One day, the woman's beloved prince will ride a white horse to marry her.
And Jiang Wen tells you such a story, one day, a woman who loves a man deeply will ride a white camel to marry him!
Women will say: Shameless!
And Jiang Wen said: You come to beat me!
Did the hand touch the buttocks, or did the buttocks touch the hands?
Among the films filmed by Jiang Wen, "The Sun Also Rises" is undoubtedly the most incomprehensible.
After watching this movie, I turned it over and over, I couldn't sleep, and the movie was full of two words: lust. And when I look at it horizontally and vertically, it is All of Jiang Wen's despicable performance methods.
The film is adapted from Ye Mi's short story "Velvet", the story of this novel is actually very simple, telling the tragedy of family ethics in the context of an era.
Wikipedia pictures
The plot of the novel goes like this:
Li Dongfang is the son of a poor woman, after he grew up, his mother still did not wear a pair of socks, the only pair of cloth shoes can only be worn during the New Year's Festival, was ridiculed by the people around him as "barefoot immortals", this poor and strong woman in Li Dongfang's 18-year-old year, the money for her son to pay high school tuition in his pocket, desperately went to the supply and marketing agency, just to buy a pair of socks.
However, in the trance, all kinds of memories came to mind, this poor and stupid woman thought of making a little subsistence for her son and husband, in fact, her husband died before her son was born, she felt sorry for her son, and bought two pounds of pork at the market.
So a vicious drama began to play out, she went to the toilet in the village latrine, hung the meat on a wooden stick outside the latrine, and when she came out, the meat was gone, and she was also crazy, and she was called a crazy mother.
Until the deported Tang Yulin came to this village with his wife and children, the "crazy mother" woke up on this day, she did not know how long she could wake up, so she dressed herself up and jumped into the river to commit suicide...
Some people wonder, jump the river to jump the river, why bother with this move, what bath, anyway, to jump the river.
Tang Yulin was very sympathetic to Li Dongfang's suffering, while his wife, Sister Yao, was mean in her words.
Tang Yulin hunted and gambled with a group of pippi all day in the mountain village, because he had a gun and was called daddy by the pippi, so he left Yao's sister at home in the cold, resulting in Yao's sister and Li Dongfang's adultery.
Tang Yulin finally found out and said to Sister Yao, "You are sending someone to die!" ”
After drinking a bowl of porridge, he took a shotgun and waited for three days in the place where Li Dongfang was going to pass, before Li Dongfang appeared in front of him. Li Dongfang was not sullen and very calm.
Looking at this bitter child, Tang Yulin was struggling inside...
He waited for Li Dongfang to speak.
Li Dongfang said, "I should be damned."
"But there's one thing I don't know, I can't see it."
He continued without changing his face: "What is velvet?" ”
This is something that Tang Yulin once said to Yao's sister - "Your belly is like velvet."
Tang Yulin raised his gun, "Velvet is a kind of cloth. A slippery fabric, a bit like grass, a bit like flour. ”
Li Dongfang's face is confused, and it seems to have a kind of begging conspiracy, this conspiracy has something that cannot be ignored, you can't let a person die with real regrets, and this person has such a mother...
So Tang Yulin embarked on a road to find "velvet", what is velvet? In fact, it represents a kind of desire and yearning, loss and pursuit.
Tang Yulin finally found nothing, and when he faced Li Dongfang again, Li Dongfang said to him: "You don't have to look for it, I want to come and go, I already know what velvet looks like." He went on to say, "Just like Sister Yao's belly..."
Tang Yulin sounded a gunshot, and announced that the story was over, yes, Li Dongfang was killed.
If Li Dongfang had insisted that he didn't know what "velvet" was, perhaps Tang Yulin would not have let his life remain under his muzzle.
When Li Dongfang heard Yao's sister say, "He said my belly is like velvet," Li Dongfang said, "I want to make the straw paper you use." ”
……
This story is like this, and what does Jiang Wen bring us? I think many people are very confused and want to know Jiang Wen's answer.
"Sun" is Jiang Wen's sun, "Velvet" is only the velvet that Ye Mi understands, Jiang Wen shot his own depth, this is the charm of Jiang Wen's film, but also the confusion that we can't understand.
So, what kind of story does "The Sun" really want to tell? I think a lot of people don't have answers, and even if they do, they are different, a thousand people, there are a thousand Hamlets...
To understand this movie, we can't follow the time of the movie, because Jiang Wen adopts an incomprehensible narrative technique - circular story stitching.
