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"My Liberation Journal": Jin Zhiyuan's face is a sad trace of contemporary workers

Ou Hua excitedly announced that "My Liberation Journal" is the best drama of the year so far!

I haven't seen such a resonant drama for a long time, and there is no dog blood bridge section that catches horses. Ordinary and healing, every ordinary person in life can find their own shadow in it.

"My Liberation Journal": Jin Zhiyuan's face is a sad trace of contemporary workers

In particular, the heroine played by Jin Zhiyuan is simply an accurate portrayal of today's social animals. This line that pokes straight into the heart seriously doubts that the screenwriter has not been less polished and ravaged by society.

"My Liberation Journal": Jin Zhiyuan's face is a sad trace of contemporary workers

The world is another my daily life

There are also all kinds of complaints that make people in the workplace nod their heads in empathy.

"My Liberation Journal": Jin Zhiyuan's face is a sad trace of contemporary workers

In addition to the plot and lines being realistic to nothing, the portrayal of the character's physical state in this play is also quite real.

"My Liberation Journal": Jin Zhiyuan's face is a sad trace of contemporary workers

From Jin Zhiyuan's face, Ou Hua saw too many shadows of our ordinary people's fatigue and relaxation.

Like the tear troughs that can't be covered by filters, the vague mumbling flesh at the corners of the mouth, and the blurred jaws, they are all the traces of the tired and ugly hearts of contemporary workers!

"My Liberation Journal": Jin Zhiyuan's face is a sad trace of contemporary workers

Mournful low-pressure beauty

Compared with the peak of the radiant appearance of previous years, the overall temperament is indeed much darker.

"My Liberation Journal": Jin Zhiyuan's face is a sad trace of contemporary workers

Coupled with the fat-full flesh face like Jin Zhiyuan, itself is not inherently resistant to old hanging. If you don't plan for aging in advance, you tend to age faster than others.

"My Liberation Journal": Jin Zhiyuan's face is a sad trace of contemporary workers

The lower part is much heavier than before, and the fat sags out of the nasolabial grain and the puppet pattern

In fact, there are many cases like this "the more tender you grow older", there are many more in the entertainment industry.

Fa Fu is faster than the balloon blowing Katayoshi Ryota, from the tight silhouette of the tearing handsome guy fell into the cheek hanging face of the man, as a fan is really going to tie Q.

"My Liberation Journal": Jin Zhiyuan's face is a sad trace of contemporary workers

Obviously, the facial features have not changed, but the blurred outline of the floating sac is really a demerit point for the value of the face

And if you sit idly by, with the increase of age, the sagging of the fat layer will drag the smas fascia layer down together, and the aging rate will further accelerate...

"My Liberation Journal": Jin Zhiyuan's face is a sad trace of contemporary workers

Further aggravating the facial loose fat contour is becoming more blurred and the deepening of various lines (nasolabial folds, eye bag tear troughs, Indian patterns).

Although babyface is not born with age tolerance genes, this does not mean that sisters with less flesh on their faces can relax their vigilance against aging.

"My Liberation Journal": Jin Zhiyuan's face is a sad trace of contemporary workers

If the sign of aging of the flesh face is the looseness and heaviness, then for the face with less soft tissue, the appearance of haggard is the biggest feature of aging.

Fat loss + fascia layer sagging aging, various gully lines appear on the face, much like sucked dry eggplant...

"My Liberation Journal": Jin Zhiyuan's face is a sad trace of contemporary workers

When Ou Hua told the sisters about anti-aging before, he emphasized the theory of hierarchical anti-aging countless times.

Fully understand the causes and levels of their aging, and accurately solve the problems. The lifting, the filling filler.

As long as the thinking and pace are right, maintaining beauty for more than ten years is not a problem at all!

"My Liberation Journal": Jin Zhiyuan's face is a sad trace of contemporary workers

Joe Sister's silhouette management for more than ten years is really

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