Nima Zeren is a Tibetan painter who graduated from the Sichuan Academy of Fine Arts, vice president of the Chinese Painting Society, member of the Calligraphy and Painting Institute of the Central Research Museum of Culture and History, and a national first-class artist, and enjoys special allowances from the State Council. He was hired as General Advisor to the Art Direction Committee of the London Olympic Art Congress. He has held large-scale Huahua awards around the world and received honorary certificates issued by the Ministry of Foreign Affairs.
Nima Zeren has been particularly fond of painting since he was a child, because under the influence of Buddhist culture, when he saw many exquisite murals, he wondered when he would be able to paint such a beautiful painting, at that time, the brush of Nyima Zeren's family, which was not very good, was only black charcoal.
Being recommended to study at the Sichuan Academy of Fine Arts can be said to have changed the fate of Nima Zeren, and the systematic art study made him a painter. At the beginning of his creation, he also encountered many difficulties, and it was these difficulties that made him constantly reflect and improve himself, and finally achieved his "Panchen Painter".
Nima Zeren was a painter of the new school who creatively integrated the art of Tibetan and Chinese painting, and was called "new school Tibetan painting". On the basis of traditional Tibetan painting, it integrates elements of Chinese painting and Western modern art, forming its own unique style. The reason why we embarked on this unique artistic road also has a relationship behind it.
When Nyima Zeren first participated in the National Art Exhibition, the famous art critic Wang Chaowen once commented that his works were no different from other Han painters, or even inferior to Han painters. It was such an appraisal that took root in Nyima Zeren's heart. He began his own path of reflection and exploration.
In the process of painting, Nyima Zeren has been looking for his own artistic style, traveling through large and small monasteries in Tibet, tens of thousands of paintings have allowed him to learn the style of works of previous generations, and also worshiped the painting monks as a teacher, deeply understood and mastered the composition and color of traditional Tibetan painting and thangka painting, and finally created works with strong national characteristics.