We can't find where the beginning is and where the end is, like day and night, non-stop. The title of the film is "The Sun Also Rises", which also indicates that there will be another night.
I have never met a director who can be so torturous, Jiang Wen is such a freak, you are confused at the same time, but also try to find.
Jiang Wen said that in this film, there are actually only two people, men and women.
Many articles have commented on this film, they are more about clarifying the structure of the story, but they have spliced out a lot of extraneous sounds, which are not the key. But it is no wonder that they are, because metaphor is the usual method of Jiang Wen's films, and many details hide deeper details.
Today, let us carefully analyze this surrealist love tragedy.
Break the cluttered storyline
The film tells four story segments, which seem to be barely bonded, but in fact, each story is closely related.
We divide it into one, two, three, and four, with the first three taking place in 1976 and the last in 1958. So, the beginning of the story has to start in the fourth paragraph in 1958.
First, the fourth paragraph
In this paragraph, only two women are seen riding camels, one is "crazy mother", the other is the "Yao sister" in the novel, that is, the Tang wife in the film, we still call it "Yao sister".
They are only the beginning of the story of this movie, but they are not the beginning of their love experience, their experience, in their dialogue and memories.
Sister Yao has been telling her lingering past alone, that is, she and Tang Yulin know each other, Tang Yulin in the movie, is a prodigal son of the love scene, after getting Sister Yao, left a sentence: "I want to return to the motherland." "I left Sister Yao behind."
For three years, Sister Yao has always loved him deeply, even if she has a marriage partner, she also has a long memory of Tang Yulin, but Tang Yulin later heard nothing, and when she was about to let go of him, Tang Yulin's letter flew again, the content was still so bad, Sister Yao seemed to be waiting for her love to come back.
Tang Yulin said in the letter: "Let's get married, I will wait for you at the end of the road..."
In fact, how can there be an end to the road? But she still went, on the vast Gobi Desert, riding a white camel that Tang Yulin wanted, to find the end of his road, and she herself knew that the end of the road was still the road, which was a belief in love, just like a pure girl, without hesitation, or a moth to put out the fire...
Yes, the Yao sister in the movie is like a naïve girl, completely different from the characters in the novel, which is the "Yao sister" that Jiang Wen wants to give us.
And the crazy mother is silent the whole time, she also has her love, one year, she was broken by Li Bukong's love, Li Bukong in front of a large group of people on the podium, only for the crazy mother, it is a crazy love, in that environment, any girl will be powerless, their distance, from the distance of a long gun, into the distance between the tip of the index finger and the root of the thumb, but five inches, this distance, like the root of a man, this is Jiang Wen's metaphor, alluding to them beyond that scale.
But Li Bukong is like his name, there is no time, he dedicates his experience to the faith in his heart, harvests the heart of his lover, but turns his back on the person who loves him, which is a kind of cruelty for a woman, the past people have taken the Yellow Crane to go, and the Yellow Crane Tower is empty here... She is like a hollowed-out "Yellow Crane Tower", sad alone, suffering in silence, without a word.
Their path, in the hearts of both of them, has no end...
And Jiang Wen's cleverness is that he really let this road have an end and a non-endless instruction, the end of the road, is for Yao sister, but the road instead of the end has become an irreversible choice for the crazy mother, because she learned that her beloved person has died on the battlefield, and she is still pregnant with his child.
The different results of the two women are like the difference between day and night, but day and night will eventually be a kind of reincarnation.
Whether it is the end of the road or not, for these two women, it is given by the man, by the person they love.
At the end of the road, Yao's sister saw a five-fingered mountain with the word "end" written on it, which was the destination of her love, and marriage would also become the end of their love.
What the crazy mother got at the intersection of the "non-end" was Li Bukong's relics, shoes, clothes, and pants were placed separately, like the crown of clothes that fluttered on the river surface after she committed suicide... It is a kind of follow-up to a loved one.
She is like a wanderer in life, there is no home, love gives her is the child in the belly, this child is between her and him, after a long night, the sun rises again, nothing more, but not only that, the road ahead still can not see the end...
Sister Yao's end is still endless, like a train passing through the platform when night comes. He and Tang Yulin were in the desert of the Gobi Desert, passing through the two slightly profound gunshots, and walked into another place of desire, where everyone sang and danced, drank and had fun.
Why did Jiang Wen only use two gunshots? I think that these two sounds represent the short-term happiness of men and women, a kind of erotic satisfaction and boredom, just like the beauty of our lives, fleeting, nothing more than three...
