A year ago, when Zhang Huiwen announced that she had nibbled on the IP pie of "Ode to Joy", passers-by were glad that this "girl" finally had the resources to get her hands on.
When "Ode to Joy 3" was finally broadcast, Zhang Huiwen single-handedly undertook the vast majority of the infamy of the show, but every audience who watched the play would float back and forth with a sentence:
SOS, did the noonday sun save Zhang Huiwen's life?
It is hard to imagine that "He Mercy Hong", an originally rough-looking marginal character, could be so unpleasant that the audience could not help but jump into the screen and punch her twice.
Almost every episode opens with a similar barrage of "the day of scolding He Mercy Hong has begun again".
He Mercyhong's setting should be the benchmark for the first two versions of Guan Juer.
As a "happy child" in the eyes of his roommate, He Mercyhong has a family background that can be handed, and he is also a copywriter of a media company, and his appearance also belongs to the more likable and well-behaved female type.
People are good people, but they have a long mouth.
As soon as he opens his mouth, he is a moral benchmark for walking, and our Lady does not know it.
After hearing that her new neighbor Ye Zhenzhen gave priority to enjoying the Shanghai housing purchase qualification as a returnee, she began to pack unevenly, questioning Ye Zhenzhen's study abroad in order to get a Shanghai hukou and affect the fair competition of ordinary people.
Zhu Zhe, who left her hometown alone to work in Shanghai, did not want to be the "brother demon" and "sister demon" of the blood-sucking family, hoping that the entire 22nd floor could help her send these poor relatives together, he Mercy Hong stood up and accused Sister Zhu of being too ruthless to her younger siblings:
Yu Chuhui wants to save her mother from the shadow of domestic violence, hoping to find a job to forcibly leave her mother in Shanghai. He Mercy Hong began to stand on the commanding heights of morality again, saying that Yu Chuhui had a poor attitude towards his mother, which made her mother chill.
Yu Chuhui learned that her mother, who was a nanny, was mistreated at her employer's house and asked her to resign late at night. He Mercy Hong couldn't look down on the number of fallen Yu Chuhui let the two incapacitated old people in the employer's family ignore it, he was holding the aura of the Virgin, but after seeing the old man, he fled into the wilderness, and finally became angry and Yu Chuhui completely tore his face.
Lucy, who can't look at it, directly broke the moral benchmark of He Mercy Hong's double standard, was strict with others, treated himself leniently, and loved to make a big fuss about the shortcomings of others, but avoided talking about his own incompetence.
Including later, after He Mercy Hong learned that Yu Feixue had been deceived into marriage, she ignored Zhu Zhe's dilemma and secretly told Yu Feixue about Zhu Zhe's speculations.
Zhu Zhe, who was pushed forward, could only help investigate the case with the whole 2202, and even his personal safety was threatened, but He Mercyhong, who did not help anything and also helped him, only cared about immersing himself in his own grievances and self-blame, and did not consider the feelings of others at all.
The same is true in the workplace, where she only insists on her own values, but forgets the duties and obligations that a worker should have; Her moral insistence on not understanding flexibility is hypocrisy that harms the interests of the company and its customers.
Rather than saying that He Mercyhong is naïve and simple, she is a fool under the "lucky bias", experiencing too little social beating, and is accustomed to self-centeredness.
This role does invite scolding, but from the perspective of heat feedback, as long as the "villain role" is played well enough, it is easy to be remembered by the audience, and it is easy to break through its own representative works.
And in recent years, with the popularity of villain roles such as "Chen Junsheng", "Er Qing", "Yuan Chunwang", "Lin Youyou" and so on, the audience's tolerance for villain roles is obviously gradually rising.
But why would such tolerance be ineffective for Zhang Huiwen?
The biggest reason is actually that Zhang Huiwen's own acting skills have not kept up, and she missed the opportunity to turn over.
Someone summed up Zhang Huiwen's overall performance with "eye-catching acting skills", and the character's sadness and joy were all presented by staring.
