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Text: Green Carp and Entertainment
Edited by Green Carp and Entertainment
Preface
Wang Peiyu, a popular figure in the Peking Opera industry, has recently become the focus again, and her comments on the Qilin Opera Club have aroused heated discussions among netizens. The self-proclaimed "Boss Yu", is she conceited or confident? Is her criticism of Guo Degang's Peking Opera performance too harsh?
What kind of forces are needed to promote the recovery of the Peking Opera market? Did Wang Peiyu's remarks stand on the right level? Perhaps, we all need to take a good look at the artist's words and deeds.
"Artist VS cross talk celebrity: Are you a real artist?"
In ancient times, merchants and entertainers were a group of people with low social status. Businessmen are like low-end professions that have been beaten with chicken blood, and artists are regarded as the bottom of society. But times have changed, businessmen have become local tyrants, artists have become big stars, it is really upside down, with money, everything is possible!
Speaking of artists, let's first take a look at Wang Peiyu in the Peking Opera industry. This girl was born in 1978 in Suzhou, Jiangsu, and is the fourth-generation descendant of Mr. Yu Shuyan, an old student of the Yu School of Peking Opera, and a national first-class actor.
Don't look at her young age, as early as 18 years old, she was praised as "Meng Xiaodong alive" by Peking Opera star Tan Yuanshou, and is quite known as "Little Meng Xiaodong". Later, she also entered the Shanghai Peking Opera Company, played some female students, won numerous awards, and became the deputy director of the Shanghai Peking Opera Company at the age of 25.
Although this eldest sister has good acting skills, she is full of confidence as soon as she opens her mouth, "I am an artist". But we can't help but ask, what is an artist?
Why did you label yourself all of a sudden? You have to know that the title of artist is not given casually, you have to have a good job, and you have to make some achievements!
For example, Guo Degang of Deyun Club doesn't dare to say that he is an artist, and he feels that he is still far behind! He said, to be a little famous in this business,
You have to have a place, you have to have a large number of followers, you have to have your own unique style, and you have to contribute to this industry, such as Mei Lanfang and Zhou Xinfang!
It can be seen that putting this label on yourself is a bit self-righteous. It's better to put a sign around your neck and "please call me an artist". As Wang Peiyu said, you have to have unique achievements, followers, and contributions to the industry, which is the standard for artists!
However, we also have to look at the reality, don't just say the word "artist", life is not good. Artists are not fun, they need strength and talent. More practical actions and less lip service is the king!
Having said that, the title of artist is not just talking, you have to have the strength and level, and you have to make a difference. Otherwise, don't fall behind and shout that you are an artist, other artists are built on the basis of a good job, not just a sign!
"Peking Opera Queen VS Cross Talk Master: The Battle of Art Ignites the Internet"
On the big stage of the entertainment industry, some eye-catching dramas will be staged from time to time, and in the most recent play, the protagonists are Wang Peiyu in the Peking Opera industry and Guo Degang in the cross talk industry. The play was not staged on stage, but in the public eye, and a "war of words" between the two artists sparked widespread discussion.
The starting point of the story is that Wang Peiyu expressed doubts about Guo Degang's professional level in an interview, she believes that Guo Degang's Peking Opera level is not high, and cross talk cannot bring fire to Peking Opera.
As soon as this remark came out, it immediately caused an uproar on the Internet. Some people support Wang Peiyu's view, believing that as a Peking Opera actress, she is qualified to evaluate Guo Degang's professional level. However, some people believe that Wang Peiyu's evaluation is too harsh and ignores Guo Degang's efforts and contributions in promoting Peking Opera.
Guo Degang's response to this was succinct and forceful, and he expressed his position in just five words. And these five words have also become another focus of this controversy. Guo's response shows his love for Peking Opera and confidence in his work, but it also reflects his dissatisfaction with Wang Peiyu's remarks.
This controversy is not just a personal difference of opinion between the two artists, but also a deeper reflection of the boundary between art and entertainment. Wang Peiyu positions herself as an "artist" and attributes Guo Degang to the "entertainment industry", a demarcation that has caused people to think about the relationship between art and entertainment.
In modern society, the boundaries between art and entertainment are becoming more and more blurred, and the interaction and integration between the two is becoming more and more common. The controversy between Wang Peiyu and Guo Degang touched on this sensitive and complex topic.
"Peking Opera Prodigy: Transformed into a Superstar in the Entertainment Industry"
First of all, I have to talk about Wang Peiyu's starting point. She is not a rich girl, nor does she have any background, she relies on her own hard work and talent. In 1992, Wang Peiyu was admitted to the Shanghai Opera School.
Began her journey of learning Peking Opera. At that time, she was just a primary school student in an opera school, who would have thought that this little girl would become a big name in the Peking Opera industry in the future?
Wang Peiyu's talent was soon revealed. During her time at school, she won a series of awards, including the first prize of the National Children's Peking Opera Competition in the "Baosteel Cup", "Blue Island Cup" and "Liyuan Cup".
These awards were like stepping stones to her future artistic path, and her name began to ring in the Peking Opera world.
However, it is not so easy to become the "first female veteran of Peking Opera". Wang Peiyu's artistic journey is full of challenges. When she first learned Peking Opera, she actually started from Lao Dan's business, and later transferred to Lao Dan.
This transition sounds simple, but it's actually a huge challenge. Lao Dan and Lao Sheng's performance style and singing voice in Peking Opera are very different, Wang Peiyu not only has to give up Lao Dan who has learned well, but also has to re-learn everything about Lao Sheng. This kind of courage and determination is not something that ordinary people can do.
Wang Peiyu's efforts were not in vain. She has not only gained recognition in the Peking Opera industry, but also shined in variety shows. She read "Nian Nujiao Chibi Nostalgia" in "Reader" with Peking Opera rhyme, and performed a talk show at the "Tucao Conference".
even performed Su Shi's "Water Tune Song Head • When Will the Bright Moon Be" with virtual singer Luo Tianyi on "Classic Chants". These cross-border attempts not only made more people know Wang Peiyu, but also made more people fall in love with Peking Opera.
Of course, Wang Peiyu's success has also attracted some criticism. Some people say that she went on variety shows to become famous, and some people say that her singing skills have declined. But Wang Peiyu responded to all the doubts with her wonderful performance on stage. Her performances are always hard to come by, and her artistic skills have been unanimously recognized both inside and outside the industry.