In that place of desire, they all do not belong to each other, Tang Yulin was pulled by everyone to revel, Yao sister was dragged by Teacher Liang to the churning sea under the carnival, where Teacher Liang's figure was very vague, do not pay attention, we can't even tell who they are, only to hear Teacher Liang's gunshot and rush to the ocean of entertainment.
Only to see Tang Yulin drunk in the tent, a woman with a large cake to block his mouth... Sister Yao's cry of help was also drowned out in the noisy noise...
This paragraph is a very complex plot, but also the most difficult to understand the scene, the whole picture is like hell, long nights, excitement, confusion, are intertwined...
As the whistle of the train sounds, all this will also rush to dawn, and the crazy mother is bumping on this train, confused, watching the raging fire, and this train just passes through this feast of desire, a tent burns the rope, and follows the train, while the crowd below is still reveling, full of flames, flying fires, is a drunken dream of human nature...
The red light on the side of the day also heralded the imminent rise of the sun, which belonged to the dawn of the mad mother, who gave birth in the car, through a hole in the bottom of the train, gave birth to a child, the child fell on the train tracks, I think, this should be to let hope be reborn in another place without hustle and bustle.
The train stopped a moment after she gave birth to the child, and the crazy mother quickly got off the train, frantically looking for the child, looking for the destination that belonged to the beautiful love, and the desert that was already full of rocks bloomed colorful flowers, and the child cried inside, while the crazy mother shouted:
"Alyosha... Don't be afraid...... The train stopped above... As soon as he smiled, the sky lit up..."
This cry has not stopped for a long time, like a cry of hope, and like a whisper in a dream, the film ends here, but it echoes the beginning.
So, what kind of day and night? Our train of thought is back to the beginning, on that sunny day, the crazy mother will usher in another dark night of her own, and everyone will be like this!
These obscure things are played by Jiang Wen to the fullest, and we, like the confused years, always feel that something is wrong, but we have infinite emotions.
Two
The first and second paragraphs actually belong to the same time and space, and I will put them together here.
These two paragraphs are the story of eighteen years later, that is, 1976, in fact, the first three paragraphs are closely linked, but the causes are different, resulting in magical results.
The mad mother and Li Bukong's son grew up to be an adult, and this child had the shadow of Li Bukong, and the crazy mother said to him: "Your appearance minus my appearance is your father's appearance." ”
However, the crazy mother is not awake, this is the scar left by the traces of time, she dreamed of the moment when the train stopped, she ran on the colorful flowers, there was the desire in her heart, the dream appeared no longer a child, but a pair of fish shoes, which were all the memories left by Li Bukong, symbolizing the beauty of love.
When she woke up, washed her feet, and went to buy a pair of such shoes, in fact, she had been living in a half-dream and half-awake, but unexpectedly, when she was on the side of the road, she hung her shoes on the branches, and a parrot flew in, shouting "I know, I know", the crazy mother wondered, what does this bird know? And the shoes were gone. Her dreams were gone, her love was gone, no one knew why, it seemed that the bird knew, and followed the bird everywhere to find it, making herself a "madman in the tree" by making herself a "madman in the tree."
It's a story of a madman and a fool, very magical, a madman being kicked into a well by a fool, thirteen and fourteen, but we can't guess what the intention is.
In her crazy years, she was sober about one thing, that is, the story of that pair of fish shoes, all the unbelievable words and deeds were closely related to their stories, to let people know Li Bukong's appearance, their past, but no one can know.
"You don't understand, but that doesn't mean you don't see it."
Li Dongfang was slapped countless times because he didn't understand, and these countless slaps were like the imprints of Jiang Wen on the audience's face, because we didn't understand, didn't understand what Jiang Wen was. And he said to us, "Just because you don't understand doesn't mean you don't see!" ”
We are like ignorant children, seeing their parents arguing inexplicably, do you really understand?
Alyosha is a memory of her youth, and Li Bukong is the cage of her reality: "Actually, this is not your father's name." ”
Katyusha was the cannon of their passionate years... This is an illusion of age.
The pebbles she carries will also be cast into the castle of her dreams, and the broken objects have also become the sweetness of her splicing the past, but it can't withstand any wind and grass, Li Dongfang's few sneezes will make all this fall apart, however, all this looks so intact, she stitches well, a lot of triviality is like a life without a trace, but it can't withstand the collapse of the real heart.
Yes, everything is shattered again, no matter how hard you try to shape, it is in vain, the past, can not be changed...