When the lewd man was secretly photographed at a public dinner, Yu Chuhui crossed her waist in front of her, and she blinked her innocent big eyes, probably to show the "dazedness" of the characters:
After being grabbed by her roommate for saying bad things behind her back, she shrank her head and hid her weakness with an angry look:
After encountering Zhu Zhe's problems in the hotel, Ye Zhenzhen mentioned his opinion when chatting with He Mercyhong, and He Mercyhong on the side only had one expression the whole time: staring + nodding
When expressing his apologies to his roommate, he also twisted his neck and pinched, leaving a pair of large eyes in front of him:
In most cases, Zhang Huiwen's acting skills rely on staring throughout.
Of course, there are also several explosion scenes that are very eating acting, and Zhang Huiwen, without exception, did not catch it.
For example, she and Yu Chuhui quarreled over the resignation of Yu's mother's nanny.
He Mercy Hong's heart flooded and he was not accustomed to Yu Chuhui selfishly leaving the old man in the employer's family alone, "Internet mouth for" Yu Chuhui used this point to fight back, and after eating up, He Mercy Hong completely broke out emotionally to find Yu Chuhui to settle the account.
The contrast between the performances of these two actors is quite stark, one of the firepower is concentrated on the eyes, eager to throw the eyeballs out:
Angry emotions all rely on the output of the five facial features, which is a big score for squeezing the eyebrows and making eye-catching acting skills:
Let's put it this way, Lucy and Zhu Zhe, who are pulling the two, are more contagious than they are.
There is also a scene where He Mercy Hong privately looks for Yu Feixue.
He Mercyhong, who behaved like a thief, was frightened by Yu Feixue's three-word posture and immediately squatted in the corner of the wall and cried, not knowing what he thought was the scene of catching stolen goods:
After the goodwill was understood, He Mercy Hong slowly got up from under the table and continued to blink his tearful eyes, perhaps to reflect the character's timid and fearful personality, but what was the oncoming sense of mental retardation?
During the broadcast of the drama, He Mercyhong, played by Zhang Huiwen, was also scolded on the hot search, one is that the role is angry, and the other is that Zhang Huiwen's acting skills are down.
After watching some of the washed remarks about "the more angry He Mercy Hong is, the more it can show that Zhang Huiwen's acting skills are good", and those who really understand Zhang Huiwen's performance in the play know what is going on. The high popularity of the role is not that the actors are brilliant, but the screenwriter deliberately uses logical characters to try to detonate the audience's anger and provoke emotional publicity.
As for the actor's poor acting skills? That's just Zhang Huiwen's icing on the cake for the spread of the character's popularity.
Speaking of which, Zhang Huiwen is also a "girl" from a high starting point, but the follow-up development has fallen off a cliff.
In 2014, Zhang Huiwen became popular for starring in Zhang Yimou's "Homecoming", contributing to her current peak crying acting skills in the history of her career.
When she first debuted, Zhang Huiwen began to cry with her mouth, which would be quite delicate and agile?
Later Zhang Huiwen copied this set of crying drama process to each of her roles, from the words in "Gardenia Blossom":
To Lin Xi in "The Wind Rises in the Long Forest" (this is the highest performance after her "Return"):
To Natsuba in Call for Love in the Center of the World:
To Yan Lan in "Hello, Flame Blue":
And then to He Mercyhong in Ode to Joy 3:
This crying scene, from agility to contrivance, what did Zhang Huiwen experience?
After so many years of acting skills not only did not improve but regressed, suddenly you can understand why Zhang Huiwen has become the most downtrodden "girl". Don't say that she has no background, no resources, no one to praise, as an actor, at least she must have a highlight worthy of praise.
Compared with the "girl" who ran with her in recent years, the acting skills are not as good as Zhou Dongyu; Fight for beauty, better than Ni Ni; Spelling the topic, no better than Liu Haocun.
The featureless "girl", no matter how high, will eventually become a crowd.
The road to becoming popular is a long way off, and Zhang Huiwen's willingness to challenge unpleasant roles is a good thing, but first of all, can we completely erase "eye-catching acting" from her career?