact with Shen Yufei, including Yang Dong.
Wang Miao still said that she would not cooperate with Shi Qiang, but openly challenged Shen Yufei: restart the nano test, and the ghost countdown was also restarted.
It was his special move that forced the Scientific Frontier Organization to use the final killer tool and take him to experience the three-body game.
Wang Miao asked Shi Qiang who else did not commit suicide like him?
Shi Qiang said that there was a person, she was Yang Dong's mother, Ye Wenjie. This leads to -
The third suspense point: Ye Wenjie and the past of the Red Bank Base.
At Yang Dong's funeral, Wang Miao meets the most special villain in the three-body novel.
As Wang Miao said, "The daughter she raised with one hand is gone, don't you think she is too calm?" "It seems normal as a physicist, but what about as a mother?
When sending Ye Wenjie a photo of his daughter Yang Dong, he and Ye Wenjie started a conversation.
Also in a photo, the antenna behind it was found.
And this is where the antenna and the photo are located, which is where the story begins: the Red Bank base.
This overly calm woman is obviously the key to solving all the mysteries, but she is like a huge mystery in herself.
And this mystery is the core of the show, and the mystery is at the Red Bank base.
All the clues have finally gathered, and a "three-body" suspense game is about to begin.
The story will also travel back and forth in three different eras: the Red Bank era, game time and space, and current reality, slowly unfolding the war between human civilization and alien civilization.
It is no exaggeration to say that the drama version of "The Three-Body Problem" starts from the first shot, the narrative goes straight to the point, leading the audience into the game with the death event, and then throwing out questions and leading the audience to reveal the secret together. The clues are revealed little by little, the characters are difficult to distinguish between good and evil, and in the fast-paced advancement, it is full of sci-fi suspense dramas that do not know the direction, unclear whiteness, can't guess the story, and the suspense atmosphere is also rendered to the extreme.
When the truth is constantly reversed, like a layer of mist above a distant mountain, you think you have seen everything, but when you reach the foot of the mountain, you find that there is a mountain behind the mountain. From a distance, the layers and mountains are stacked, and the clues are entangled, like the faintly exposed mountain in the distance, making people's hearts like cats scratching and about to move, and they can't cross the fog to the other side of the mountain to find out.
03, actor: Zhang Luyi is steady, Chen Jin is amazing, Yu Hewei's image is not enough acting skills to make up, but the role is stable
Audiences familiar with "The Three-Body Problem" should know that "The Three-Body Problem" is a sci-fi classic with a plot greater than the characters.
But no matter what the drama, the actor is the most important.
The play stars Yu Hewei and Zhang Luyi, and the main supporting roles are Chen Jin, Lin Yongjian, Wang Ziwen, Wang Chuanjun, Li Xiaoran, Tu Songyan, Kou Zhenhai and so on. There are no traffic stars, all of them are drama bone strength, and the lineup cannot be described as strong.
The first four episodes also have a lot of scenes of drag racing, which is very enjoyable to watch.
Next, let's take a look at how the series restores the classic characters in the original work one by one under the cloak of suspense.
The first one, Zhang Luyi (as Wang Miao).
Although the performance of "Ode to Great Qin" has been questioned, Zhang Luyi has always been a treasure actor, whether it is the negative character Tie Lin or the positive character Xu Tian, he can play it to make the audience worry.
After watching 4 episodes, the most intimate actor, I think it is him.
In the novel "The Three-Body Problem", Wang Miao seems to be a character with insufficient sense of existence, and in his character setting novel, the functionality is greater than the character, and it is more like the introduction of a story.
But this character, under the shaping of Zhang Luyi, is very expressive and unforgettable.
When shaping Wang Miao, Zhang Luyi accurately grasped the physicist temperament of the character, and had a kind of restraint and restraint that did not eat human fireworks.
But when he passively fell into a storm that human beings had never seen before, he was anxious, panicked, angry, resisted, and when facing the death of Bai Yueguang Yang Dong, the heartbreak he revealed in that moment made people sigh.
This kind of face-to-face performance, every scene, may expose a flaw, a timidity.
It is not so much that he decided to organize a dead stumbling with science for Yang Dong.
Rather, this is a physicist struggling to test the moral bottom line of protecting humanity. I think Zhang Luyi's performance is completely qualified, and the role of Wang Miao also has spy combat elements next.
From the moment she accepts the mission, Wang Miao will break into the ETO and obtain their secrets.
And for Zhang Luyi, who is familiar with acting spy war dramas, the next scene should be more smooth and free.
The second is Yu Hewei (as Shi Qiang).