She, awake, rarely sober, but it was her last awakening, carrying her past to eternal silence, leaving the metaphorical crown flowing on the river, and the castle she built still stood in a secret place, where it would go to another night, becoming another secret of Li Dongfang, broken by Tang Yulin.
And in another part of the east, it is not calm either. Tang Yulin was there, Teacher Liang was also there, but he couldn't see Sister Yao, here was another story of wind and snow, where did Sister Yao go? We don't know, perhaps, that's a mystery of marriage, in which we're all in it, but not in it, and it's so mysterious and so ridiculous.
Dr. Lin is a very seductive woman, and Teacher Liang is a very feminine man. The two of them, seemingly like thunder and fire, should have sparks. But what is very strange is that the relationship between Dr. Lin and Tang Yulin is also very ambiguous, and even makes people wonder, who does Dr. Lin really love?
When Tang Yulin found her a pair of crystal shoes, she cheered: "You are really powerful, you really made this pair of shoes bigger." ”
This sentence also implies the content, the shoe becomes larger, like a velvety silky process.
When Teacher Liang was on the open-air movie scene, he was strangely caught up in the "hooligan" incident, he moved his hand, it was the hand with the wound on the tip of one finger, where did this injury come from? From his charismatic performance.
A finger, with the blood of his first love, this is what he asked for, from the Gobi Desert with this smell, Tang Yulin's familiar taste, that is his pain, I think, Tang Yulin later learned about this matter, people are like this, the hatred of killing the father, the hatred of taking the wife, are unbearable.
There is a very obscure conspiracy here.
Teacher Liang was speechless, because the woman he touched did not shout "catch the hooligan", but he was not innocent, because he really did, and the guilt made him flee, and finally passed through Tang Yulin's dormitory, hanging outside the window sill behind the house.
Dr. Lin was also fleeing, and when Teacher Liang grabbed the door and entered, she was in Teacher Liang's room, and in this way, the two people who had done something wrong magically bumped into each other, while Tang Yulin, an old strategist, had a hill in his chest.
Dr. Lin was not at the scene, but she became a designator, she told the leader that someone had violated her, the leader asked her to testify against the criminal, and The familiar taste of Teacher Liang made her quickly find out, but Teacher Liang did not.
Far-fetched explanation. Dr. Lin said that he admired Teacher Liang and asked him to admit it, so that she could justifiably say that she was voluntary, and teacher Liang could fly with both wings.
And another woman told the truth, those so-called hooligan acts are a drama she created, she is the one who really cares about Teacher Liang, and cares at all costs.
Teacher Liang did not appreciate it, not my love is not my dish, she left, he also "admitted" his own misdeeds under the temptation of Tang Yulin.
"It's this hand... It is this hand", Teacher Liang cried bitterly, remorseful, as if confessing to Tang Yulin that he had defiled Sister Yao...
The song that Teacher Wu sang was also very interesting, sonorous and powerful, so that Tang Yulin and Teacher Liang both said strange, just like the two people who had known each other had pulled away, they were both strangers, Tang Yulin wanted to decide the fate of this stranger, and let the enemy who came to attack disappear forever.
"If you need my help, just tell me." Dr. Lin said to Tang Yulin.
"No more."
There really is none, because Teacher Liang has already borne the infamy, which he himself admitted, although he was exempted from punishment, how could he look up in front of people? Obscene labels are firmly attached to his body.
Teacher Liang invited Tang Yulin and Dr. Lin to dinner, and he obviously saw that Dr. Lin and Tang Yulin had a great relationship. He was just a broken gun, the gun belt bound his inner sense of shame, could not go away, he finally provoked Tang Yulin...
The final picture is of him hanging under his own gun belt.
We are also unable to determine whether he committed suicide or was killed, the picture is very inconsistent with the logic of suicide, this is the price of error, is another dark night of life, suicide and his killing therefore has no meaning, this is also the most attractive place of Jiang Wen's film, theory and reality are always very contradictory.
All the passion, like a beautiful Thoreau tree, the song is reverberating...
This may be another kind of reincarnation, whether you are pure or noble, obscene or despicable, there is always a dark night that belongs to you, and sooner or later it will come.
Teacher Liang's "suicide", many people feel stunned, but also very strange, can not find the cause of his death, when you dig through the film to dig these details, his death is too normal.
Jiang Wen's neuroticism is like this, a good story is not easy to say, like a labyrinth, you have to let the audience reason like Sherlock Holmes, and the response to this film should be mediocre.
