Fifteen years ago today, this close-up work ushered in the finale, but it has always been spat on because of the bad ending

Today (January 21, 2022) marks the end of Kamen Rider Kabuto, the seventh game in the Heisei Kamen Rider series, which aired its grand finale 15 years ago today, and a week later, the new Kamen Rider Electric King also premiered.

For the work "Kamen Rider Kabuto", the wind reviews are a bit mixed, but most of them use "bad tail" to evaluate this work, or use "the first half of the god work, the second half of the bad work" to describe this work, today through the "Kamen Rider Kabuto" end anniversary, to talk about the real quality of this work.

plot

The author personally felt a huge sense of separation in the early and late stages, the first half (personally believed to be the part before the "chef back") its suspenseful style, multiple foreshadowing, excellent character shaping, can be described as the first-rate level of the "Knight Series", but from the second half, itself to begin to recycle the place of foreshadowing, the screenwriter Yonemura has dragged on again and again, and then two "campus horror back", obviously dug so many pits in the early stage, but it is not filled.

The result of the water set is that "Kamen Rider Kabuto" has a lot of places "digging holes and not filling" The most popular complaint is the "Kamen Rider Red Shoe System", which is mentioned once in the main play, and then it is also performed once, and then never mentioned again; the detailed setting plot of Hell Brothers Kicking Locust Fist Locust is also rarely reflected; including the behind-the-scenes black hand such as protozoa appears too late, and the shaping time is not enough...

Characterization

Personally, I feel that the sense of separation of the characters is more serious than the plot, and the late plot of "Kabuto" is still very compact, but the gap in character shaping seems to feel that this is two dramas.

Especially after revealing the identity of the female protagonist Xiaoxu, the male protagonist Tiandao directly changed from a god-like character shaped in the early stage to a paranoid who is easy to break and defend, anyway, when he sees here, he does not like Tiandao.

After that is the Shindai Sword, after watching the ending, I like this role very much, but the sense of separation before and after the Shindai Sword is also very large, when it first appeared, it was also a "genius teenager" who set up various abilities that are comparable to the Heavenly Dao, but the more the plot of the Shindai Sword turns to the development of the "harmonic star" role, the forced grid completely disappears, but fortunately, the ending of the Shindai Sword is more eye-catching, and it is also the most interesting place at the end of the whole play.

Then there is the thunder fly Daisuke who is generally considered to be the three horses, and the episode in which the memory is restored in the early stage of the whisper is enshrined in the author's mind, but after that, the Daisuke kazema wanders outside the main line, and then even disappears directly in the later stage.

Although I complain about the character building in TV, these characters in "Kamen Rider Kabuto" are really impressive, after completing "Kamen Rider Kabuto" for such a long time, I can clearly remember the characters and related plots in the play, and I can't deny that Tendo, Kagami, Shindai Sword, Hell Brothers... The charm of these characters is indeed sufficient.

Finally, I would like to add that the cornmill is really handsome (shi wang li feels like a reverse growth)

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