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The favored Tang Wei, the "Broker" without character charm

author:Poseidon is not winter

After watching two Korean movies in a row, both of which have non-Korean participation, "Broker" was shot by Japanese director Hirokazu Kore-eda, and "Determination to Break Up" featured Chinese actor Tang Wei. "The Broker" tells the story of a bland and slightly criminal little people, while "The Determination to Break Up" tells a clichéd story of falling in love with a third party in suspense.

The favored Tang Wei, the "Broker" without character charm
The favored Tang Wei, the "Broker" without character charm

Kore-eda's films usually look for the kindness and warmth of the protagonist in the irrational three views, "Sea Street Diary" four half-sisters can get together, "Thief Family" a few strangers who are not related by blood can form a loving family, Kore-eda's movies seem to be inseparable from family blood and love, the protagonist of the story is usually a few people, the story will sometimes be very bland, but the characters can suck in people to let the audience watch. Unfortunately, "Broker" is not like this, it seems that when it comes to "Broker", it is Kore-eda's warmth that fails, and only blandness remains in the bland story, like a lullaby that I want to hear but are not very good, and people are drowsy. In the case that the story is not attractive, if there can be an attractive role, then the whole story will not be so boring, but there is no "Broker", although there is a movie emperor Song Kanghao, there is an idol IU, have not been able to make the story full, especially the heroine, the heroine is a very important character, set up as a young mother who gave birth to a son to the prostitute, but the whole story does not have a flashpoint to make this character stand up, and it is not enough to rely on tragic experiences. The final tear-jerking part of the character played by Sakura Ando in "Thief Family" makes this role full of tension, and the audience can empathize with her on her behalf.

Looking at "The Determination to Break Up", Tang Wei is favored by screenwriters and directors, and she does not even need particularly delicate and explosive acting skills, tailor-made for her, beautiful Chinese women who are not familiar with Korean. When you look at it, you will only say"Ah, Tang Wei is really beautiful." ”

The favored Tang Wei, the "Broker" without character charm
The favored Tang Wei, the "Broker" without character charm
The favored Tang Wei, the "Broker" without character charm

When the character has sexual tension, even breathing is like zuoai. There is no large-scale bed scene, in the end the male and female protagonists only have a deep kiss, but the hormones between the two of them are so attractive, he watches from behind when he is cooking, he puts on her hand cream, she takes something from his pocket, she lets him listen to her breathing and falls asleep, the desire between the two because of the ambiguity is more exciting than the bed scene between the male protagonist and his wife, so lust sometimes does not need to be explicit, does not need a bed scene, only needs the sense of atmosphere and the attraction between the actors.

"Don't look at a person closely, because you'll fall in love with her." This is the line in Portrait of a Burning Woman, and I like it a lot, but I think there's an additional condition to this line, which is that the person you're observing is a beautiful person, and when you look closely at a beautiful person, you fall in love with her. The male protagonist Zhang Haijun in "The Determination to Break Up" first saw the heroine Song Xulai, his eyes froze, and then changed from a bottom-up pushing mirror to a close-up, and he took a deep breath. If you say that when you first see her, you are only attracted because of your beauty, then when you follow up, you use a telescope to observe and record her every move with your voice, and fantasize that you smell the aroma of her body, then it is not only attracted, but loved.

Tang Wei's temperament is very suitable for the films of big directors, or it is a skilled film director who can dig out her temperament. In fact, it can be seen that she does not act well, but she feels very reasonable, as if the role needs to be so wanted to act and not act well. The heroines in Park Chan-wook's films all carry a kind of crazy beauty, and even the style in their bones is a little neurotic, but their smiles are so attractive, and the whole person exudes charming desire, and the ultimate purpose of liking and loving is desire.

However, in the movie, Tang Wei said that when Chinese, I didn't hear her clearly several times, especially when the man hit her, the lines were vague Chinese, and the subtitles were Korean subtitles, so I could only listen to it repeatedly, and when she said Chinese lines, there were a few times when I felt that she was careless, that is, the line skills were not very good. Foreign movies are not Chinese, so it is not awkward to listen to actors say lines, but if they are Chinese lines will sound very abrupt.

A movie is more than two hours old, the director needs to make full use of the lens language to tell the story, the lens language in "The Determination to Break Up" is worth watching repeatedly, and there are several very unique perspectives.

In one picture, the two protagonists are actually facing each other, but in the composition, one is an entity and the other is inside the screen, but they are actually together.

The favored Tang Wei, the "Broker" without character charm

Directors need to be good at using the language of the camera, and those famous directors are very good at using the language of the lens to tell stories, and using the lens to make up for the lack of the plot in the case of bad plot.

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