Third paragraph
The whole movie is about love, marriage, and ethics, and Teacher Tang (Tang Yulin), played by Jiang Wen, is the only role that belongs to her husband in the film, and Li Bukong (Alyosha) is also a protagonist, but there is no figure, which is another form of husband.
Li Bukong has his own responsibility, but he has never been responsible, leaving only a crazy mother with a nervous disorder, raising children alone, and insisting on their love, Li Bukong does not represent betrayal, he only belongs to his soul.
Although Tang Yulin married Yao's sister, he betrayed his own woman, and the previous story is about Tang Yulin's betrayal, Li Bukong's determination. This third paragraph is a reversal, the crazy mother also chose her own decision, and Sister Yao is no longer as pure as a girl on such a day.
Obsessed with marital love, like a grave, escaping from this grave, how can it not be a dark night... And after the night, I suddenly found that the sun of life rose as usual.
Teacher Liang's death and the death of the mad mother are connected by a thread, not to say that they have any connection, but to illustrate an unchanging truth, everything that all people experience will eventually die with our passing.
In the movie, Teacher Liang lies flat on the spiritual bed, singing the beautiful Thoreau tree in the music, and connecting with the musical prelude to the crazy mother's suicide by jumping into the river, which is the first place.
Tang Yulin was sent to this village in the south, just in time to encounter the crazy mother jumping into the river.
Before saying this paragraph, I found that I missed something, here to make up: the south is Li Bukong's hometown, the crazy mother came here with the help of Uncle Li, the husband's hometown represents the crazy mother's attachment to love, meet a person and end up old, even if Li Bukong has long been killed in battle, she did not leave, and her ending is the same as the obscene Teacher Liang, committing suicide, the difference is that one is perseverance, one is inner condemnation.
These are the two concepts under the same ending, the story of the mad mother ends here, and her sun, Li Dongfang, will also cross the dawn and go to the twilight of the sunset.
This story is the dark night of Li Dongfang and Tang Yulin, as well as Yao Sister.
I don't know why Sister Yao suddenly appeared here, but it is also very easy to understand, they are husband and wife after all, there is no divorce, it is a tie.
Sister Yao said, "I wasn't sent here, I'm here to send him." ”
It can be seen that Sister Yao does not care much about Tang Yulin anymore, and all she has is a marriage in name only.
Men, often the children of wives, as Sister Yao said; "Zhizi Moruomu." She knew Tang Yulin too well, what kind of a person he was, she had already seen through it, Tang Yulin only cared about his own happiness, and how many times did he care about Sister Yao?
Here, Tang Yulin hunts with a group of disobedient children all day. At the sound of a trumpet, a group of flying prey will appear, followed by a gunshot, the prey will arrive, and a group of little brothers will follow the chase...
The pheasants in the sky, no one cares, can be beaten casually, it is really interesting.
Such a picture is used repeatedly by Jiang Wen, and even makes people feel difficult, what did this guy shoot? What do you want to say?
The prey is a person's desire, and the sound of gunfire represents the conquest of desire, and that trumpet is the vision of his desire. The reason for repeated use also represents a person's endless pursuit of desire.
In this endless chase, Tang Yulin completely forgot about the Yao sister who was taken down by his rhetoric.
Why didn't he choose to leave? Since Sister Yao is dispensable, what is the meaning of marriage? I think that married people know that external desires are not permanent after all, otherwise ordinary lives will be meaningless...
Only when he felt that the things around him seemed to belong more and more to him, he would be afraid, and all this, Tang Yulin was not awake.
"Isn't your house over there?" Li Dongfang asked.
"I don't go back, the kids are still waiting for me." Tang Yulin turned his head and answered silently.
Home, just a thing that exists, is a non-necessity.
He mistakenly entered Li Dongfang's secret residence by hunting a pheasant.
That was the secret that the crazy mother once had, discovered by Li Dongfang, this secret, became a cage, it looked like a lonely grave...
He and Li Dongfang did not intersect too much, Tang Yulin submitted the prey, Li Dongfang gave him a centimeter, telling him: "You have won three birds with one stone." ”
Yes, the prey has been, and there is a good reputation for subduing those wild children, and the wife of the family still belongs to herself, really? Tang Yulin wondered.
So when he returned from hunting again, he suddenly understood something, the children kept him, yes, it was time to go home and see, the wife was still not there.
However, at night, in bed, the wife disappeared, and a man's pants were lying on the bed, which was Li Dongfang's.