He is the most intimate actor in the whole show, not one of them, but he is also the most amazing actor in the first four episodes.
Yu Hewei's performance shows the reality distortion force field of what acting is.
The original work does not have a complete description of the appearance of the great history, but in the hearts of most people, it should be five rough characters, full of brutal and ostentatious vitality.
The most intimate face in the audience's heart should be Jiang Wen, Jiang Wen can't be invited, Jiang Wu can also do, Chen Minghao can also do.
And Yu Hewei, who is famous for playing the literati Chen Duxiu, can't act in history no matter how he looks at it.
But after watching the first four episodes, I was actually subdued by Yu Hewei.
In the case of completely different appearances, Yu Hewei's whole person is black, his walking posture, speaking style, and body language have been adjusted according to the role, and his ruffled eyes and free state often make people laugh.
That tastes right at once.
Especially when I was with Wang Miao, between all kinds of ridicule, the feeling of cheapness was completely performed.
But when showing the professionalism of the role, there is an invisible murderous aura hidden in the eyes, sophisticated and keen.
Isn't this Shi Qiang?
Some viewers who obviously haven't seen the original work say that this is not right, how Shi Qiang has a kind of annoying energy.
But those who have read the original book should know that this is right, as General Chang said, he is like this.
From Qin Shi Huang, Cao Cao to Shi Qiang, every time the audience said that he could not act, and as a result, every time he came to the performance, which is where Yu Hewei is powerful.
Next, Yu Hewei also has a highlight performance paragraph: "Bugs have never been defeated, and this war that accompanies the entire civilization of mankind is still undecided!" ”
I'm sure he's likely to be more and more fanciful the further he goes.
And I especially like to watch the rivalry between Zhang Luyi and Yu Hewei, this strange official CP and strong sense of CP, as well as the friendship between the two men, is simply unforgettable.
The third place, Wang Ziwen (as young Ye Wenjie).
At first, I heard that Wang Ziwen wanted to play Ye Wenjie, but I refused. Her past role as a rich lady is too far from Ye Wenjie.
The calamity that destroyed humanity arose because of her. This character is fragile but powerful, extreme and decisive, and difficult to perform.
But when Wang Ziwen put on a period costume, tied up two twisted braids, and matched her determined eyes, at least from the opening scene, her performance was stable.
But to say brilliant, it is she -
The fourth place, Chen Jin (as the elderly Ye Wenjie).
In fact, after Chen Jin's makeup photos came out, it was "like Ye Wenjie in the book came out." ”
She didn't have many scenes in the first four episodes, but the impression she gave the audience couldn't be righter.
The surface is calm, and the inner lightning and thunder.
The death of her daughter brushed away the smooth and calm foam on her surface, and slowly exposed the true inner color of desolation.
In the face of Wang Miao's visit, Ye Wenjie, who kept a disguise, was calm and kind on the surface, but behind every expression was a secret.
Crazy villain, superficially kind old lady.
Who is more dangerous?
Don't rush to answer yet. Chen Jin played the intelligent and decisive and extremely rational side of the elderly Ye Wenjie, and also played the character's peace of mind and despair after experiencing tribulation.
Chen Jin did not disappoint anyone.
The fifth, Li Xiaoran (as Shin Yufei).
In the first 5 episodes, this character does not have many scenes, but it is very eye-catching, full of mystery, and really gives people a sense of shock, and a look will make you shudder.
Li Xiaoran completely performed the sense of strength of the character, looked polite and soft-spoken, but in fact he was four or two thousand pounds, and he was a real trader.
The sixth, Wang Chuanjun (as Ding Yi).
I said it bluntly, Wang Chuanjun did not act well this time.
If Yu Hewei is not close to the face but sticks to the role, Wang Chuanjun is close to the face but not to the role.
I think many people will agree that Wang Chuanjun is the right person to play Ding Yi.
But from the effect point of view, he over-highlights the neurotic side of the character, but Ding Yi's more character temperament is restrained and calm, with the perseverance of a scientist.
Of course, this is just the beginning, maybe we can wait until the acting counterattack.
The seventh place, Lin Yongjian (plays Chang Weisi).
Like Yu Hewei, Lin Yongjian was also considered a casting failure by some audiences, but he actually acted very well.
In shaping the character, Lin Yongjian shows a sense of ease, whether it is lines or facial expressions, he is very confident. Although there are no exaggerated expressions and body movements, the look and feel created is very majestic, making people believe that this is what the commander of a space war should look like.
