#Talk about Hong Kong Film#
If "Chasing the Tiger and Catching the Dragon" is Wang Jing's cold rice that challenges the audience's aesthetic lower limit, then its predecessor "Money Empire" is also a cold rice, at least it is a cold rice that does not annoy people.
The advantage of the film is the helplessness of using Xiao Jiu, a small inspector in the power layer, to make an incision to write a small role, and Eason Chan also has the ability to play a small person, which is always more interesting than the assembly line big road cargo tyrant film. Liang Jiahui's Xu Legong is probably the most domineering Lü Le derivative of all this genre, and in "Chasing the Tiger and Catching the Dragon", he also plays the lame Hao and Wu Zhenyu supporting the beam. The disadvantage is that Wang Jing has always been a shortcoming, the writing is loose and one-sided, and many small details have the potential to do a good job, but he does not shoot. Once the goal is to present a panoramic view of the times, it is easy to shoot the overall story into disarray. And perhaps in order to pass the scrutiny, all the corruption was cut across the board before the establishment of ICC, dissolving the epicness of the movie (although I don't know where the movie is epic) and at the same time ironic.
But I have to say that this film is really inherited (lame Hao, LeiLuo biography, o record triad) Kaihou (chasing the dragon, chasing the tiger), Huang Qiusheng's character role in "Chasing the Tiger and Catching the Dragon" copied to Jiang Haowen to play, the setting of the nine wives of the fine nine even a little Tang Bohu dot autumn flavor, before borrowing after the tribute, Wang Jing fried the first million bowls of cold rice.
However, the rose of this part is still much more beautiful than the rose of the dragon chaser, and even a little female independent consciousness is that the girls chasing the dragon are vases. And Jingzi himself played lard boy, feeling that this thick-looking but slippery image is Jingjing's life role.
