laitimes

The most beautiful heroine of Luc Besson's filmsWhen a director announces that he will only make ten films in his life, most of them are out of overnarcissism and overconfidence, and Luc Besson is closer to the front

author:Disgusted

Luc Besson's most beautiful heroine

When a director claims to make only ten films in his life, mostly out of overnarcissism and overconfidence, Luc Besson is closer to the former, and Quentin Tarantino is closer to the latter. The reason is that Quentin's films are always on the line, while Luc Besson's level is very unstable, and when the world remembers his promise to "make only ten films in his lifetime", he himself forgets that while constantly breaking his word, he participates in the production of the film through a lot of screenwriting and production work. And Quentin, who is brewing his last work, is still within the commitment period.

As a director, the heroine of Luc Besson's film left a deep impression on me:

Isabel Adjani in 1985 "The Subway"

Roseanne Arquette in 1988's Blue Seas and Skyes

Anne Parrylord in Nikita (1990).

Natalie Portman in 1994's This Killer Is Not Too Cold

Milla Jovovich in The Fifth Element in 1997

Leigh Rushmson in Angel A in 2005

Louise Bourgun in Adella's Extraordinary Adventures in 2010

Scarlett Johansson in Superbody 2014

Sasha Ruth in Anna 2019

It can be said that he is very sensitive and discerning about female beauty, and many of the actresses he uses have experience as professional models, and he constantly proves to the world that he has the ability to adjust these beauty embryos into the plot and shape the characters. Whether you admit it or not, Luc Besson has reinvented these professional, semi-professional and even non-professional actresses in his career. Compared with the heroine in his works, to some extent, the "widow" Scarlett Johansson, who conquered the world by her beauty, looks ordinary, and even a little "dirty".

Strictly speaking, Luc Besson's pure directorial works are not masterpieces, but he has a world-class aesthetic level and inexperienced actor directing ability.

The most beautiful heroine of Luc Besson's filmsWhen a director announces that he will only make ten films in his life, most of them are out of overnarcissism and overconfidence, and Luc Besson is closer to the front
The most beautiful heroine of Luc Besson's filmsWhen a director announces that he will only make ten films in his life, most of them are out of overnarcissism and overconfidence, and Luc Besson is closer to the front
The most beautiful heroine of Luc Besson's filmsWhen a director announces that he will only make ten films in his life, most of them are out of overnarcissism and overconfidence, and Luc Besson is closer to the front
The most beautiful heroine of Luc Besson's filmsWhen a director announces that he will only make ten films in his life, most of them are out of overnarcissism and overconfidence, and Luc Besson is closer to the front
The most beautiful heroine of Luc Besson's filmsWhen a director announces that he will only make ten films in his life, most of them are out of overnarcissism and overconfidence, and Luc Besson is closer to the front
The most beautiful heroine of Luc Besson's filmsWhen a director announces that he will only make ten films in his life, most of them are out of overnarcissism and overconfidence, and Luc Besson is closer to the front
The most beautiful heroine of Luc Besson's filmsWhen a director announces that he will only make ten films in his life, most of them are out of overnarcissism and overconfidence, and Luc Besson is closer to the front
The most beautiful heroine of Luc Besson's filmsWhen a director announces that he will only make ten films in his life, most of them are out of overnarcissism and overconfidence, and Luc Besson is closer to the front
The most beautiful heroine of Luc Besson's filmsWhen a director announces that he will only make ten films in his life, most of them are out of overnarcissism and overconfidence, and Luc Besson is closer to the front

Read on