Some people watched his performance at the Spring Festival Gala and thought that this was a comedian, in fact, this casting is very meaningful, Lin Yongjian's Nie Shuai in "Armageddon" is highly praised, and Nie Shuai is the founder and pioneer of China's aerospace industry, Chang Weisi can be called the founder of the space force in the original work, this casting is not only suitable, but intentional.
Fourth, how to break the domestic science fiction drama? The drama version of "The Three-Body Problem" may be able to make a sample
On Douban, some netizens left a message saying: Don't shoot.
Remaking novels has always been a perennial problem, and remaking classic science fiction is even harder.
Not only domestic dramas, but also the classic sci-fi dramas "Base" and "Dune" filmed in Hollywood have overturned, and the adaptation difficulty of "The Three-Body Problem" seems to be higher than these traditional classics.
In addition, domestic dramas are good at integrating overhead, ancient dolls, and magic reforms, and the level of domestic drama TV industry is also sweaty.
But looking at the temperament of this "Three-Body Problem", I found the texture of a domestic sci-fi drama.
First two words: restore.
The most critical point for the success of this drama is whether it can follow the original work. And judging from the first four episodes, the suspense advancement is fascinating and intricate; The emotional scenes are brought along, never noisy, and the main and secondary are clear; The structure is compact, the rhythm is relaxed, and the most important advantage is that many scenes seem to be moved from the original.
In terms of scenes, the Red Bank paragraph is full of age, and the details of the costumes in the scene are passed, which looks real and shocking.
The story world constructed by dark gray, cold blue, dark and so on, is calm and calm, magnificent and mysterious.
The look and feel of the drama is very immersive, making people immersive, feeling the emotions of the characters in the play, which is the advantage of restoration, because the original book can move people, and it is right not to draw snakes.
Secondly, the special effects passed.
At present, there are not many special effects scenes, but the farmer said that the lighting, composition, and color grading of the ghost countdown are above the standard.
Judging from the trailer, there will be cosmic flickering in the fifth episode, and there will be a three-body game in the seventh episode, especially the pyramid in the three-body game, the scene of Qin Shihuang, and the dehydration of the three-body people, the big iron ball, and even the color and shadow after entering the game are in line with the imagination of my readers.
When representing the trisolaran world, the view is desolate and hazy. You can still feel the pulse of this world, but unfortunately this beating life force is running out.
The special effects are certainly not perfect. But it has met our basic expectations for a sci-fi drama - a huge visual impact. and subtle psychic tremors.
The most important thing is the balance of theme and story.
"The Three-Body Problem" as a sci-fi suspense drama, what is the "truth" to look for?
Wasn't it who killed Yang Dong? It is the self-contradiction that floats in the torrent when small individuals face grand changes.
Judging from the first four episodes, in the face of a super IP, has the purpose of the choreographer been achieved? I think achieved.
Because the choreographer opened the pattern and wanted to present a magnificent world, what was not ignored was the most original thing of a science fiction drama: the maintenance of suspense and the wonderfulness of the story.
Some viewers open and close their mouths is Netflix's big hand, the strength of the American TV drama industry.
But the rating of the "My Three-Body Problem" series on Douban is not lower than 9, and each episode can make the audience exclaim "This is exactly the same as I imagined". Is it because of the sense of industry?
No. It is because the plot is highly restored, the narrative is stable, and the characters are dug deep and accurate, to put it bluntly, it gives the audience a wonderful story.
Epic, does not mean that the story is boring. Compassion does not mean boredom.
And the drama version gathers all kinds of elements, the story is faithful to the original, does not drag mud and water, although it is not stunning but sincere, so the episode is good-looking.
The theme, depth and volume of "The Three-Body Problem" determine the difficulty of film and television,
Some people are worried that Chinese science fiction dramas will not be filmed well, and some people say that Hollywood can make science fiction dramas, and Chinese there is no need to make fun.
But a sentence Liu Cixin said in 2014 can be used as an answer to these questions: "You have to try to make a science fiction movie, and you can't ask to make the first film like "Interstellar"." ”
A well-intentioned domestic sci-fi drama, from any angle, should not be taken lightly, or even ridiculed.
In addition to refined special effects and good-looking stories, science fiction dramas should have richer emotions, more complex human nature, and deeper thinking about life.
But for a journey of a thousand miles, telling a good story first is the first step.
And without trying, domestic science fiction will never move forward.
In today's desolate domestic science fiction dramas, the drama "Three-Body Problem" has a different meaning: that is, to let domestic creators and audiences see the possibility that we can also make film and television heavy industry science fiction dramas.
I hope that "The Three-Body Problem" will not only do a hit, but also try to become a new ceiling for domestic sci-fi dramas.
I hope that through it it can give domestic science fiction a proper name: don't give up!