How long had he not returned to this home, and how could Li Dongfang and Yao's sister be so far away? Obviously, Sister Yao never thought that this guy would come back, but he really came back, whether he cared or not, this belonged to him.
Tang Yulin went straight to the cobblestone fortress that looked like a grave, and the sound of his wife's panting came from inside...
"Your uncle Tang said that my stomach is like velvet." Sister Yao gasped and said the same dream words as before.
Sister Yao was originally a man with a husband, but as if there was none, if marriage is like a grave, she does not have this feeling, the grave can not imprison love, it is not called a grave, so she fell into this fortress like a grave.
It was another dawn when the sun was rising, it was a natural law that nothing could change, Sister Yao was still the role of a wife, boiling porridge and putting pickles on the table, Tang Yulin had something to say to her, and she didn't want to talk about it seriously.
Simply kneeling next to him, he simply said, "You can do whatever you say." ”
Tang Yulin silently drank the bowl of porridge, and only calmly said to Sister Yao: "Do you know? By doing so, you are going to kill people. ”
He took the gun and turned away, and on a smoky day, on the path where they often handed over the spoils of war, Li Dongfang walked towards the muzzle of Tang Yulin's gun.
"You're looking for death!"
Li Dongfang did not know what the velvet felt like, Yao Sister's belly and velvet, which was more real, he wanted to know the answer.
"Velvet is a special piece of cloth!"
Li Dongfang seems calm on the surface, but in fact he is very afraid, because he is tantamount to looking for death. Tang Yulin intensified his tone on the word "cloth", which sounded like a gunshot...
Li Dongfang was undoubtedly afraid of death, and was not as calm as it seemed.
In order to make Li Dongfang die without regrets, Tang Yulin had to embark on the road to find velvet, and velvet also gave him the answer, Yao sister is the velvet he needs to crack.
After some analysis by an old friend, Tang Yulin finally understood that the real problem was in himself. However, it was too late, and he divorced his wife, which was an absurd mistake...
Tang Yulin bought a mirror that women like, the mirror is Yao Sister's bright smile, there is also Tang Yulin's romantic face, she finally waited for the man's care, care about her beauty, care about her need for happiness, but she is about to leave, to return to her hometown, no longer believe in love. Once the love, in fact, has been wandering in the end of the world, the heart is tired...
Although Tang Yulin did not find the velvet in Li Dongfang's mouth, Li Dongfang found the velvet in his cognition, which was an old brocade.
Tang Yulin had already turned and left, but Li Dongfang's doubts struck again, as if asking:
"But your wife's belly doesn't look like velvet at all."
Then Tang Yulin fired a gunshot, the picture was like fire, and like blood, walking towards the Gobi Desert under the scorching sun, and the time switched to the two women in 1958.
It can be said that here should be the end of the story, but Jiang Wen did not arrange it this way, here is the result of no result, who died in the end, has always been a mystery, but I am more inclined to Li Dongfang died.
Or maybe neither of them is dead, either outcome seems to be true, just like the conjectures of each confused time, but gradually subsided in the complicated real life, or it could not be solved...
Fourth, those metaphors in the movie
Jiang Wen's films always carry a lot of symbolic things.
Shotguns, horns, gunshots, prey, cobblestone fortresses, coats flowing on the river... Everything can clearly feel that he is trying to express a certain meaning. Almost all of this gives the viewer a specious concept.
Huang Qiusheng, who plays Teacher Liang, said: This is an erotic film.
Fang Zuming, a brainless guy, said even more bluntly: This is an action movie.
It was as if he really had a lot of hard drives.
When the two of them say this, it is simply a naked indication that Jiang Wen, the LSP, uses those large metaphors to map the elements of eroticism.
Chen Chong said it was a Chinese version of "Roman Holiday." It's not completely wrong, this is a movie about the love of men and women, it's just tragic.
Jiang Wen spent 7 years shooting "The Sun", saying that this movie was a gift from Heaven, but unfortunately no one could understand.
Over time, this movie has also shown its unique charm, even if you can't understand it, you will feel that it is a good film, and you can always feel something very realistic from it, either explicitly or implicitly.
In this film, every detail has something worth investigating, I just said a rough idea here, close to 10,000 words, and I actually feel that there are too many things that have not been expressed...
This Jiang Wen is really too depressing, maybe he will never be able to make such a movie again...
The whole movie, as Jiang Wen said, tells the story of a man and a woman. Have but do not cherish, lose to know dazed, remorseful, cruel... It also tells the bitter fruit of betrayal and depravity...