After chasing "The Young Marshal", I was completely conquered by the palace-level performing arts of Teacher Li Xuejian! Although I have heard of this drama of the young marshal for a long time, I did not like to watch this genre in the past, thinking that it was big

After chasing "The Young Marshal", I was completely conquered by the palace-level performing arts of Teacher Li Xuejian!

Although I have heard of this drama of the young marshal for a long time, I did not like to watch this genre in the past, thinking that it was the same way as most divine dramas, so I never watched it. Recently, the farce famine, suddenly want to see this film that has been recommended by many people. This look never stopped, and it took a day and a night to chase it. In my impression, chasing a drama all night is still the spiritual head that I only had when I chased "Langya List" many years ago.

Teacher Li Xuejian has always been an old drama bone that I like more. It feels like he can get all kinds of roles in place. Whether it is an emperor, a commoner, a reckless, or a leader, he has his own unique way of interpreting, and will not format the performance in the same way. For example, the character of Song Jiang, many people think that he plays too obscene, in fact, this is a difficult role that really tests the skills of an actor. He can be said to have portrayed Song Sanlang's kind of straightness with cunning benevolence and righteousness mixed with vicious complexity! It can be seen how thorough teacher Li Xuejian's analysis of the characters in the play is!

Speaking of the drama "The Young Marshal". Although this drama is mainly about young marshals, the performance of the article in it is also remarkable, but the style of the old marshal Li Xuejian has completely crushed him! The image of an old warlord who is moody and arrogant and self-absorbed to dominate one side is completely vivid and wonderful. Even when I saw the big handsome in the play angry, as an audience, there was a chilling sense of oppression! What a strong audiovisual shock!

It is hard to imagine that such a frightening and cruel character can at the same time play the lowest and weakest kind old man in the subject of the wrong car, I think this is the difference between a performing artist and an ordinary artist.