A set of pictures illustrates how much water there was during the so-called peak of Hong Kong's music scene in the 80s and 90s. Most of the mainstream songs are based on cover Songs of Japanese works. To put it bluntly, the so-called Hong Kong music scene is lacking

A set of pictures illustrates how much water there was during the so-called peak of Hong Kong's music scene in the 1980s and 1990s. Most of the mainstream songs are based on cover Songs of Japanese works. To put it bluntly, the so-called Hong Kong music scene lacks a soul. Look at the Taiwanese music scene in terms of insisting on originality much better than Hong Kong, from the early Wu Bai, Zhang Yusheng, Zhang Yu, and then to the later Tao Zhe, Jay Chou, Wang Lihong. The works of these singers are completely ahead of Hong Kong.

Especially Jay Chou, insisting on doing Chinese-style works, it can be said that no one can surpass it in the past 30 years.

Looking at the mainland music scene, since the era of Xu Weipu's mizuki years has passed, it has been deeply invaded by the Korean Wave. The niang-P style is prevalent, all kinds of electronic sound effects are countless, and decent works have been few and far between.

If you subdivide the Chinese music scene into three major regions.

Then Taiwan 10 points

Hong Kong 8.5 points,

The mainland should barely score 6 points

#Music# #歌曲 #